Disque Amizade para Morrer

I watched this movie this past week. I picked it out of a line up of "old horror/ thriller movies." I wanted a good laugh, so I picked this up, along with "Fade to Black" and "The Slumber Party Massacre Number 2." Boy was I in for a surprise. The plot was too extreme to even be believable. (Why would a brother even want to take part in sexual escapades with his biological sister?)

I have to admit that some of the scenes were pretty funny in slow motion, i.e. when the babysitter's employer dropped the babysitter off, and the babysitter slapped the employer in the face- the face he made, was too funny for words. A must see. Leif Garrett must have been desperate for work. However, the film makers were even more desperate to have this film released. And I mean, "film makers." If you want to call them that.

Rating by TaxiDr: 2 1/2 for laughter, and 1 for taking a chance in the movie industry.

You feeling lonely, well pick-up the phone call the "Party Line" to live-out you undesirable fantasies as you can talk, or just listen and then maybe hook-up on this single-dating service line. The concept abound can really touch a nerve, because how authentic it is and how a fad so popular and addictive could spin dangerously out of control in not knowing what you're really getting in to. This gimmick is what drives the story, but the low-budget produced "Party line" is something fairly patchy and trashy, as it falls somewhere in between a detective film and seedy slasher outing, and when it's focusing on the former it's quite stodgy but with the latter it's rather riveting… as eventually the two would tie in together.

Two disturbingly crazed siblings (who have a very strange, perverse relationship); like to participate in a chat hot-line, luring their eventual victims to meet up with them. A well-worn, rogue detective happens to come across one of the sibling's murders and then is reluctantly assigned to the case with the aid an aspiring, by the book female assistant of the Distract Attorney.

Whenever the story was dealing with the brother and sister relationship, it brought up some kinky and demented shades of jealousy and affection. Even the past events of their parents intrigues (especially one scene involving Garrett and a wedding dress) -- as this could be the attribution to their murderous impulses, but the script only window-dresses it by never truly balancing it out. Leif Garrett plays it cold, but underneath that persona he's feebly unstable in his fear of being alone as a meek mummy's boy but he's overshadowed by the formidably headstrong, but racy Greta Blackburn. However the sub-plot involving the hard-bitten detective (who wants to be like Eastwood's dirty Harry --- as just look out for the movie poster of "Sudden Impact" in his home) and Distract Attorney assistant is simply black and white. These moments in the film are laboured, despite the best efforts of Richard Hatch and Shawn Weatherly. Also showing up in nothing but a minor role is Richard Roundtree. The script keeps a serious tone throughout, but can go over-the-top and cause some giggles with unusual developments, contrived circumstances and a rushed wrap-up. The direction is predictably textbook looking like a made for TV feature, but killing it is the sluggish pacing and working its way in is an oozing jazz flavoured score.

Watchable, but token stalk n slash thriller at best.

Thats what this movie really takes. A big piece of cheeze. This movie is about a sister and brother Bonnie and Clyde type of duo that creates their own party line in order to lure their victims in and trap them and kill them. But for what reason? Just for the fun of getting away with it? In comes Richard Hatch who comes across as a wishy washy ladies man. A real BAD version of a ladies man. And he gets involved with finding who's behind all the killings across LA. He finally meets a teenager who helps him find the killer and rest is for your fun and amusement. But there are parts in this film that really get me going like the scene with Lief Garret dressed in his mothers wedding gown acting like a sissy in front of his sister telling her that he needs her and can't live without her and watching as she slaps him across the face dominateing him. I can't believe that was Lief!!! Well, I guess I could. But it's worth watching but only to see one of Garrets worst films that he ever did.

People call a 976 "party line" to talk dirty to strangers, and perhaps meet up for a sexual liason. A deranged, somewhat incestuous sister and occasional transvestite brother use the line to find people to kill, usually married men, but they don't discriminate! A pair of sixteen year old girls also call the line for fun, pretending to be older, of course. One of them works as a babysitter for a married man who's hot for her (or anyone).

Meanwhile, a vice cop is borrowed by homicide when he's the first to discover one of the siblings' victims. He's teamed with a female assistant of the District Attorney.

Nothing too special here. Richard Roundtree has little more than a cameo as the police chief. One of the dirty-talking sixteen year olds is played by an actress who also voiced Peanuts character Peppermint Patty! According to the IMDb, the other died quite young, just several years after this movie: sad.

A strange case, this movie. It's at its best when it explores the perverse (past and present) family ties that bind Leif Garrett and Greta Blackburn (and she's has a powerful, sexy presence). But the script keeps intercutting their story with that of a misfit cop (a real Dirty Harry wannabe) and an ambitious female assistant DA who are searching for the killer that is slashing his/her victims' throats with a razor. As you have probably already guessed, the film has too much plot, too many supporting characters (what's Richard Roundtree doing here?) and too many plot coincidences. You could do a lot worse, though. (**)