A Maldição da Serpente

This is a kitschy, sexy and funny movie. Ken Russel(the director of Whore and Track 29)is at his best. Taboos are endless. Scottish rock, demon worship, S&M and the defiling of Christian icons. Amanda Donohoe is luscious as the blood-sucking, dildo wielding Priestess of the Worm.

Catherine Oxenberg is a perfect blonde damsel in distress and Hugh Grant is at his sexy, bored playboy of the manor born. The production value is not the greatest but there are moments when the not-so-special effects lend an aire of underground theater to the proceedings. I highly recommend this film.

Supposedly based on a novel by Bram Stoker, LAIR OF THE WHITE WORM is an exercise in high camp surrealism for maverick British director Ken Russell. Russell crafts a unique film that mixes a solid mystery narrative with some terribly crude symbolism, some outrageously bad taste moments, and more camp sequences than you can shake a stick at. Quality-wise it's very poor in places, but at the same time it's rather amusing and, dare I say it, fun.

DR WHO star Peter Capaldi plays a youthful Scots archaeologist who digs up the skull of a god in somebody's back garden - as you do. Meanwhile, Hugh Grant is a splendidly upper class toff - what else? - whose ancestor was the chap who killed the Lambton worm. And then there's dangerous seductress Amanda Donohoe, having a ball as a femme fatale hiding a dark secret in the depths of her country pile.

LAIR OF THE WHITE WORM certainly contains some unforgettable moments, most of them involving the moments when Donohoe's true form is revealed; the makeup appears to homage Barbara Steele's character in CURSE OF THE CRIMSON ALTAR. There are some fun special effects here, alongside THOSE unforgettable nightmare sequences which are the stand-out highlights for me. The ending is neatly achieved and there's a nice supporting role for character actor Paul Brooke playing the local copper. Truly this is a one-of-a-kind production that has to be seen to be believed.

I've heard the complaints before, from men of all walks of life: "SHE wants to watch some syrupy romantic slush starring Hugh Grant, I want to watch something with hot, naked, snake-worshipping chicks!"

Well, complain no more! Here's a flick that's got both in one! That's right, England-cum-America's favorite foppish, eye-lid-fluttering sex symbol does battle with naked half-snake-half-human devil worshippers, giant white worms, and the forces of evil!

Well, actually Hugh only kills one snake-human hybrid, and it's an old lady. And he keeps pretty far away from the action-packed finale face-off, letting his odd shut-in pal Angus do all the fighting. But you DO get to see the star of "Notting Hill" slice an old lady in half with a broad sword, and that alone is worth the price of admission!

I enjoyed this movie, what with it's quaint, folksy atmosphere, it's kilt-wearin' heroes, and it's sexy villainess who seduces a hapless boy scout (!) into entering her hot tub of evil. There's even public-access-esque dream sequences where a Sid & Marty Krofft-type snake puppet molests Jesus Christ while nuns are tortured- and who doesn't want to see that?

A very strange movie, to say the least.

Leave it to director Ken Russell to find an obscure Bram Stoker novel and take its most exploitive elements and turn it into a bloodfest of snakes, vampires, virgin sacrifices, phallic symbols, Christian symbolism and more. He throws in some comic book slashings along with some sly humor to create a tacky Gothic horror called THE LAIR OF THE WHITE WORM. It kept me awake until the last shot where the dimwit hero HUGH GRANT is about to find out he's made another mistake before the screen fades to black. This must have been the film that first made Grant known to American audiences.

He plays an aristocrat who is attracted to a new neighbor whom he later learns is a woman (AMANDA DONOHOE) who is keeper of a giant worm waiting to devour people whole if she decides to feed victims to it. She's played with delicious relish by Donohoe, who picks up a scout trudging along a deserted country road and must quickly dispose of him in a bath when Grant knocks on her door.

It's weird stuff from start to finish, but try to look away! It's typical Ken Russell overkill--or should I say overbite--since much of the action involves vampirism and some friendly suburbanites who suddenly grow fangs. Handsomely photographed in color with attractive settings indoor and out, it provides a steady mix of laughter and fright while managing to be entertaining despite the overly weird material.

CATHERINE OXENBERG plays the virginal heroine who falls under the spell of the demonic woman, at her best when forced to assume a vacant expression. PETER CAPALDI is excellent as Hugh's friend who comes to her aid before the white worm can do its work and claim another victim.

Silly stuff, but if you like the work of Ken Russell, you should find it extremely interesting to watch.

Directed & written by Ken Russell and loosely based on Bram Stoker's novel, "The Lair of the White Worm" (1988) chronicles events in England when a young archeologist (Peter Capaldi) uncovers a skull of some unknown beast near a bed & breakfast run by two sisters (Sammi Davis & Catherine Oxenberg). These three and Eve's beau (Hugh Grant) soon stumble upon an ancient snake cult led by the eccentric Lady Sylvia Marsh (Amanda Donohoe), who dwells at a lavish estate nearby.

The movie is a creative and entertaining creature feature reminiscent in tone & theme of "Squirm" (1976), but with Russell's well-known offbeat excesses. The "creatures" are vampire-like snake people plus a gigantic serpent at the close, both of which recall the snake worshipers & giant serpents from "Conan the Barbarian" (1982).

There are some iconic cinematic images, like Donohoe as the vampiric snake lady, not to mention a few well done horror scenes, like a snake woman who's cut in half, but still wiggles with furious intent.

The snake cult is diabolical in an anti-Christ way and I can see why some viewers might find the movie shocking and offensive, like the weird nun-raping flashback. Yet everything's so exaggerated and sometimes cheesy with a bit o' humor thrown in that the film can't be taken very seriously, which negates it from being shocking or disturbing. Fun in a horrific way? Yes. Disturbing? No. Also, keep in mind that horror villains/monsters are SUPPOSED to drip with ee-vil and be shocking. The question is, do they win or do the noble protagonists win?

On the female front, the chief snake lady thinks she's hotter than she really is as Donohoe amusingly hams it up. Meanwhile Catherine Oxenberg as Eve is a semi-highlight, particularly in the last act.

The film runs 1 hour, 33 minutes and was shot entirely in England (Hertfordshire; Manifold Valley, Staffordshire; Peak District National Park; and Derbyshire). Thor's Cave in Manifold Valley is magnificent.

GRADE: B-