Assassinato em Atlanta
Título original: The Murder of Mary Phagan
AVALIAÇÃO DA IMDb
7,4/10
960
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaIn early-twentieth-century Atlanta, the murder of a young girl prompts strong reactions from the community and ultimately leads to the arrest of a man who could actually be innocent.In early-twentieth-century Atlanta, the murder of a young girl prompts strong reactions from the community and ultimately leads to the arrest of a man who could actually be innocent.In early-twentieth-century Atlanta, the murder of a young girl prompts strong reactions from the community and ultimately leads to the arrest of a man who could actually be innocent.
- Ganhou 3 Primetime Emmys
- 4 vitórias e 5 indicações no total
Explorar episódios
Thomas Anderson
• 1988
Dylan Baker
• 1988
Nesbitt Blaisdell
• 1988
Beeson Carroll
• 1988
David Cromwell
• 1988
Avaliações em destaque
This program boasts a great cast, but more importantly it is a textbook case of how a television drama should be mounted. An intriguing but basic courtroom drama that takes on greater significance as the plot develops. Fine characterizations abound in this production. It doesn't get much better than this.
george stevens ,jr. always does quality things as was this. william hale,ii was super leading the plot to climax of theme and drew out best in characters. since the initial showing i have heard many others express their opinion that this was a super presentation. congrats george and billy hale and the fine extras cast of richmond,va. area.
This is one of the best mini-series I've seen in a long time. They get the story right and is acted out very well, esp. by Lemmon and Gallagher. It was also nice to see Kevin Spacey in one of his first roles. If you get a chance, watch this one. It will be worth it.
Not a review but my experience with the actors. I was playing piano in the lobby of the Hyatt Hotel in Richmond VA, where cast and crew were staying. For two weeks, my solo audience, 5 nights a week, was Jack Lemmon. Walking around from time to time: Richard Jordan, Robert Prosky, Paul Dooley. And there was one guy who brought his black Labrador Retriever on location. This guy kept hanging all over Jack Lemmon, when Lemmon wasn't sitting in front of me eating a small pizza, reading a magazine. That guy turned out to be Kevin Spacey. He wasn't quite a big star yet, but as Lemmon was my favorite actor, and currently Spacey is my favorite actor, I wish I'd spoken to him. I never did bother Lemmon. We just said hellos and goodbyes, but I figured he didn't need me bugging him after a long day of shooting. Plus, as I know he was an amateur jazz pianist, I was flattered that he wanted to sit there every night, listening to me. What a fun life I've had. Just thought I'd share.
Murder of Mary Phagen, The (1988)
**** (out of 4)
Extremely powerful drama about the murder of 13-year-old Mary Phagen in the factory she worked out in Atlanta, 1913. A determined prosecutor (Richard Jordan) pins the crime on a Jewish manager (Peter Gallagher) who claims his innocence. He's eventually found guilty due in large part to the testimony of a black janitor (Charles S. Dutton) who would normally seem like an unlikely person to get to testify. All of this eventually ends up in the lap of Gov. John Slaton (Jack Lemmon) who will be leaving office soon but must decide whether or not to overturn the conviction, which looks to have been made because the man was Jewish. This story was altered and told in 1937 masterful THEY WON'T FORGET with Claude Rains but this version here is just as good and just as powerful. The movie clocks in at four hours if you include the commercial breaks so it's a long movie but it never felt that way as I was so caught up with what was going on that the movie seemed to run just a few short minutes. The masterful performances make this a must see but so does the story, which is as powerful as an courtroom drama that I've seen. I wasn't overly familiar with the case so I was really hanging on the edge of my seat all through the original case, the Governors investigation as well as the aftermath that followed. I was really shocked to see what type of racism was being used and how much of the bitterness of Atlanta went back to the Civil War days. From what I've read, this film was pretty faithful to the actual events, which makes one scratch their head and question everything that was done. I won't ruin the ending but how everything plays out is just incredibly sad and pathetic.
This made-for-TV drama certainly has the drama down as the thing will leave you in suspense from the opening moments to the very final scenes. The performances are great from the veterans but we also get some fresh faces who would become quite famous over time. Kevin Spacey plays an alcoholic reporter who brings the case the media attention. William H. Mac has a small bit as a relative to the dead girl. Gallagher is extremely laid back in his role and delivers a marvelous performance as you can't help but feel sorry for him. The actor certainly digs deep and manages to bring out a lot of emotions without screaming or going over the top. Jordan is equally as great as the seedy prosecutor who might be hiding a few secrets of his own and Dutton nearly steals the film as the man with too many questions of his own to be a so-called witness. Robert Prosky and Kathryn Walker also turn in fine work. Then there's the legend Lemmon who turns in one of the best and most powerful performances of his career. I know that's saying a lot considering how many great roles he has had but he really delivers some strong emotion here and his final speech is extremely touching even if he doesn't say too much. The pain and anger in Lemmon's eyes is all we have to see to know what he feels. The way Lemmon invests himself into the role and the character's motives for trying to bring justice to this case was very believable and heartfelt.
**** (out of 4)
Extremely powerful drama about the murder of 13-year-old Mary Phagen in the factory she worked out in Atlanta, 1913. A determined prosecutor (Richard Jordan) pins the crime on a Jewish manager (Peter Gallagher) who claims his innocence. He's eventually found guilty due in large part to the testimony of a black janitor (Charles S. Dutton) who would normally seem like an unlikely person to get to testify. All of this eventually ends up in the lap of Gov. John Slaton (Jack Lemmon) who will be leaving office soon but must decide whether or not to overturn the conviction, which looks to have been made because the man was Jewish. This story was altered and told in 1937 masterful THEY WON'T FORGET with Claude Rains but this version here is just as good and just as powerful. The movie clocks in at four hours if you include the commercial breaks so it's a long movie but it never felt that way as I was so caught up with what was going on that the movie seemed to run just a few short minutes. The masterful performances make this a must see but so does the story, which is as powerful as an courtroom drama that I've seen. I wasn't overly familiar with the case so I was really hanging on the edge of my seat all through the original case, the Governors investigation as well as the aftermath that followed. I was really shocked to see what type of racism was being used and how much of the bitterness of Atlanta went back to the Civil War days. From what I've read, this film was pretty faithful to the actual events, which makes one scratch their head and question everything that was done. I won't ruin the ending but how everything plays out is just incredibly sad and pathetic.
This made-for-TV drama certainly has the drama down as the thing will leave you in suspense from the opening moments to the very final scenes. The performances are great from the veterans but we also get some fresh faces who would become quite famous over time. Kevin Spacey plays an alcoholic reporter who brings the case the media attention. William H. Mac has a small bit as a relative to the dead girl. Gallagher is extremely laid back in his role and delivers a marvelous performance as you can't help but feel sorry for him. The actor certainly digs deep and manages to bring out a lot of emotions without screaming or going over the top. Jordan is equally as great as the seedy prosecutor who might be hiding a few secrets of his own and Dutton nearly steals the film as the man with too many questions of his own to be a so-called witness. Robert Prosky and Kathryn Walker also turn in fine work. Then there's the legend Lemmon who turns in one of the best and most powerful performances of his career. I know that's saying a lot considering how many great roles he has had but he really delivers some strong emotion here and his final speech is extremely touching even if he doesn't say too much. The pain and anger in Lemmon's eyes is all we have to see to know what he feels. The way Lemmon invests himself into the role and the character's motives for trying to bring justice to this case was very believable and heartfelt.
Você sabia?
- CuriosidadesAt one point, Lucille visits Leo in prison and tells him, "Seems like we spend the best part of our time just saying goodbye." This line is almost identical to Angela's line to George when she visits him in prison for the last time in Um Lugar ao Sol (1951), which was directed by George Stevens, the father of this film's co-writer and producer, George Stevens Jr..
- Versões alternativasA sharply abbreviated version also exists online, cutting the running time to the standard length of a theatrical film.
- ConexõesFeatured in The 40th Annual Primetime Emmy Awards (1988)
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