AVALIAÇÃO DA IMDb
4,7/10
609
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA psychic finds herself tapping into the "energy" of a deceased phone operator. She also finds that her friends soon begin dying mysteriously. An investigator determines to track down the ca... Ler tudoA psychic finds herself tapping into the "energy" of a deceased phone operator. She also finds that her friends soon begin dying mysteriously. An investigator determines to track down the cause.A psychic finds herself tapping into the "energy" of a deceased phone operator. She also finds that her friends soon begin dying mysteriously. An investigator determines to track down the cause.
- Direção
- Roteiristas
- Artistas
Pasquale Africano
- Uomo all'aereoporto
- (não creditado)
Avaliações em destaque
I don't get the overwhelming negativity directed at this film. It's quite entertaining and has an unique supernatural premise, with lots of traditional giallo atmosphere thrown in. People die in very giallo like ways. And Charlotte Lewis' energetic performance in lingerie for the last half hour makes up for any disappointment you might feel about the lack of nude scenes.
What a sales gimmick! This is certainly not an erotic thriller. There is a fraction of a second nipple flash at best, and this is while
.being seduced by
.her possessed TELEPHONE! She spends the entire movie running around screaming and terrified by eerie sounds on possessed telephones around the city. Through the stupid chaos of telephone cords attacking people, fish dying from telephone squeals, and quarters shot out of a pay phone killing a guy, this movie should have been placed in the low budget horror section. It doesn't earn the title thriller or erotic in the least! For a better movie with Charlotte Lewis see Bare Essentials instead.
Man, it's really difficult to make a haunted phone seem scary, eh? Ruggero Deodato tries his best, but I can't help get the feeling that it might have occurred to him halfway through that this might not have been the best idea. However, what you have is the eightiest looking late eighties Italian horror ever. Eighties! Model Jenny arrives in Rome looking for her buddy Marco, but ends up dialling the wrong number and getting through to a haunted answer machine system that lives in an abandoned building left over from Blade Runner. After killing a random cleaner with a telephone cord around the neck, the ghosts now start stalking Jenny all over Rome, via the power of the telephone exchange! Just as well mobile phones weren't widely available by this point or Jenny would have been screwed.
She goes to her apartment (which, strangely, is full of pictures of herself), and also meets neighbour Ramon (I think that was his name) who has the hots for her. She's also got another buddy and there's a photographer called Carmen too. God, it's hard enough to sustain a review of this film, which should give you an idea of what it's like to actually watch it.
The haunted phones basically stalk Jenny around the place, killing of her mates (Carmen is stalked by a phone in a rather unscary sequence), and Deodato starts throwing everything he can at the screen, from a would be rapist being torn to shred by flying phone tokens, to Jenny getting all possessed, wearing lingerie and writhing about in a bath filled with what looked like pish, to William Berger turning up for about thirty seconds before his heart explodes out his chest. Berger, as an aside, seems to be the John Carridine of late eighties Italian horror, turning up in Maya and Spider Labyrinth (both of which are better than this film).
Mind you, all credit must be due to actress Charlotte Lewis. Having to looked scared (or turned on by) a telephone is hard work, as is spouting lines like "The telephone is trying to kill me". The film is helped by being set in Rome too, so you'll get to see the Piazza Navona, Castello Sant' Angelo and the Spanish Steps as Jenny goes around being told not to use phones and then using phones. Ruggero's no Bruno Mattei when it comes to directing either, so it's all done rather well except it's about a haunted phone.
In fact, now that I remember, Ruggero made a film about a haunted washing machine too, so maybe he thought it was a good idea? This one was okay but most of the grade here comes from the high cheese factor.
She goes to her apartment (which, strangely, is full of pictures of herself), and also meets neighbour Ramon (I think that was his name) who has the hots for her. She's also got another buddy and there's a photographer called Carmen too. God, it's hard enough to sustain a review of this film, which should give you an idea of what it's like to actually watch it.
The haunted phones basically stalk Jenny around the place, killing of her mates (Carmen is stalked by a phone in a rather unscary sequence), and Deodato starts throwing everything he can at the screen, from a would be rapist being torn to shred by flying phone tokens, to Jenny getting all possessed, wearing lingerie and writhing about in a bath filled with what looked like pish, to William Berger turning up for about thirty seconds before his heart explodes out his chest. Berger, as an aside, seems to be the John Carridine of late eighties Italian horror, turning up in Maya and Spider Labyrinth (both of which are better than this film).
Mind you, all credit must be due to actress Charlotte Lewis. Having to looked scared (or turned on by) a telephone is hard work, as is spouting lines like "The telephone is trying to kill me". The film is helped by being set in Rome too, so you'll get to see the Piazza Navona, Castello Sant' Angelo and the Spanish Steps as Jenny goes around being told not to use phones and then using phones. Ruggero's no Bruno Mattei when it comes to directing either, so it's all done rather well except it's about a haunted phone.
In fact, now that I remember, Ruggero made a film about a haunted washing machine too, so maybe he thought it was a good idea? This one was okay but most of the grade here comes from the high cheese factor.
It is truly saddening to see a once-great director such as Deodato delivering such a second-rate giallo such as this. This movie was so terrible it effectively put an end to his movie career. The box lies, this is no "erotic thriller", hell during the film's 97 minute running time, Charlotte Lewis barely shows us one nipple! I thought it would pick up once William Burger showed up (in one of his last roles), but his character is killed off rather abruptly and lamely. This movie fails in pretty much every way. Claudio Simonetti's music is little more than noise, and the plot made very little sense at all. For some reason, Lewis is terrorized by ghosts which attack using phones. (?) By the end, the characters all seem to have forgotten the previous 90 minutes of hell they went through, and casually laugh as they sick the evil spirits on someone else, Lewis's ex-boyfriend. What?!? This movie did little for me besides anger me.... and bore me half to death. For genuine 80's Deodato fun, watch THE BARBARIANS or THE ATLANTIS INTERCEPTORS, let this one rot on the video store shelf. Argento could make a better giallo than this!
Jenny Cooper (Charlotte Lewis), a beautiful English model living in Italy, dials a wrong number, connecting to a long-unmanned hotline for the lonely and suicidal; in doing so, she unleashes a reservoir of negative energy that follows her via the telephone and kills those around her.
As the above synopsis suggests, Dial: Help is a decidedly silly '80s Italian horror, full of ridiculous death scenes in which victims are choked by telephone cords (one woman is literally hanging on the telephone!), struck by coins ejected from a payphone, electrocuted by switchboard, and killed by exploding pacemaker. Even the fish in Jenny's aquarium aren't safe, the telephone in her apartment emitted a high pitched tone that sends them all floating to the surface.
Director Ruggero Deodato (of Cannibal Holocaust infamy) handles the craziness with style, using wind machines, lots of coloured light, an excess of smoke and plenty of neon (there is even one of those horrible '80s neon phones that tries to zap Jenny in the bath), but realising just how daft and consequently unscary the film's premise is, he resorts to getting Lewis into some sexy lingerie for the final act. Not that I'm complaining, of course: Lewis in black basque, stockings and suspenders just about makes up for her horrible wooden performance.
4.5 out of 10, which I might have rounded up to 5 if the character playing the jazz flute had died.
As the above synopsis suggests, Dial: Help is a decidedly silly '80s Italian horror, full of ridiculous death scenes in which victims are choked by telephone cords (one woman is literally hanging on the telephone!), struck by coins ejected from a payphone, electrocuted by switchboard, and killed by exploding pacemaker. Even the fish in Jenny's aquarium aren't safe, the telephone in her apartment emitted a high pitched tone that sends them all floating to the surface.
Director Ruggero Deodato (of Cannibal Holocaust infamy) handles the craziness with style, using wind machines, lots of coloured light, an excess of smoke and plenty of neon (there is even one of those horrible '80s neon phones that tries to zap Jenny in the bath), but realising just how daft and consequently unscary the film's premise is, he resorts to getting Lewis into some sexy lingerie for the final act. Not that I'm complaining, of course: Lewis in black basque, stockings and suspenders just about makes up for her horrible wooden performance.
4.5 out of 10, which I might have rounded up to 5 if the character playing the jazz flute had died.
Você sabia?
- CuriosidadesRuggero Deodato: Man in phone booth.
- Erros de gravaçãoWhen Jenny tries to explain her situation to the police officer, she says "two of my best friends are dead" even though only one of her friends has died. The only other death she's aware of at that point is that of a man who tried to violently rape her.
- Versões alternativasThe USA English dubbed Prism VHS release is cut by 3 minutes. The Japanese VHS of the film has the full uncut 97 minute version.
- ConexõesFeatured in Deodato Holocaust (2019)
- Trilhas sonorasBaby Don't Answer
(A. Focolari - C. Simonetti)
Published by BMG Ariola / Drums Ed. Mus.
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