Navigator: Uma Odisséia No Tempo

It's 1348 Cumbria, England. Black Death has killed a third of Europe and is spreading in England. Griffin is a young boy in a village which is still free from the disease. He has visions of a cathedral. Connor leads a group to rig a spire on this cathedral. They dig using a machine and come out into the modern world on the other side. Martin declares it God's world which must be the other side of their cursed home world. Ulf fails to cross the highway and is left behind. His brother Searle leads the group as Connor goes off to find the church. They encounter three foundry workers on their last night before it is shut down. The workers take the copper from the group and cast a pinnacle. The group races to put it up before the sun rises.

This is a great surreal adventure. It's great use of black and white. It is original and unique. Crossing the highway is utterly memorable. The characters are great. This is a great concept that overcomes the lower budget and limited filmmaking. It is wondrous, thrilling, and memorable.

I wish I could have a few minutes to hear Vincent Ward's take on the marketing of the movie, because I never have seen anything so mis-marketed. I could see some US film distributor scratching his head and saying, "gee? how are we going to make this dreary arty movie about the black plague appeal to the lowest common denominator of the US market?", "Ok, let's slap sci-fi and time travel on it..."

Navigator is a beautifully filmed, well acted, impressive movie that (hear this!) has nothing to do with time-travel, or "monks dodging 20th century stuff"...it is an allegory! (look that up). What Mr. Ward does is, rather than rely on expensive and silly special effects to spice up fantasy dream sequences, simply juxtaposes 20th century settings with the 14th century time frame of the film to give life to a boy's fantastic visions, and story told to give hope and entertain the desperate people of his village...his visions, done in color and film with the 20th century as it backdrop is as fantastic to the people of his village, as if someone from the 14th century actually did travel through time. With premonitions of the arrival of the plague to his village (which turn out to be heeded), the villagers of a winter bound poor community hover in fear and look for any omen good or bad to give them some sign of what is coming. With a fantastic narration of a quest (ala the holy grail) to mount a spire on a church in a faraway land, that if done before sunrise would save the village, a boy describes his fantasy which is shown to us, complete with sea monsters and dragons (all represented by 20th century contrivances).

For those seeking real time travel, stick to the true sci-fi, you will be disappointed...

For those interested in seeing a dark, moving tale of the desperation that must have been felt by the people who lived through the plague without understanding what it really was...a tale where the fantastic is really our wonderfully mundane world...check this out.

Some of the critiques I've read of this, from others on the database, complain about the clumsy imagery or the accents. Get a grip. The point isn't linguistic accuracy, or any other kind of "accuracy" but rather the theme and motifs. In 1348 a frightening "illness" swept Europe, killing thousands. People didn't understand what caused the illness, only that it offered a horrifying death. This movie is as much a critique of "christendom" as it is of contemporary politics. If the US nuclear submarine is for some too clumsy an analogy to the black death, imagine the fall out of nuclear bombing as analogous to the black death. The pervasive silent killer. This movie was fantastic, for its imaginative plot, the interesting motifs and imagery, the concept of a small boy's vision, and the possible universes.

On the Fourteenth Century, a small community is threatened by the black plague, which is soiling Europe. Griffin (Hamish McFarlane) is an eight years boy with visions. These visions show the salvation for his people: digging a hole to center of the earth and putting a cross on the top of a church. Griffin, his brother Connor and some locals starts their quest that brings them to the Twentieth Century. This is indeed a weird movie. Only yesterday I decided to watch it, and I do not dare to say that I liked or disliked it. First, because although being a very strange film, it is also very original. The black & white for the scenes of the dark Middle Ages and the colored ones for the present days is a technique very unusual. Second, the plot is totally unpredictable, with no clichés. And last but not the least, the unknown cast has a great performance. My vote is six.

i enjoyed this film when it was first released on video - it never seemed to have played the theaters in my college town.

i loved it!

i've often thought about it from time to time, and wondered why i never see it on TV.

it seems like a good film for the sci-fi channel or bravo (dear god, how many times can they run 'braveheart'???)

i recall it being inventive, well-acted, well-directed.

a pity it's not better known. heck, i don't even think it can be found at blockbusters now.