Loucademia Funerária

Though nowhere as original as "Eating Raoul", for those who admire that film, "Mortuary Academy" is the closest Paul Bartel and Mary Woronov ever came to duplicating that magical black comedy. If you throw out "Mortuary Academy's" absurd "Radio Werewolf" dead rock band resurrection, you are left with some outrageous dialog, especially relating to Bartel's virginal dead lover. The film does rely on some "Airplane"- type hit or miss humor, however when the campy humor gives way to black comedy, these two (Bartel and Woronov) really deliver. I rate this a solid 6.0. Comparable ratings would include "Eating Raoul" 8.0, "Chopping Mall" 5.0, and "Lust in the Dust" 5.0. - MERK

One thing I never thought I'd see was Paul Bartel having passionate sex with a corpse. Thanks to this film, that which I thought impossible has become reality and I don't think I'll ever be able to close my eyes again without seeing the sight of a topless pot-bellied Bartel atop a beautiful dead teenage girl on the beach with his lips locked onto hers.

Believe me when I tell you that this sounds funnier than it really was. This movie is one long, tasteless, and painfully unfunny necrophilia joke. However, there are some sporadically amusing moments

A great cast is mostly wasted. Perry Lang continues (after The Hearse) his lustful pursuit of older women, only this time with more success, while Christopher Atkins tries hard and fails to fully explain why he's even in this movie. Caesar Romero and Wolfman Jack are here to collect a paycheck. Tracy Walter, Mary Waronov, and the rest do try hard.

The best performance is that of Stoney Jackson as the token black guy, who manages to be the funniest thing in this movie despite his lamentable rapping skills.

I'll give Mortuary Academy some credit though. I didn't hate it and it has perhaps the strangest Bar Mitzvah scene ever attempted in a motion picture.

MORTUARY ACADEMY is another wacky movie starring the irrepressible duo of Mary Woronov and Paul Bartel. Their running the titular establishment, while Bartel's character attempts a love affair with an overripe cadaver.

Meanwhile, two new enrollees stand to inherit the academy if they graduate. Bartel and Woronov do whatever they can to stop this from happening.

This is a humorous look at the funereal arts with heavy doses of goofy dialogue and zany characters. If you enjoy deceased, robotically resurrected rock bands, and aren't offended by the lighter side of necrophilia, then this movie will set in on you like rigor mortis. In a good way...

I found this movie hilaarious and that's what I love about the old 80's comedies they can make you laugh your socks off.

The characters are goofy and just so dumb which makes the film a funny comedy.

This is worth a watch if your bored and got some free time as well worth a nolstagic trip back to the wonderful 80's.

The influence of "Police Academy" (for better or worse) had reached far and wide... making its way, bizarrely so, to mortuary school. Basically retooling the same narrative, but a different occupation. Two brothers inherited a mortuary academy, but before they can take control they need to pass the classes. This leads to some unwanted interference by those already in charge, as the students end up having to save the academy from bankruptcy with an out-there idea. So throw in the standard comic misfit hijinks, a series of mortician schooling snippets leading to punchlines, romance and low-brow gags wrapped up in a bow of morbid curiosity involving necrophilia and corpses. It's all very hit-and-miss, incredibly off-the-wall and tastelessly unapologetic, but in the end I mainly watched it for the always delightful combination of Paul Bartel and Mary Woronov as mortician owner/and assistant of the Grimm Mortuary and Academy. Also you can't go wrong with character actors Tracy Walter and Anthony James playing less than desirable students. And not forgetting cameos at the backend by Wolfman Jack and Cesar Romero.