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IMDbPro

Síndrome do Mal

Título original: Rampage
  • 1987
  • R
  • 1 h 37 min
AVALIAÇÃO DA IMDb
6,1/10
2,8 mil
SUA AVALIAÇÃO
Síndrome do Mal (1987)
Liberal district attorney decides to seek the death penalty for a man who slaughtered a family at Christmastime, then drank their blood. He escapes, though, and starts killing again.
Reproduzir trailer1:13
1 vídeo
18 fotos
DramaThriller

Apesar de católico e contrário à pena de morte, promotor se vê obrigado a pedi-la para um assassino irrecuperável chamado Charles Reece, que foi pego pela polícia após deixar uma trilha de c... Ler tudoApesar de católico e contrário à pena de morte, promotor se vê obrigado a pedi-la para um assassino irrecuperável chamado Charles Reece, que foi pego pela polícia após deixar uma trilha de cadáveres mutilados.Apesar de católico e contrário à pena de morte, promotor se vê obrigado a pedi-la para um assassino irrecuperável chamado Charles Reece, que foi pego pela polícia após deixar uma trilha de cadáveres mutilados.

  • Direção
    • William Friedkin
  • Roteiristas
    • William P. Wood
    • William Friedkin
  • Artistas
    • Michael Biehn
    • Alex McArthur
    • Nicholas Campbell
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,1/10
    2,8 mil
    SUA AVALIAÇÃO
    • Direção
      • William Friedkin
    • Roteiristas
      • William P. Wood
      • William Friedkin
    • Artistas
      • Michael Biehn
      • Alex McArthur
      • Nicholas Campbell
    • 31Avaliações de usuários
    • 25Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 indicações no total

    Vídeos1

    Trailer
    Trailer 1:13
    Trailer

    Fotos18

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    Elenco principal71

    Editar
    Michael Biehn
    Michael Biehn
    • Anthony Fraser
    Alex McArthur
    • Charlie Reece
    Nicholas Campbell
    Nicholas Campbell
    • Albert Morse
    Deborah Van Valkenburgh
    Deborah Van Valkenburgh
    • Kate Fraser
    John Harkins
    John Harkins
    • Dr. Keddie
    Art LaFleur
    Art LaFleur
    • Mel Sanderson
    Billy Green Bush
    Billy Green Bush
    • Judge McKinsey
    • (as Billy Greenbush)
    Royce D. Applegate
    Royce D. Applegate
    • Gene Tippetts
    Grace Zabriskie
    Grace Zabriskie
    • Naomi Reece
    Carlos Palomino
    • Nestode
    Roy London
    • Dr. Paul Rudin
    Donald Hotton
    Donald Hotton
    • Dr. Leon Gables
    Andy Romano
    Andy Romano
    • Spencer Whalen
    Patrick Cronin
    Patrick Cronin
    • Harry Bellenger
    Roger Nolan
    • Dr. Roy Blair
    Rosalyn Marshall
    • Sally Ann
    Whit Flint
    Whit Flint
    • Andrew Tippetts
    • (as Whitby Hertford)
    David A. Kimball
    David A. Kimball
    • Doctor in Flashbacks
    • Direção
      • William Friedkin
    • Roteiristas
      • William P. Wood
      • William Friedkin
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários31

    6,12.8K
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    Avaliações em destaque

    vertigo_14

    The difficult conflict of legal insanity and the death penalty.

    Rampage is based on the 1978 killings of Robert Chase, Sacremento's "Vampire Killer," aptly named because he drank the blood of his victims, claiming that he believed his blood was poisoned, so he had to kill people for their blood. In four days, Chase killed six people.

    Like Charlie Reece, the film version of Chase, Chase had previously been committed to a mental institution, but neither his mother nor the institution seemed to take seriously his condition and peculiar, if not deranged, habits. And indeed, he was much more obvious about those peculiarities than the film lets on.

    Both the movie and the case which it is based on bring up an important question about the death penalty. Michael Bein is prosecutor Anthony Fraser, who is prosecuting for the death penalty. Fraser, however, had previously been staunchly opposed to the death penalty, remarking how had he been in the legislature, he would vote against it. But, these are one of the situations where people are forced to ask: are you opposed to the death penalty in ALL situations? Even Fraser was forced to reconsider his position, after the investigation reveals numerous brutal murders. As a result, he tries a tough case.

    Tough in part because of the issue of Reece's mental capacity at the time of the murders. The defense argues not guilty by reason of insanity, expecting the plea will keep him from getting a prison sentence (and the death penalty), and instead, get him in a mental institution. Fraser can't believe that someone would want to argue that for someone as vicious as Reece, but one psychiatrist, in testifying for the defense says, nothing can be solved if he is dead. It does nothing for those who died, and it does nothing for him. The psychiatrist reasons that Reece should be put in a hospital and studied, that investigators would be able to formulate a profile to prevent future murders.

    Fraser retorts, asking, so people must die for that? The ultimate question becomes, in Charlie Reece's case, would it be worth it to declare him insane? Especially considering the lack of attention he could possibly be given anyways as he sat drugged up in a mental institution as just another patient. The system itself is one of the arguments against the insanity plea in a case like this.

    In a case like this, so brutal, and with Charlie Reece (and the real Robert Chase) so wacked, is reform possible? And is it necessary? Those are the issues this film wrestles with, and not easily so. It does somewhat capture the eerieness evoked by such a brutal serial killer, particularly with intermitten scenes of flashbacks and symbolic scenery. You get sucked into this strange character of Reece and you keep wondering if this guy is really crazy or was it all just a game? The movie makes it seem like Reece is initially faking it, but then you can't be too sure. And that's essential to the viewer looking for justification for their conclusions as to whether Reece should be executed or not. Definitely a worthy courtroom drama to try.
    7gavin6942

    Pretty Nice!

    Liberal district attorney decides to seek the death penalty for a man (Alex McArthur) who slaughtered a family at Christmastime, then drank their blood. He escapes, though, and starts killing again.

    From director William Friedkin, with a score by Ennio Morricone, you might wonder why this film is not better known. As of 2015, the film has been released on DVD only in Poland, by SPI International. Luckily, it somehow found its way to Netflix.

    The budget seems a little lower, but it is a nice little story of murder, insanity, and courtroom drama. Knowing that it is largely based on real life makes it even better. And there is that central dilemma: will someone who opposes the death penalty change their mind when faced with pure evil?
    rockbork

    Overlooked film that deserves some notice.

    Rampage went pretty much overlooked when it was released which is too bad, cause it was a really frightening film. One of the most frightening of that decade. Friedkin's direction was straight ahead which made the movie roll along like it was a documentary which added to the realism that a movie with that subject matter needs. Performances by both leads are very good.
    7SteveSkafte

    The difference between REAL insanity and LEGAL insanity.

    "Rampage" is not so much about a serial killer as it is about his trial and the aftermath of his deeds. This is mainly where it feels misdirected. For a director like William Friedkin, one might expect something of a more gritty production rather than a courtroom drama. But if you're looking for a courtroom drama, this IS a very good one.

    Michael Biehn plays the DA, Nicholas Campbell is the defense, and Alex McArthur is the killer. Of those three actors, I found Nicholas Campbell to be the most compelling. Biehn is somewhat vacant - so is McArthur, but that's necessary. There's certainly passages in this film that succeed at deeply shocking the viewer. The detached killings, for one, and the discovery of the killer's basement room. In spite of these graphic passages, I feel that the film needed more gore to drive home the point that later dialogue tries so hard to get across.

    Visually, this is a fairly realist film. Unlike Friedkin's previous effort, "To Live and Die in L.A.", there's no deep shadows or bizarre lighting techniques. Somewhat to it's detriment, perhaps, it's none too interesting to look at. There is much to experience in this film, though not a lot of rewatch value. There's a scene where a stopwatch is used to demonstrate the real-time of murder. It's tense. If only "Rampage" had more such scenes.
    searchanddestroy-1

    Low Friedkin for me

    I saw this William Friedkin 's film back in 1987, when it was released in Paris, and was not that excited. Maybe I left the theater before the ending, I don't remember. Today, thirty eight years later, I tried again, just to check...And I still encountered the greatest difficulties to make it till the end. I don't like this film, I won't say it is a bad film, but certainly not the best from FRENCH CONNECTION and THE EXORCIST director. I am even sure most audiences forgot it too; only the William Friedkin's hard fans may remind or like - love - it. It may be interesting for many audiences, of course, but for me it is such a bore.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Based on the true story of Richard Trenton Chase, "The Vampire Killer" who killed six people in the course of four days in January 1978.
    • Erros de gravação
      After the doctor turns off the oxygen machine, he closes the girl's eyes. But, her eyes were already closed when they said she was brain dead.
    • Citações

      Anthony Fraser: [addressing to the jury] The life of an innocent human being worths more than the life of an murderer. Charles Reece must die. Now, I want you to remember that you sit here as representatives of your community, your neighbors, your friends, your children. If you should decide to let this man go free, be absolutely clear in your mind that you are condemning his victims to a second death and saying to your neighbors that the life of a terrible murderer is worth more than the life of the people he killed. Thank you.

    • Cenas durante ou pós-créditos
      This film has no opening credits or title. Only the Miramax logo appears at the beginning.
    • Versões alternativas
      Originally shot in 1987; after premiering in some European countries, the film was shelved when production studio DEG went bankrupt and sat unreleased for five years. In 1992 director William Friedkin re-edited the movie and slightly altered the ending (supposedly because in the meantime his feelings about the death penalty had changed) before its USA release. The European video versions usually feature the original ending.
    • Conexões
      Referenced in Nekromantik (1988)

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    Perguntas frequentes17

    • How long is Rampage?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 30 de outubro de 1992 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Neurosis asesina
    • Locações de filme
      • Front Street, Rio Linda, Califórnia, EUA(Carnival Midway Scenes)
    • Empresa de produção
      • De Laurentiis Entertainment Group (DEG)
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 7.500.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 796.368
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 322.500
      • 1 de nov. de 1992
    • Faturamento bruto mundial
      • US$ 796.368
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 37 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Stereo
    • Proporção
      • 1.85 : 1

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