AVALIAÇÃO DA IMDb
6,9/10
6 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAn evil force begins to destroy the idyllic paradise of Gandahar, where the citizens are in perfect harmony with nature.An evil force begins to destroy the idyllic paradise of Gandahar, where the citizens are in perfect harmony with nature.An evil force begins to destroy the idyllic paradise of Gandahar, where the citizens are in perfect harmony with nature.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 indicação no total
Glenn Close
- Ambisextra
- (English version)
- (narração)
Christopher Plummer
- Metamorphis
- (English version)
- (narração)
Pierre-Marie Escourrou
- Sylvain
- (narração)
Catherine Chevallier
- Airelle
- (narração)
Georges Wilson
- Métamorphe
- (narração)
Anny Duperey
- Ambisextra
- (narração)
Jean-Pierre Ducos
- Blaminhor
- (narração)
Christine Paris
- Porte-parole
- (narração)
Zaïra Benbadis
- Voix Enregistrées
- (narração)
Claude Degliame
- Voix Enregistrées
- (narração)
Olivier Cruveiller
- Homme-métal
- (narração)
Jean-Pierre Jorris
- Transformés
- (narração)
Dominique Maurin
- Transformés
- (narração)
- (as Dominique Maurin-Collignon)
Jean-Jacques Scheffer
- Transformés
- (narração)
Jean Saudray
- Transformés
- (narração)
Frédéric Witta
- Transformés
- (narração)
Philippe Noël
- Transformés
- (narração)
Philippe Duclos
- Transformés
- (narração)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I noticed this movie at a local rental place the other week and thought, 'What on Earth is THIS?'
My dad has a book with 17,000 movie reviews--just reviews ranging from a sentence to a couple of paragraphs--and they gave it 2 1/2 stars--3 being good--so it was almost good (to them). They chastised the almost non-existent characterizations, which I agree; we're given a character, we're given about half a minute background on them, and then this is what the character has to do. I was surprised that they didn't mention the almost non-existent voice "acting" (note the quotes), as everyone just pretty much mumbled their lines...even such a big talent as Glenn Close (playing the queen) didn't help.
However, please note these are VERY minor gripes. I would've given the movie three stars myself. It's not the typical sci-fi, with the stupidity of childhood geniuses and robots with feelings abound (and I don't think the stereotypes of "oh no, it's sci-fi AND a cartoon!" help either). It's very imaginative, but pretty dark and apocalyptic; probably not for kids under the age of 6, if not 8.
And on a side note, there was some pretty good music in it, too, and a lot of it.
My dad has a book with 17,000 movie reviews--just reviews ranging from a sentence to a couple of paragraphs--and they gave it 2 1/2 stars--3 being good--so it was almost good (to them). They chastised the almost non-existent characterizations, which I agree; we're given a character, we're given about half a minute background on them, and then this is what the character has to do. I was surprised that they didn't mention the almost non-existent voice "acting" (note the quotes), as everyone just pretty much mumbled their lines...even such a big talent as Glenn Close (playing the queen) didn't help.
However, please note these are VERY minor gripes. I would've given the movie three stars myself. It's not the typical sci-fi, with the stupidity of childhood geniuses and robots with feelings abound (and I don't think the stereotypes of "oh no, it's sci-fi AND a cartoon!" help either). It's very imaginative, but pretty dark and apocalyptic; probably not for kids under the age of 6, if not 8.
And on a side note, there was some pretty good music in it, too, and a lot of it.
Even though the story was not originally from Asimov, for those who have read most of Asimov's classic science fiction (as a friend says, Asimov's Science fiction written in the 40's will always be science fiction even in 2006), the world 'Gandahar' represents an Asimov' Utopia-not in our galaxy- just like in the books, "The Gods Themselves", and "Foundation's Edge" (Gaia). The movie is very surreal and artistic but compared to other contemporary science fiction animations, it is not that technically sound. Some of the ideas I liked in the movie are: Before the beginning credits, one sees a fisherwoman using music to catch flying fish, the illustration of banished deformed people, and the use of genetically modified creatures in transportation, war and reconnaissance (one- eyed "mirror birds"). I also really liked the idea of a society leaded by a matriarchal system. This movie receives a rating of 8 out of 10 from me.
French animator Rene Laloux of "Fantastic Planet" renown, attempted to make another surreal sci-fi adventure with the 80's "Ghandar" or as Isac Asimov and Harvey Wienstien decided to call it for those of us in the states "Light Years", which since no... space travel takes place, and since the movie is about a fictional country called "Gandahar" is probably a bad title. "Light Years" I guess sounds more sci-fi-ish, and if this film was to succeed in the states(it didn't) it was gonna need every bit of conventionality it could muster.
The story is a complex one involving the standard sci-fi tropes of eugenics, time travel, death, and utopia, and though it's certainly more involved than most animated sci-fi (a good deal of the time were watching the characters talk), it's really the visualization of the world and it's inhabitants which makes this movie worth seeing.
Like "Fantastic Planet" before it, Laloux's environments are some of the most alien that have ever been imagined. The landscape is often undulating Daliesuqe deserts, which strange trees which resemble simultaneously bodily organs and geysers, a young girl offering her breast to a new born who looks like a tapir, born out of a grown embryonic plant, a city of underground mutants who resemble Blemmyes, ancient African monsters with heads beneath their shoulders, an army hollow soldiers who turn people into statues, video camera like birds who can lift entire buildings in swarms, and of course a colossal mile wide sentient brain in the middle of the ocean.
Laloux uses sci-fi story structures to create, very evocative images that do not look like anyone else's, ever, something few filmmakers in any medium or genre, can claim with straight face.
That being said the English voice acting is just decent, not great but decent, it keeps the story moving, but doesn't draw you into any of the characters. "Light Years" like "Fantastic Planet" or the animated films of Svankmajer are more concerned with form than content, but not oblivious of the latter.
So if you like heady sci-fi, visually stunning design, and unique animation, this is not to be passed up. If not it's probably not bad to see once anyway, just for the visual treat of it all, and the more I mull over the story, not the plot, I'm more impressed with how well and vividly it told me a story I've heard a hundred times before.
The story is a complex one involving the standard sci-fi tropes of eugenics, time travel, death, and utopia, and though it's certainly more involved than most animated sci-fi (a good deal of the time were watching the characters talk), it's really the visualization of the world and it's inhabitants which makes this movie worth seeing.
Like "Fantastic Planet" before it, Laloux's environments are some of the most alien that have ever been imagined. The landscape is often undulating Daliesuqe deserts, which strange trees which resemble simultaneously bodily organs and geysers, a young girl offering her breast to a new born who looks like a tapir, born out of a grown embryonic plant, a city of underground mutants who resemble Blemmyes, ancient African monsters with heads beneath their shoulders, an army hollow soldiers who turn people into statues, video camera like birds who can lift entire buildings in swarms, and of course a colossal mile wide sentient brain in the middle of the ocean.
Laloux uses sci-fi story structures to create, very evocative images that do not look like anyone else's, ever, something few filmmakers in any medium or genre, can claim with straight face.
That being said the English voice acting is just decent, not great but decent, it keeps the story moving, but doesn't draw you into any of the characters. "Light Years" like "Fantastic Planet" or the animated films of Svankmajer are more concerned with form than content, but not oblivious of the latter.
So if you like heady sci-fi, visually stunning design, and unique animation, this is not to be passed up. If not it's probably not bad to see once anyway, just for the visual treat of it all, and the more I mull over the story, not the plot, I'm more impressed with how well and vividly it told me a story I've heard a hundred times before.
It truly is a shame that no one's ever heard of this breathtakingly beautiful piece of animation. It's also a shame that animation is not usually employed in America as an adult art form. Animation shows us lifeforms and landscapes the likes of which cannot be seen on this Earth. Anyway, this is an amazing film that should be checked out by all anime fans as well as fans of films like Heavy Metal, or master animator Ralph Bakshi's works. Light Years is one of the most enlightening animated works on this planet.
This film was one of the first science fiction cartoons I had seen. Perhaps that is the reason for my high praise of the film. I was engrossed from the very beginning. The dialouge was masterful. What the animation lacked, the combination of the writing and my imagination more than made up for. This film has a PG rating for brief nudity, but I think that children ages 10 on will be very pleased. It treats the audience not as a child or an adult. If you are a fan of hardcore science fiction then this film is for you. If you have never seen a single sci-fi film before, then this is the perfect blend of action and thought provoking images to introduce you to the genre. I will not get into details about the story. You can read the synopsis. In short, I highly recommend this film.
Você sabia?
- CuriosidadesThe film is based on the 1969 novel "Les Hommes-machines contre Gandahar" (The Machine-Men versus Gandahar) by Jean-Pierre Andrevon.
- Versões alternativasThe Miramax Dubbed version is edited from the original French release. Most of the editing is from the first 36 minutes from the film. In the Miramax cut there is a new introduction of a quote by Issac Asimov, and an extended ending using footage from earlier in the film. The French cut ends with the head floating through the air. The French version contains roughly 6 minutes and 37 seconds more footage than the Miramax version(not including the Opening Titles and Credits). A lot of this is dialogue and more intimate scenes between Sylvain and Airelle in the nest and on the ship to Métamorphe. There is also a sequence cut of the black robots which is also shown in a montage inside Métamorphe later in the film.
- ConexõesEdited into The History of the Hands (2016)
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- How long is Gandahar?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 370.698
- Fim de semana de estreia nos EUA e Canadá
- US$ 48.665
- 31 de jan. de 1988
- Faturamento bruto mundial
- US$ 370.698
- Tempo de duração
- 1 h 18 min(78 min)
- Cor
- Mixagem de som
- Proporção
- 1.37 : 1
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