Um contador é perseguido por caçadores de recompensas, o F.B.I. e a Máfia após pular a fiança.Um contador é perseguido por caçadores de recompensas, o F.B.I. e a Máfia após pular a fiança.Um contador é perseguido por caçadores de recompensas, o F.B.I. e a Máfia após pular a fiança.
- Prêmios
- 2 vitórias e 5 indicações no total
Tom McCleister
- Red Wood
- (as Thom McCleister)
Avaliações em destaque
Pleasantly surprised by this one. I had heard people refer to this one, but hadn't seen it for myself until recently. One of the better buddy-action movies I've seen, due to a very tight script. Superior writing by George Gallo. The story is what drives this movie from beginning to end, and doesn't need to depend solely on the cast to keep the audience interested for the full 2 hours. DeNiro and Grodin are excellent together, with a great supporting cast. I would keep this movie in my personal collection. I would also consider it a fine example for other buddy action movies to follow, even today. Highly recommended for great comedic writing, directing and acting.
In the the late 1980's early 9o's there have been many action buddy comedies 'Beverly hills cop', 'Bad Boys' and 'Bulletproof'and they have all been great. But if i had to say none of them can compare to such a masterpiece as Midnight Run. The film is full of tense and exciting moments of action and humour from both De Niro and Grodin who in this film I think are both at the top of their game. Their chemistry in playing hard ass bounty hunter and sensitive criminal is fantastic. It is such a shame there was no talk of a sequel in mind, especially since it is such an original and cool story and we were gagging to see De Niro return as Jack Walsh again. The film also gives us an impressing supporting cast with Dennis Farina (Snatch, Get Shorty) as an angry mobster and Yaphet Kotto (Alien)as an angry cop on the trail for them both.An easy 10/10. Brilliant piece of movie making.
Oh yeah! THE film of the 80's. Together with HEAT, one of De Niro's best!
Totally professional film-making. This is a comedy that succeeds on every level. The central characters of reluctant and burnt-out Bounty Hunter De Niro and Grodin as ex mafia accountant on-the-run "The Duke," just meld flawlessly. The script is wicked with ramped up profanities that somehow are absolutely integral to the unfolding plot. De Niro has just hours to get Grodin back to bail-bondsman Pantoliano while his ex-boss Dennis Farina (COULD anyone look more mafioso?) wants him back for reasons of extreme revenge....Perhaps on account of the fact that The Duke has put his funds to better use a la Robin Hood style of redistribution of wealth.
This is really laugh-out-loud brilliant stuff. Catch it.
Totally professional film-making. This is a comedy that succeeds on every level. The central characters of reluctant and burnt-out Bounty Hunter De Niro and Grodin as ex mafia accountant on-the-run "The Duke," just meld flawlessly. The script is wicked with ramped up profanities that somehow are absolutely integral to the unfolding plot. De Niro has just hours to get Grodin back to bail-bondsman Pantoliano while his ex-boss Dennis Farina (COULD anyone look more mafioso?) wants him back for reasons of extreme revenge....Perhaps on account of the fact that The Duke has put his funds to better use a la Robin Hood style of redistribution of wealth.
This is really laugh-out-loud brilliant stuff. Catch it.
DeNiro is (Jack Walsh) a self-righteous ex-cop so unpopular with the Chicago police department, now wanting to make one final 'midnight run' that'll pay big so he can buy a nice coffee shop
He is hired by an hysterical bondsman to find and bring back a former Mob accountant called Jonathan "The Duke" Mardukas (Grodin) who has stolen $15 million from the Los Angeles mob, given the money to the 'unfortunates of the earth.'
DeNiro quickly captures the 'white-collar criminal' in New York, and is given five days to bring him to Los Angleles, to collect his $100,000 fee...
Unfortunately for DeNiro, the fugitive accountant is too neurotic to fly the distance... The embezzler's ex-boss wants him badly for knowing all his financial transactions, and agent Yaphet Kotto warns Walsh not to interfere with the FBI's plans to bring the 'Duke' into federal court And if this isn't enough, there is some third-rate bounty hunter (John Ashton) who is intrigued about DeNiro's special deal
In an extended cross-country chase, the two men's personalities and relationship develop
DeNiro shows how to catch talents of improvisation... His cheeky schoolboy look certainly supplies some of the film's lighter moments... He delivers some of the best punchlines, when he replies: 'Well if you don't cooperate, you're gonna suffer from fistophobia.'
Charles Grodin is perfect as the prisoner who gets some of Serrano's records on computer disks, figuring if things got too rough, he could always trade them for his life He continually gets on DeNiro's nerves, and with his soft and ironic tone of voice he advises Walsh that a restaurant is 'a very tricky investment.' He easily dips into Jack Walsh's life ('Don't you want to be loved?'), wandering about his broken marriage ('Did she hurt you, Jack?'), his habits ('Cigarettes are killers. Put the cigarette out.') and whatever he can think of...
The best parts of the film are, in fact, the interactions between the two stars The story holds up perfectly and entertains the viewer in every way Martin Brest does bring out the realistic, funny and moving sides of his likable characters Suspense is maintained to the very end
He is hired by an hysterical bondsman to find and bring back a former Mob accountant called Jonathan "The Duke" Mardukas (Grodin) who has stolen $15 million from the Los Angeles mob, given the money to the 'unfortunates of the earth.'
DeNiro quickly captures the 'white-collar criminal' in New York, and is given five days to bring him to Los Angleles, to collect his $100,000 fee...
Unfortunately for DeNiro, the fugitive accountant is too neurotic to fly the distance... The embezzler's ex-boss wants him badly for knowing all his financial transactions, and agent Yaphet Kotto warns Walsh not to interfere with the FBI's plans to bring the 'Duke' into federal court And if this isn't enough, there is some third-rate bounty hunter (John Ashton) who is intrigued about DeNiro's special deal
In an extended cross-country chase, the two men's personalities and relationship develop
DeNiro shows how to catch talents of improvisation... His cheeky schoolboy look certainly supplies some of the film's lighter moments... He delivers some of the best punchlines, when he replies: 'Well if you don't cooperate, you're gonna suffer from fistophobia.'
Charles Grodin is perfect as the prisoner who gets some of Serrano's records on computer disks, figuring if things got too rough, he could always trade them for his life He continually gets on DeNiro's nerves, and with his soft and ironic tone of voice he advises Walsh that a restaurant is 'a very tricky investment.' He easily dips into Jack Walsh's life ('Don't you want to be loved?'), wandering about his broken marriage ('Did she hurt you, Jack?'), his habits ('Cigarettes are killers. Put the cigarette out.') and whatever he can think of...
The best parts of the film are, in fact, the interactions between the two stars The story holds up perfectly and entertains the viewer in every way Martin Brest does bring out the realistic, funny and moving sides of his likable characters Suspense is maintained to the very end
Here is a movie of my favourite sort regardless of the genre - you feel you would neither add nor substract anything from it. Excellent cast, beautiful script, professional director's work. The main strength of the movie can be found in its unpretentiousness. It primarily aims at providing fun and entertainment, and fulfills it in an efficient way. You have your comedy and action galore.
We are usually willing to suspend our disbelief when watching comedies. No such need when it comes to this movie - the plot, the relations between characters, their motives, everything works like a flawless machinery. It is as credible as life itself.
The movie is brimming with memorable scenes. I have seen it twice - first when it appeared more than 15 years ago, and then again yesterday. I was delighted to find that the movie had lost nothing of its freshness and endured all time traps. I highly recommend it.
9/10 !
We are usually willing to suspend our disbelief when watching comedies. No such need when it comes to this movie - the plot, the relations between characters, their motives, everything works like a flawless machinery. It is as credible as life itself.
The movie is brimming with memorable scenes. I have seen it twice - first when it appeared more than 15 years ago, and then again yesterday. I was delighted to find that the movie had lost nothing of its freshness and endured all time traps. I highly recommend it.
9/10 !
Você sabia?
- CuriosidadesThe boxcar scene--where Jack Walsh (Robert De Niro) and John Mardukas (Charles Grodin) discuss whether or not they could ever be friends--was almost entirely improvised on-set. Regarding Grodin's famous line, "You ever had sex with an animal, Jack?": he was told by director Martin Brest to come up with something that was guaranteed to make even Robert De Niro laugh.
- Erros de gravaçãoThe action in the movie takes them through Amarillo, Texas in the Texas panhandle. Mountains are visible between the buildings in the background. The topography of the panhandle is a flat, treeless plain.
- Citações
Jimmy Serrano: Is this moron number one? Put moron number two on the phone.
- Cenas durante ou pós-créditosIn the opening credits, Robert De Niro's name is spelled Robert DeNiro.
- Versões alternativasTwo cuts to remove lock-picking details were made to the UK video version, which was also upgraded from a 15 cinema certificate to an 18 on video. The British DVD release in 2000 restored the cuts made to previous UK versions.
- ConexõesEdited into Laser Optics II (1989)
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Detalhes
Bilheteria
- Orçamento
- US$ 35.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 38.413.606
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.506.290
- 24 de jul. de 1988
- Faturamento bruto mundial
- US$ 81.613.606
- Tempo de duração
- 2 h 6 min(126 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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