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IMDbPro

Revolução Estudantil

Título original: School Daze
  • 1988
  • 14
  • 2 h 1 min
AVALIAÇÃO DA IMDb
6,1/10
8,5 mil
SUA AVALIAÇÃO
Laurence Fishburne, Spike Lee, Giancarlo Esposito, Tisha Campbell, and Kyme in Revolução Estudantil (1988)
Assistir a Official Trailer
Reproduzir trailer1:43
3 vídeos
29 fotos
ComédiaDramaMusicalSátira

Um jovem não tão popular quer se empenhar em fazer parte de uma fraternidade popular em sua faculdade.Um jovem não tão popular quer se empenhar em fazer parte de uma fraternidade popular em sua faculdade.Um jovem não tão popular quer se empenhar em fazer parte de uma fraternidade popular em sua faculdade.

  • Direção
    • Spike Lee
  • Roteirista
    • Spike Lee
  • Artistas
    • Laurence Fishburne
    • Giancarlo Esposito
    • Tisha Campbell
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,1/10
    8,5 mil
    SUA AVALIAÇÃO
    • Direção
      • Spike Lee
    • Roteirista
      • Spike Lee
    • Artistas
      • Laurence Fishburne
      • Giancarlo Esposito
      • Tisha Campbell
    • 50Avaliações de usuários
    • 32Avaliações da crítica
    • 52Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 indicação no total

    Vídeos3

    Official Trailer
    Trailer 1:43
    Official Trailer
    Three Movies That Changed Billy Porter's Life
    Clip 3:39
    Three Movies That Changed Billy Porter's Life
    Three Movies That Changed Billy Porter's Life
    Clip 3:39
    Three Movies That Changed Billy Porter's Life
    School Daze: You Still Don't Understand
    Clip 1:59
    School Daze: You Still Don't Understand

    Fotos29

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    + 23
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    Elenco principal95

    Editar
    Laurence Fishburne
    Laurence Fishburne
    • Dap Dunlap
    • (as Larry Fishburne)
    Giancarlo Esposito
    Giancarlo Esposito
    • Julian 'Big Brother Almighty' Eaves
    Tisha Campbell
    Tisha Campbell
    • Jane Toussaint
    Kyme
    • Rachel Meadows
    Joe Seneca
    Joe Seneca
    • President McPherson
    Ellen Holly
    • Odrie McPherson
    Art Evans
    Art Evans
    • Cedar Cloud
    Ossie Davis
    Ossie Davis
    • Coach Odom
    Bill Nunn
    Bill Nunn
    • Da Fella Grady
    James Bond III
    James Bond III
    • Da Fella Monroe
    Branford Marsalis
    Branford Marsalis
    • Da Fella Jordan
    Kadeem Hardison
    Kadeem Hardison
    • Da Fella Edge
    Eric Payne
    Eric Payne
    • Da Fella Booker T.
    • (as Eric A. Payne)
    Spike Lee
    Spike Lee
    • Gammite Half-Pint
    Anthony Thompkins
    • Gammite Doo-Doo Breath
    Guy Killum
    Guy Killum
    • Gammite Double Rubber
    Dominic Hoffman
    Dominic Hoffman
    • Gammite Mustafa
    Roger Guenveur Smith
    Roger Guenveur Smith
    • Gammite Yoda
    • (as Roger Smith)
    • Direção
      • Spike Lee
    • Roteirista
      • Spike Lee
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários50

    6,18.5K
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    Avaliações em destaque

    Deceptikon225

    An examination of one of the worst forms of racism that African-Americans deal with!

    This film dealt with a lot of inner conflicts that African-Americans where unwilling to deal with at the time. Class struggles, light skinned vs. dark skinned and greeks vs. non-greeks. I just purchased it on DVD, but I remember seeing this film when it first came out in February of 1988 and it is just as powerful and entertaining now as it was then. It's amazing to look at this film now and see all of the actors who went on to successful careers afterwards, like Laurence(then Larry) Fishburne, Tisha Campbell, Giancarlo Esposito, Roger Guenveur Smith, Kadeem Hardison, Jasmine Guy, Darryl Bell, Rusty Cundieff(director of "Tales From The Hood"), Bill Nunn, Branford Marsalis, and of course I can't forget Samuel L. Jackson. Three years after this film came out a cousin from Seattle came to visit, I showed him this film and he was surprised to discover that there were actually historically black colleges and universities(HBCU's) in this country. He later attended Southern University here in Baton Rouge. That was the effect this film had and continues to have on young African-Americans and their views of HBCU's.
    FWTxrunner

    A Breath of Fresh Air

    I am only 18 years old and I just saw the movie School Daze. I do not attend a H.B.C.U., but I have friends that tell me what goes on there. To the older people out there, can you believe that that type of stuff is still going on?! My friends and I were just talking the other day about how this guy on her campus would only date lighter skinned girls. If that is his thing, than it is, however, he would not date them because of their personality. He said they just "looked better on his arm." My mother and I always discuss the future of African-Americans and I am going to tell the truth. I am scared. We hurt each other more than any other race and we have to stop. I am a dark-skinned female and I just learnd to love myself. I thank Spike Lee for not being ashamed to call us out when we needed it. No, I do not think that the movie was an Oscar winner, but I do know that it was a mind opener and should be a lesson to all of us on how we allowed the European standard of beauty to shape our self-worth.
    8g-bodyl

    A Look Inside The American Black Culture!

    Spike Lee's School Daze is an interesting film, one that reveals the struggle of black society in the 1980's. This was the time period when they were struggling to keep their head afloat in this world despite the civil rights movement some decades before. This film has many flaws, but it's not a letdown thanks to the clear message Spike Lee was able to bring across. The opening of this film is powerful as Lee is showing the history of his people and the end.....well it came out of nowhere but I think it's rightly justified.

    Spike Lee's film takes place at a historically black college during homecoming weekend and it's about how the sororities and the fraternities clash against each other.

    The acting is decent: nothing to rave home about, but nothing to be ashamed of either. Laurence Fishburne may have had the best role as the revolutionary leader who wants to change how his school is ran.

    Overall, School Daze is very interesting and it sends the message to America and more specifically to black people, to wake up and be proud of their heritage. These morals are a strong presence throughout the film and quite frankly, they elevate the movie. For the music itself, it's quite enjoyable though some songs are a tad too long. Kudos to Spike Lee for going somewhere that directors rarely go. I rate this film 8/10.
    9michaelwilsonthesecond

    Powerful, but only for Adults (or Mature Teens)

    I pray that racism isn't the reason this film has such a low rating on here.

    I'm a black college student who used to be in a white fraternity and this film is actually fairly accurate to the ideas those organizations promote.

    The acting is stellar, Laurence Fishburne, Giancarlo Esposito, Tisha Champbell, and Spike Lee steal the show but as much effort is put into almost every supporting role.

    The cinematography is done pretty well, not flawless but as a film buff I appreciated it. The music is awesome and keeps you engaged, it really serves as a nice break for the more dramatic scenes.

    The storyline is overall about finding yourself in college which is a very difficult task and even more difficult now in the age of social media.

    The only complaint I had about this film is that the actors don't really look like college students, but it's minuscule in comparison to the film's themes.

    I would recommend this film, but the primary audience is adults and I would keep high school students away from this film unless they're exceptionally mature for their age.

    Go into School Daze with an open mind and be prepared for a powerful film that sticks in your mind well after your initial viewing.
    stonedog23

    Nostalgic treat

    I had not seen Spike Lee's School Daze in 13 years, the first weekend of its release. This movie has a very special meaning to African Americans like me who were college students in the 80s. The school setting acts as a microcosm of black life as a whole. The social issues it tackles are all too familiar to black life: light skin vs. dark skin, college kids vs. the surrounding economically disadvantage community, and the social responsibility of African Americans to Africans across the entire black diaspora among others.

    Watching it in 1988 I thought the dance sequences were too long, but in 2001 I now see their worth. The DVD is visually beautiful, while being gritty in spots where it should thanks to the beautiful work of the great Ernest Dickerson. This was a huge leap for Spike as a director, coming from a $175,000 budget for She's Got To Have It to School Daze.

    This film does a great job of giving us some of the inner workings of Black Greek letter organizations. It also shows what abuse people will go through to belong. I was actually living School Daze when I saw it in 1988, so I come from that perspective. It was thrilling to figuratively see myself on that screen in 1988.

    If you are looking for Academy Award winning performances, then this isn't the film for you, although there are some really fine actors in the film. If you haven't ever lived this existence, it is really hard to appreciate School Daze. I have a great appreciation for Spike, the era, and the story Spike has written and brought to the screen.

    Most folks don't get the ending "Wake Up" scene, but it absolutely belongs. The entire movie and most of Spike's works are wake up calls to America, but specifically to the black community.

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Spike Lee had the actors stay in separate hotels during filming. The actors playing the "wannabes" had better accommodation than those playing the "jigaboos", which contributed to the on-camera animosity between the two camps. The step show scene was the result of that animosity. According to Lee, the fight between the jigaboos and wannabes was real.
    • Erros de gravação
      During "I Don't Want To Be Alone Tonight," the Gamma Rays' black gloves go from above the elbow, to below the elbow, and back again between shots.
    • Citações

      Rachel Meadows: [as the "Jiggaboos" and the "Wannabes" encounter each other in the hallway] The word is "Excuse me."

      Jane Toussaint: No one told you to stand in the hall, either. "Excuse me."

      Rachel Meadows: That's better, Ms. Thing.

      Doris Witherspoon: [as Jane turns and flips her hair] It's not real!

      Dina: [as the Jiggaboos laugh] Say what?

      Lizzie Life: You heard

      Rachel Meadows: It... ain't... even... real.

      Jane Toussaint: You wish you had hair like this.

      Doris Witherspoon: Girl, you know you weren't even born with blue eyes!

      Lizzie Life: That's right. Blue contact lenses.

      Dina: They're just jealous!

      Rachel Meadows: Jealous?

      Jane Toussaint: Rachel! I've been watching you look at Julian. You're not slick.

      Rachel Meadows: If that was true, he wasn't much to look at.

      [Snaps fingers]

      Doris Witherspoon: Mmm-hmm. Tell her, girl!

      Jane Toussaint: Picaninny!

      Doris Witherspoon: Barbie doll!

      Rachel Meadows: High-yellow heifer!

      Dina: Tar baby!

      Lizzie Life: Wannabe white!

      Kim: Jiggaboo!

      Rachel Meadows: Don't start!

      Jane Toussaint: We're gonna finish it!

    • Conexões
      Edited into The Rays: Be Alone Tonight (1988)
    • Trilhas sonoras
      I'm Building Me a Home
      Arranged by Uzee Brown (as Dr. Uzee Brown)

      Performed by Morehouse College Glee Club (uncredited)

      Solo by Tracy Coley (uncredited)

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    Perguntas frequentes19

    • How long is School Daze?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 12 de fevereiro de 1988 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Lute Pela Coisa Certa
    • Locações de filme
      • Atlanta, Geórgia, EUA
    • Empresas de produção
      • Columbia Pictures
      • 40 Acres & A Mule Filmworks
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 6.500.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 14.545.844
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 1.802.656
      • 15 de fev. de 1988
    • Faturamento bruto mundial
      • US$ 14.545.844
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h 1 min(121 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Stereo
    • Proporção
      • 1.85 : 1

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