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If you're expecting a typical slasher, you'll be disappointed. Frank LaLoggia's "Lady in White" is a more subtle horror flick, with limited violence and no sex or nudity. It depicts a boy who witnesses an apparition of a murder and then tries to find out what happened. The movie makes a lot of use of shadows to elicit its horror, and the answer to the mystery slowly but surely evolves. Moreover, it's also interesting to see a horror movie seen from the eyes of a child, as opposed to horny teenagers. Of course, there's no shortage of comic relief, especially from the boy's grandparents. This movie isn't any kind of masterpiece, but I still enjoyed it.

Starring Lukas Haas (the Amish boy in "Witness"), Len Cariou, Alex Rocco (Moe Greene in "The Godfather") and Katherine Helmond.

I was able to see Lady in White today on TV. At first I was just mildly interested in what I believed to be a kids movie. Once I realized this film was no children's film, I was sucked right in.

Frankie is a young, smart child of an Italian family in the town of Willowpoint Falls. He has a great imagination and is able to express it on Halloween while in school. Afterwards however, Frankie is locked into the school's coat room for the night by two bullies and witnesses something remarkable. He witnesses the ghost of a little girl being killed by the hands of an unknown man 10 years prior. The ghost begins to follow Frankie and he sort of befriends her as he attempts to discover who killed the little girl and 10 other children in the town.

Lukas Haas is exceptional in the lead role of Frankie. He is sweet, fun-loving, and extremely enjoyable to watch on the screen. Haas does a fine job in his portrayal of the haunted boy and brings out his character quite easily. Alex Rocco also does quite well in his supporting role of Frankie's father. You are able to tell, even without it being talked about, that he is a good, kind man and father. That he is always looking out for his sons with the loss of his wife. Rocco shows his acting ability well.

Originally I thought this film to be a children's film and was quite convinced it was until I saw the coat room sequence. The acting of the little girl as she is killed by the invisible force is shocking and terrifying. I was truly frightened by the scene and knew it was no longer a children's film. My only complaint, which is a large one, is the lack of emphasis on the Lady in White. SHe is barely shown the whole film and it confused me slightly why they named the film after her.

Age does show on this film with the cheesy special effects. However the story is able to overthrow the poor special effects. The acting is solid, the story is well thought out and the characters are quite enjoyable to watch.

3 out of 5 Stars

Lady in White (1988) is a movie that I watched for the first time in a long time on Tubi last week. The storyline follows a young man who gets locked in his school and is almost murdered one night by someone looking for something in the school. That night he also saw a ghost which must be tied to what his would be killer was looking for. The young man starts researching who the ghost is; and indirectly, who tried to kill him.

This movie is directed by Frank LaLoggia (Fear No Evil) and stars Lukas Haas (Inception), Len Cariou (Blue Bloods), Tom Bower (Out of the Furnace), Alex Rocco (The Godfather) and Jared Rushton (Big).

This is an entertaining addition to the horror genre that aged pretty well. I really enjoyed the ghost effects in this; and while the special effects are dated, they still worked for me. I loved the depiction of the 60s, down to the Bela Lugosi Halloween costume. The depiction of the town and town's people were perfect for this era also. The woman in the window was very creepy throughout the picture. There's also a target practice scene that made me uncomfortable and set up the ending perfectly. I really enjoyed the storyline and the ending; and while being fairly straightforward and a bit predictable, everything was fun to watch unfold.

Overall, this is a bit of an underrated gem from the 80s. I would score this a 7.5/10 and strongly recommend it.

Despite a few plot gaps, this is a very charming, atmospheric movie. The view is through the eyes of the main child-character, Frankie Scarlatti, and we see what he sees. This is a wonderful ghost story, not a horror film at all. Lukas Haas' character, Frankie, is vulnerable, yet determined to get at the heart of the mystery. Katherine Helmond is touchingly effective in her role as the grandmother of the murdered girl. My only complaint is that I get no clues from the plot or characterizations about what caused the killer to act. Yet I can suspend belief long enough to go with the childlike curiosity into the mysterious story. This is what I call a "little movie", no splashy special effects or over-the-top story lines, just a simple, sweet movie.

When you see where the Halloween topic has been through,the likes of Carpenter's stuff,it's a wonder one can make a non-gore ,adult,clever movie on such a hackneyed subject.

The main theme in "lady in white" is the fear of losing our dear ones,a fear which dwells in every child.Not only the young hero-played by a sensitive actor-lost his mother at such an early age but remember that Phil suffered the death of both his father and his mother too.Even the ghost (the little girl) cannot find peace of mind because of her splintered childhood.The black children will experience this terrible fate.

The spirit of HALLOWEEN is the core of the movie who could be dedicated to our faithful departed.

It's amazing to see Lucy Lee Flippin,resuming her schoolteacher career,which she began in "little house" as Eliza-Jane Wilder,Laura's sister in law.

"Lady in white" is a movie one can recommend .It paved a reliable way for "the sixth sense".Its incredible several moments will make your watching worthwhile.

I suppose _Lady in White_ can be viewed as a horror film. It is a supernaturalistic ghost story that relies on mood and suspense to generate its scares, rather than gratuitous and explicit gore. And while some of the special effects seem dated by today's standards, that didn't really detract from my interest in the film. Creative camera work and moody score on a couple of scenes actually gave me chills. I also think that this is a film that fans of good mystery should also find to their liking. Overall, this is a good film from a relatively unknown director, Frank LaLo

I just don't know what it is but this movie is like an "Old Friend" to my older sister and I. We always watch it together and now my 6 1/2 yr old watches it with us. I think because it's "scary,but not too scary" and YES we always end up singing that song for day's after we watch it.

When ever we ask people "have you seen this movie" they are alway glad we told them about it..it's one of those movies you either never heard of, or never thought to watch and once you do your glad you did.

I love the Halloween theme and the "Little Sleepy Town" feeling you get in this movie. Grandma & Grandpa are by far my favorite's in this film, There is such a "Loving Closeness" between them.

It's just a good "anytime" movie.

Hard to explain what's special about this movie, but it is. The exposure of the tragedy of racial prejudice and injustice is just one element.

Picture a sleepy rural community by the sea where children play in fields, family members work together and a ghost appears to a young boy to receive aid in finding peace. These are some of the story lines of Lady in White. the picture was directed by Frank LaLoggia and he gives it a picturesque Ray Bradbury kind of tone, mood, and setting. It was as if I were transported back into some aspects of my childhood as the film centers on the point of view of a young boy named Frankie Scarlatti. The story is not grandiose by any means: you will know the identity of the killer fairly quickly just by instincts. The real power of the film for me was the presentation of the film - the creepy moments with the Lady in White, Katherine Helmond as a crazed woman obsessed with candles, and the claustrophobic atmosphere of a little school room. The rural setting is wonderfully portrayed and the resolution to the story has heart and scares. I was impressed with the acting all around from Lukas Haas as Frankie, to Alex Rocco as his father giving a great performance and certainly one not his general type, Len Cariou as a family friend, and Helmond as well. This is at its core a ghost story and one of the better ones I have seen of late. It is family-friendly yet eerily frightening. This is one of those perfect films to watch on a cold, winter evening.

This is a nicely done, embracing effort that has some visual elements mindful of ET. The young people are really quite believable. There are bullies, unpredictable brothers, secrets, and lots of love in a family missing a mother. This draws us into a small town which sits on the fringes of an unnamed city. A young boy sees a ghost after being locked in an elementary school cloakroom. He comes to realize it is the restless spirit of a little girl who longs to find her mother. This sets things up nicely. Unfortunately and tragically, the black janitor of the school is blamed for the assault and then charged with the murders of twelve other children. This is absurd because anyone with common sense could see that, while he could have committed the assault, he couldn't have been charged with a capital crime. The movie involves the young boy putting together the pieces, including a class ring found in a heating vent. This is a nice enough story. It's weakness is that it gets too sappy at times. I really got tired of the grandpa and his excuses to smoke. They were just overly cute. Still, it's pretty captivating and works pretty well.

I was more than a bit disappointed with this one after reading the reviews here. It feels like a stretched out ghost story that might be told at a campfire with the cheap cheesy feel you might get from one of those movies shown on Saturday morning. Not the ones that make it to Monster Theater in the afternoon but the ones in the morning for the really little kids. No scarier than Casper the Friendly Ghost with the same cuddly family values to please any squeamish adults that might be watching.

Also it takes itself a bit too seriously and is not quite bad enough to be campy, just staying in the predictable and cheesy range of mediocrity.

It's obvious why this one has remained forgotten.

The problem I see with LADY IN WHITE is that it tries too hard to tackle several unrelated themes withing a horror movie framework. The prologue with the adult main character returning to his old hometown and the ensuing exposition about his brother and father made me think of STAND BY ME, which LADY IN WHITE is definitely not. Also, the subplot involving the African-American janitor's wrongful arrest and the subsequent events that lead to tragedy inject a race relations/civil rights theme that really is superfulous to the main plot. What's going on here? Is the filmmaker trying to make a horror film, or a coming of age film, or a social commentary on prejudice? The film could have been complex enough without all these other elements, and the heavy-handed way in which he uses them in film makes for a very muddled, busy state of affairs.

What makes a good mystery? First of all, weirdness. I've seen a lot of ghost-movies but only a few come close to the beautiful weirdness of this independent movie. Over 4000 people gave their pennies to make this movie come true and it was really worth it. Just like Taboada's "Hasta el viento tiene miedo", LaLoggia's "Lady in White" is an absolutely astonishing movie in every part of it, starting from the visual style to the plot. Of course, like in every movie made on low budget it has pretty bad special effects, sometimes so bad that you want the movie to be remade, but in fact, this is the kind of movie that's totally impossible to be remade without ruining its incomprehensible glamor. Once finished watching, someone would think that it's the plot that makes this movie so unique, but for a movie-lover it's not too hard to remember at least a couple of other flicks with similar plots but miles weaker than "Lady in White", so it's obvious that everything: acting, direction, music, design, photography; so well fit together so they create a potion of pure imagination incredibly interknit with an almost touchable reality. It's the best movie that can be called a screen version of a Christmas story told by the fire by your grand. More than worth watching.

Unfortunately this movie has not been released on DVD in Russia (just as "Hasta el viento..." and many other amazing fantasy movies), so I can share my admiration with only a few people.

On FILM 88 legendary British film critic Barry Norman reviewed two " horror " movies. One was HELLBOUND:HELLRAISER 2 and the other was LADY IN WHITE . Barry hated HELLBOUND which is unsurprising since he is notoriouslyintolerant of gore and violence but he did praise THE LADY IN WHITE but after finally seeing it I have to admit it's a very patchy movie

Much of the problem lies in the film trying to say a little too much . It's set in Willowpoint Falls in 1962 and of course the civil rights campaign is just getting in to flow which means there's a subplot that isn't actually needed . If it'd been set in 1988 you'd have a much more streamlined story . Considering the title of the movie the title character doesn't make an appearance until well into the second half of the running time and up till then GIRL IN PINK would have been a more appropriate title

In fact nothing much at all happens until a subplot featuring a ring comes to the fore and when it does the story becomes compelling and exciting and a little bit disturbing . Unfortunately this doesn't happen until something like 15 minutes before the credits start rolling which gives you an idea of how much potential is wasted and that's a great shame

I get the sense that this is a Frank LaLoggia vanity project. As writer and director, it's clear that this movie is his creative vision. The story idea is quite good, but this fails on multiple fronts.

The acting is good by the young actors, particularly Lukas Haas. He is most likely best known for his role in "Witness." He is a fine young actor, who is hampered by poor direction. In fact, all in this movie are hampered by poor direction. Even the timing of the dialog is off in places.

For starters, this movies tries to be a comedy and a horror flick, perhaps with a little coming-of-age thrown in, but accomplishes none of them well. Technically, the filming and editing are pretty bush league. It looks like those after-school specials from the 1960's. There are numerous obvious continuity errors.

If you are looking for an entertaining horror flick, this isn't it.

This film combines elements from many other genres, and makes itself unique. It is a ghost story, a murder mystery, a nostalgia film, and a family drama.

The story is centered on Frankie, a successful novelist of horror stories. He returns to his home town in the Northeastern United States, during autumn, and the basic film is a flashback.

Within the film are hints that make it more intriguing. Frankie sells greeting cards, and from them gets a typewriter, presaging his career as an author. His schoolwork reflects this, as he writes a frightening short story to spook his schoolmates -- and his teacher. A couple of his classmates trick him into going into the coat closet as the school is closing, and lock him in.

After trying to get out, he eventually falls asleep, and wakens to the sight of the ghost of a young girl, who is condemned to relive, as it were, her murder. Later, the murderer comes into the closet and nearly strangles Frankie to death.

Frankie has a near-death experience, but is revived. He then experiences a number of unusual events, such as seeing The Lady In White, a ghost of a woman seeking her missing daughter. Much of the story is seen in the context of an Italo-American family, with mild comedic incidents.

Major spoiler: The identity of the murderer is a bit easy to figure out, particularly with him whistling an early Bing Crosby song that Frankie (and the audience) knows is connected to the little girl's ghost.

The film delivers on all its fronts, and is perfect to watch after the Trick-Or-Treaters have finished.

I enjoyed "Lady in White" in general. Lucas Haas' performance was wonderful and the acting in general was of very high quality. It took the film a long time to get started. In fact it dragged in the beginning with not much of anything compelling to care about. I realize this is in keeping with the concept that nothing very much ordinarily happens in a town of the kind we see but the point is belabored. The music was simply not very good. It was heavy-handed and not always necessary. Sometimes it actually got in the way. I suppose the director/actor/composer wore one hat too many.

Curtis Stotlar

This story of a boy who slowly uncovers the secrets behind the deaths of a number of children in a small community attempts to address too many issues, and consequently has trouble in tying the sub-plots together. The scenes of harsh reality conflict with the unconvincing surreal ghostly images. It could have been a lot better, and this possibly states a strong case for not having a writer/director/producer, but allowing the diversification of creatives to produce a more coherent feature.