AVALIAÇÃO DA IMDb
6,3/10
1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaIn the mid-60s, a teenage 4.0 high-school student is drawn out of his element on a dare by his peers, to become a dancer on popular TV music show.In the mid-60s, a teenage 4.0 high-school student is drawn out of his element on a dare by his peers, to become a dancer on popular TV music show.In the mid-60s, a teenage 4.0 high-school student is drawn out of his element on a dare by his peers, to become a dancer on popular TV music show.
- Direção
- Roteiristas
- Artistas
Donovan Leitch Jr.
- Del
- (as Donovan Leitch)
Sean Sullivan
- Popeye
- (as Sean Gregory Sullivan)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The time:1965. The place:Phiuladelphia. The movie:The In Crowd. A fun and enjoyable timepiece about the time when Americans enjoyed and loved seeing and participating in dance shows in their various local cities. You see this when the movie ,cleverly, shows the beginnings of several dance TV shows from across the country and the hosts of these TV shows (Sam Riddle in Los Angeles, Wink Markindale in Memphis among others).
The movie centers on three stories. One having the movie's star, Donovan Leitch playing a character called Del. A bright young man with a bright future ahead of him but he wants to be a dancer on the local TV dance program, "Perry Parker's Dance Party". Del doesn't know it but he has nothing in common with the dancers on Perry Parker's show , except that he is a fine dancer himself which gets him a chance to be on the show.
The second part of the movie deals with Perry Parker himself, played by that great actor Joe Pantoliano. Parker .like most people in Philadelphia, feel betrayed that Dick Clark took American Bandstand away from Philaelphia and moved it to Los Angeles.He tries to tell his dancers that if Dick Clark fails the network may want to look for a replacement, like his own show for instance. Parker is like a lot of TV hosts of local shows of that era, hoping to be the next Ed Sullivan, the next Steve Allen, the next Dick Clark, the next Johnnny Carson. Hoping the networks will take him in a make him a big star on network television.
The third part deals with Del and his short love affair with Vicky (Jennifer Runyon). Vicky is pretty but is too lowbrow even for Del. This is one movie where the pretty girl fails to meet the expectations of the supposed geek in the film rather than the other way around. In the end Del tries to help Vicky leave Philadelphia and join her Fonzie like boyfriend Dugan (Scott Plank) as they head for Hollywood.
The In Crowd has great music using some good soul music in the film that is true to the era and not just the same old music you might have heard over and over again in other films about the early 1960's. The choreography is great and inspired and it makes for a good musical and that is what The In Crowd pretty much is. A musical. The living room dance duel between Del and Dugan is proof of that.
The movie told a true tale of how things were changing in America without getting highhanded and clumsy in how they did it. Perry Parker is a prime example of this. An associate producer tells him the show is getting low ratings and that the type of music he has on his show won't work. He should try Mitch Miller instead says the producer. The station manager(Blake Soper) has no use for Parker or his dance show and wants something else. When he brings along a British Invasion like group ,longhair and all to the TV studio and wants Paker to put them on the show, Parker says no saying that,thanks to the long hair, he can't tell if they are boys or girls. He was right, the group was all wrong for his dance show but Perry Parker's days on TV are numbered anyway.
Pantoliano is his usual great self here. As with all of his roles he makes Perry Parker his own. The film is a nice timepiece just before everything came apart in the US.The music, the dance numbers, and some decent acting make this a decent movie if you really wanted to know what America was like back in 1965.
It is the type of tale that Dick Clark tried to tell himself through the American Dreams TV series but failed miserably because the show was all over the map. It wasn't overwrought and overrated like the NBC mini series about the sixties called The 60's. The In Crowd is a good film that wasn't all that appreciated when in came out in theaters in 1988. Hopefully people shall take a better liking to it when they see it again in the future.
The movie centers on three stories. One having the movie's star, Donovan Leitch playing a character called Del. A bright young man with a bright future ahead of him but he wants to be a dancer on the local TV dance program, "Perry Parker's Dance Party". Del doesn't know it but he has nothing in common with the dancers on Perry Parker's show , except that he is a fine dancer himself which gets him a chance to be on the show.
The second part of the movie deals with Perry Parker himself, played by that great actor Joe Pantoliano. Parker .like most people in Philadelphia, feel betrayed that Dick Clark took American Bandstand away from Philaelphia and moved it to Los Angeles.He tries to tell his dancers that if Dick Clark fails the network may want to look for a replacement, like his own show for instance. Parker is like a lot of TV hosts of local shows of that era, hoping to be the next Ed Sullivan, the next Steve Allen, the next Dick Clark, the next Johnnny Carson. Hoping the networks will take him in a make him a big star on network television.
The third part deals with Del and his short love affair with Vicky (Jennifer Runyon). Vicky is pretty but is too lowbrow even for Del. This is one movie where the pretty girl fails to meet the expectations of the supposed geek in the film rather than the other way around. In the end Del tries to help Vicky leave Philadelphia and join her Fonzie like boyfriend Dugan (Scott Plank) as they head for Hollywood.
The In Crowd has great music using some good soul music in the film that is true to the era and not just the same old music you might have heard over and over again in other films about the early 1960's. The choreography is great and inspired and it makes for a good musical and that is what The In Crowd pretty much is. A musical. The living room dance duel between Del and Dugan is proof of that.
The movie told a true tale of how things were changing in America without getting highhanded and clumsy in how they did it. Perry Parker is a prime example of this. An associate producer tells him the show is getting low ratings and that the type of music he has on his show won't work. He should try Mitch Miller instead says the producer. The station manager(Blake Soper) has no use for Parker or his dance show and wants something else. When he brings along a British Invasion like group ,longhair and all to the TV studio and wants Paker to put them on the show, Parker says no saying that,thanks to the long hair, he can't tell if they are boys or girls. He was right, the group was all wrong for his dance show but Perry Parker's days on TV are numbered anyway.
Pantoliano is his usual great self here. As with all of his roles he makes Perry Parker his own. The film is a nice timepiece just before everything came apart in the US.The music, the dance numbers, and some decent acting make this a decent movie if you really wanted to know what America was like back in 1965.
It is the type of tale that Dick Clark tried to tell himself through the American Dreams TV series but failed miserably because the show was all over the map. It wasn't overwrought and overrated like the NBC mini series about the sixties called The 60's. The In Crowd is a good film that wasn't all that appreciated when in came out in theaters in 1988. Hopefully people shall take a better liking to it when they see it again in the future.
I saw this movie back when I used to get the "Encore" movie channel. The movie to me was campy at first but the more I saw it the more I loved it.Great dancing,likable kids,and songs you just don't hear in
every teen 60's movie.I was heart-broken when I read Orion Studios went broke and this movie was never released on a big scale.I'm not saying the acting is great in fact most of the actors are bad but the spirit of teen dance shows is alive and making you want to get up and boogie. Betten than the show "American Dreams" to me and picking Bob Dylan's "Like a Rolling Stone" to end the movie was perfect.I, like others also found this movie in the dicount bin and it made my day.Again kudos to whomever picked the songs used in the movie."When You're Young and In Love", "Cast Your Fate to the Wind"..... oh it made me cry.......
every teen 60's movie.I was heart-broken when I read Orion Studios went broke and this movie was never released on a big scale.I'm not saying the acting is great in fact most of the actors are bad but the spirit of teen dance shows is alive and making you want to get up and boogie. Betten than the show "American Dreams" to me and picking Bob Dylan's "Like a Rolling Stone" to end the movie was perfect.I, like others also found this movie in the dicount bin and it made my day.Again kudos to whomever picked the songs used in the movie."When You're Young and In Love", "Cast Your Fate to the Wind"..... oh it made me cry.......
The first time I watched this movie, I knew from the beginning's great vintage clips of local dance programs that this movie was going to convey the fun feel of the early 60's. The "In Crowd" must have been written by people who really grew up in early 60's Philadelphia. Instead of a generic Hollywood "retro" feel, I saw a more distinctive, local atmosphere to this film. Joe Pantoliano's "Perry Parker" character is a dead-on reference to Philly's own Jerry Blavat (a local radio legend) from his looks right down to his jive patter. The old Philly Dances (Mickey's Monkey, the Soul Street) are performed fantastically by the dancers to overlooked soul/dance classics that would be considered obscure anywhere else. Even the local "clash of classes" is well-represented in the characters' respective areas; Del and Gail from Cheltenham's conservative, upper-middle-class area, and the gritty, streetwise but lovable characters from the urban Philly areas (the tv station scenes were shot in and around Upper Darby's Tower Theatre). One of my favorite scenes is when Del is upstairs in his typical 60's teenage boy's room, attempting to pick up Philly's "WIBG Radio 99" on his little transistor radio. You can even hear classic dj Hy Lit's famous "Hyski O'Roonie McVoughty O'Zoot" jingle amidst the static. And what Philadelphia native doesn't remember the old Wildwood radio record hops "down the shore" in the 60's? And lots of kids snuck out of school early then, to try to get on the local dance programs. Ok, so this film may not have been Oscar material, but it truly makes me feel good every time I see it; it brings back so many good feelings from that era, and showcases great 60's Philly music.
This coming-of-age movie is sort of a male version of "Dirty Dancing" with a young man from a wealthy suburb falling for a tough city girl. The best thing about it is the soundtrack, which is packed with undeservedly overlooked R & B from the '60s--great songs like the Marvelows' "I Do," Tina Britt's "The Real Thing," the Majors' "A Wonderful Dream" and the Marvelettes' "When You're Young And In Love." It's a refreshing change from the typical '60s movie with songs you've already heard a million times. The dancing is terrific, Donovan Leitch and Jennifer Runyon are appealing as the young lovers, and Joe Pantoliano is outstanding as DJ Perry Parker.
The earlier review saying this is one of the worst movies ever made is obviously from someone who hasn't seen a lot of bad movies. All I can guess is that it brought back too many bad memories of the reviewer's teen-age years, teen-age angst being one of the things with which this movie deals. All in all, I found it quite enjoyable, especially because it made such good use of the music from the time, including Vince Guaraldi's big hit "Cast Your Fate to the Wind" (and when that song plays in the background, it is really telling you something about what is going to happen). The story line is not much, dealing with teen-age romance and growing pains, and with the difficulties of trying to fit into the currently popular styles, whatever they may be, but it's not terrible either. Joey Pants' speech in the classroom is a classic, and a lot of the other scenes in the movie transcend the story. I certainly wouldn't call it a great movie, but if you enjoyed "Ferris Bueller's Day Off", or "Some Kind of Wonderful", then you'll have a good time watching this one too.
Você sabia?
- CuriosidadesPeter Boyle's character "Uncle Pete" is based on a real children's show host in Philadelphia in the time of the film. The host was Uncle Pete Boyle; Peter Boyle's father.
- Erros de gravaçãoA highway sign indicates I-476 (the famed Philly "Blue Route") which didn't exist at the time of film.
- ConexõesFeatures Clamor do Sexo (1961)
- Trilhas sonorasAnyone Who Had a Heart
Written and Produced by Hal David and Burt Bacharach
Performed by Dionne Warwick
© Jac Music Co., Inc./Blue Seas Music, Inc./U.S. Songs, Inc.
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- How long is The in Crowd?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- The in Crowd
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 136.567
- Faturamento bruto mundial
- US$ 136.567
- Tempo de duração
- 1 h 35 min(95 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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