AVALIAÇÃO DA IMDb
6,2/10
321
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaWhen the man who left a package in his care is murdered, detective Tim Diamond suddenly has every major gangster in the city after him. With only the package and the help of his little broth... Ler tudoWhen the man who left a package in his care is murdered, detective Tim Diamond suddenly has every major gangster in the city after him. With only the package and the help of his little brother, he sets out to unravel the mysterious plot.When the man who left a package in his care is murdered, detective Tim Diamond suddenly has every major gangster in the city after him. With only the package and the help of his little brother, he sets out to unravel the mysterious plot.
- Prêmios
- 1 indicação no total
José René Ruiz
- Johnny Naples
- (as Rene Ruiz)
R.J. Bell
- Club Owner
- (as 'RJ' Bell)
Avaliações em destaque
Saw this when I was but a wee nipper - and I remember loving it dearly. It never insulted my intelligence, and the plot has momentum.
Would love to see it again now, were it not impossible to find!
Would love to see it again now, were it not impossible to find!
I remember seeing this film when i was off sick from school and couldn't believe how much I enjoyed it!
It was a classic example of British comedy for family entertainment, with a good story and strong acting. I'm scared that if I watched it again, I wouldn't like it, so I'll leave the fond memories in the past.
It was a classic example of British comedy for family entertainment, with a good story and strong acting. I'm scared that if I watched it again, I wouldn't like it, so I'll leave the fond memories in the past.
Of course the film Just Ask For Diamond, directed by Stephen Bayly, is different from the novel by Anthony Horowitz. Time (and budget too) demands the story is edited so as to fit over 200 pages of text into 90 minutes of film. Indeed, the result is that a lot of interesting events are cut from the plot as well as many of the novel's original and charming characteristics. Dialogues are shortened, the narrator is more or less removed, violence is toned down. Where the novel has a tough and very cynical 13-year-old who has not got a good word for anyone or anything he has to deal with -the city of London, for instance, is presented as if it were the capital of Hell, the film presents us with sweet and adorable-looking Colin Dale who seems concerned more with maintaining a Received Pronunciation accent than playing a poor kid on the brink of the precipice. And London has come to look about as menacing as the green pastures where the TeleTubbies live. Still, the man responsible for the screenplay is the same as the one who wrote the book and he leaves us with enough to enjoy Just Ask For Diamond (a.k.a. Diamond's Edge). Dursley McLinden is the perfect cast for clumsy Tim, Susannah York makes a wonderful numbed-by-grief Lauren Bacardi, Patricia Hodge is a hit in two widely differing roles, Jimmy Nail looks exactly like what we have in mind when we think of a fascist London cop, there's a half a dozen of talented actors playing the crooks, and even Colin Dale, despite the posh accent, makes a nice lead and makes you wish you could stay a little boy for all your life. A lot of the humour is still there, but since it's mostly on a verbal level one should not rely on subtitles.
10cazyrose
I have been a great fan of all Anthony Horowitz books and the Falcon Malteaser was the very first one i read. The afternoon after seeing 'Stormbreaker' i was in the supermarket and found this film on sale for 99p.
I brought it home fully prepared to be disappointed but instead found it to be thoroughly entertaining. Nick is absolutely adorable and streetwise. Tim is dopey without being too over the top (which would have been very easy to do).
Often with book-films the screenwriter gets bogged down with what he is 'supposed' to put in and you often feel the story is thin and stretched, more like an assembly of memorable moments - racing to get through the story. The best thing about Horowitz (and you can see this in stormbreaker too) is that he writes a film that can completely stand alone and doesn't need the novelty of having a book behind it. (something that really comes across in the Harry Potter films) He knows the book and the characters inside out and isn't afraid to break from it a little. (not too much, just at those moments that seem to jar when a writer has stayed 'too true') Anyway. The film is based around two brothers, Herbert and Nick. Their parents have moved away and Herbert is looking after his 13 year old brother alone. Herbert has renamed himself 'Tim Diamond' and is working as a private detective. I don't want to give the story away - but it is engaging and satisfyingly intricate with plenty of enjoyable characters and plot twists.
Definitely worth an hour and a half of your time - silly theme tune and all!
I brought it home fully prepared to be disappointed but instead found it to be thoroughly entertaining. Nick is absolutely adorable and streetwise. Tim is dopey without being too over the top (which would have been very easy to do).
Often with book-films the screenwriter gets bogged down with what he is 'supposed' to put in and you often feel the story is thin and stretched, more like an assembly of memorable moments - racing to get through the story. The best thing about Horowitz (and you can see this in stormbreaker too) is that he writes a film that can completely stand alone and doesn't need the novelty of having a book behind it. (something that really comes across in the Harry Potter films) He knows the book and the characters inside out and isn't afraid to break from it a little. (not too much, just at those moments that seem to jar when a writer has stayed 'too true') Anyway. The film is based around two brothers, Herbert and Nick. Their parents have moved away and Herbert is looking after his 13 year old brother alone. Herbert has renamed himself 'Tim Diamond' and is working as a private detective. I don't want to give the story away - but it is engaging and satisfyingly intricate with plenty of enjoyable characters and plot twists.
Definitely worth an hour and a half of your time - silly theme tune and all!
It's a shame. The film sticks quite closely to the book, but is not as good. It starts with a horribly lame opening song. The two detectives are not that great. Tim is meant to be stupid, but here he seems rather like a robot saying lines. Nick is too child-actorish, and just does not seem natural enough.
However, I suspect the director is most at fault. The whole thing lacks pace and tension. One example: the scene with the piano -- which should be a high spot -- is thrown away in a few seconds.
The book depends a lot on verbal humour, a lot of it in the narration. This is mostly lost here.
It's not all bad, but it could have been much, much better.
However, I suspect the director is most at fault. The whole thing lacks pace and tension. One example: the scene with the piano -- which should be a high spot -- is thrown away in a few seconds.
The book depends a lot on verbal humour, a lot of it in the narration. This is mostly lost here.
It's not all bad, but it could have been much, much better.
Você sabia?
- CuriosidadesBoth Colin Dale who plays Nick Diamond in the film and the miniseries and Dursley McLinden who played his older brother Tim Diamond in the film and the miniseries acted in only one or two other projects and stopped acting on screen altogether after the miniseries ended. Dursley McLinden sadly died in 1995 from AIDS.
- ConexõesFeatures Até a Vista, Querida (1944)
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Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 12.751
- Fim de semana de estreia nos EUA e Canadá
- US$ 12.751
- 2 de dez. de 1990
- Faturamento bruto mundial
- US$ 12.751
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