AVALIAÇÃO DA IMDb
7,0/10
25 mil
SUA AVALIAÇÃO
Em 1962, uma adolescente simpática e gordinha ensina uma ou duas coisas sobre integração em Baltimore, depois de conseguir uma vaga em um programa de dança de uma TV local.Em 1962, uma adolescente simpática e gordinha ensina uma ou duas coisas sobre integração em Baltimore, depois de conseguir uma vaga em um programa de dança de uma TV local.Em 1962, uma adolescente simpática e gordinha ensina uma ou duas coisas sobre integração em Baltimore, depois de conseguir uma vaga em um programa de dança de uma TV local.
- Direção
- Roteirista
- Artistas
- Prêmios
- 1 vitória e 7 indicações no total
Vitamin C
- Amber von Tussle
- (as Colleen Fitzpatrick)
Jo Ann Havrilla
- Prudence Pingleton
- (as Joann Havrilla)
Alan J. Wendl
- Mr. Pinky
- (as Alan Wendl)
Josh Charles
- Iggy
- (as Josh A. Charles)
Avaliações em destaque
1st watched 11/12/2008- (Dir-John Waters): Fun and surprisingly watchable John Waters film about an overweight teen trying to make it on a 50's dance show. Rikki Lake is great in the lead and Divine does a good job as her understanding mother. Despite the filmmakers reputation there are very few gross-out scenes and a good anti-racial theme protecting both overweight people and blacks. The movie has a silly premise and approach but actually does a good job of showing how stupid some of the laws against African-Americans were in the fifties and the sixties. The movie also just flat out entertains and doesn't try to take itself too seriously. I'm actually now looking forward to watching other John Water's films because of this one although I'm sure most of them are not as tame as this one.
It is hard to believe that we are celebrating the 20th anniversary of this film this week. It is even harder to believe that just one week after it opened Divine left the world's stage forever.
But, the star of the show was Ricki Lake in her first year as a film actress. She camped up John Water's script and delivered an enjoyable musical movie with a message that is just as important today as it was 20 years ago.
It was really interesting seeing people like Sonny Bono, Blondie, Jerry Stiller, Pia Zadora, and, of course, writer/director John Waters himself.
A goofy satire that is just as good today as it was then.
But, the star of the show was Ricki Lake in her first year as a film actress. She camped up John Water's script and delivered an enjoyable musical movie with a message that is just as important today as it was 20 years ago.
It was really interesting seeing people like Sonny Bono, Blondie, Jerry Stiller, Pia Zadora, and, of course, writer/director John Waters himself.
A goofy satire that is just as good today as it was then.
10lisado
I saw it when it first came out, I've seen it several times since, and my last viewing was just a few weeks ago. It never seems flat or old.
It takes a look at an issue that doesn't necessarily seem to be a goldmine of laughs (racial difficulties in the early '60s) and turns it into just that without robbing it of any dignity or sense of importance. John Waters seems to have pulled out all the stops to insure this outcome, and it really paid off.
The "pleasingly plump" pre-talk show Ricki Lake turns in a great performance in a role that's an inspiration to "chunky" girls everywhere.
As always, Waters picks cameo and supporting actors that are dead-on perfect. His own turn as a psychologist is an absolute scream! Brimming with hysterical lines and set-ups, this is a comedy you need to see, if you haven't already.
It takes a look at an issue that doesn't necessarily seem to be a goldmine of laughs (racial difficulties in the early '60s) and turns it into just that without robbing it of any dignity or sense of importance. John Waters seems to have pulled out all the stops to insure this outcome, and it really paid off.
The "pleasingly plump" pre-talk show Ricki Lake turns in a great performance in a role that's an inspiration to "chunky" girls everywhere.
As always, Waters picks cameo and supporting actors that are dead-on perfect. His own turn as a psychologist is an absolute scream! Brimming with hysterical lines and set-ups, this is a comedy you need to see, if you haven't already.
John Waters reveals a somewhat more sentimental side with "Hairspray", a movie several people have told me they absolutely hated. I wondered what it was about Waters' style as a filmmaker that could provoke such anger? I think it's his affection for '60s movie-clichés transposed through nostalgia and Waters' own gross-out sensibilities (and his particular brand of humor, which can be quite wicked). I didn't much care for the film the first time I saw it, but I gave it a second chance and it grew on me. The reckless amateurishness is off-putting at first, but you have to meet "Hairspray" halfway. There is much to enjoy here, not the least of which is Divine as Ricki Lake's mom (and also as a bigoted network bigwig); wheeling and dealing after her daughter finds TV fame, Divine becomes a coiffed society queen, twisting away in front of the television and tossing off jaded quips like, "It's the times...they're a-changin'." The performances are all happily hammy, colorful and amusing, and the lightweight story comfortably shoehorns-in relevant political issues to counterbalance the slapstick. Ricki Lake is very appealing in her debut; also hilarious, Pia Zadora as a beatnik and Debbie Harry as the mother of Lake's main rival ("1-2-cha-cha-CHA, 1-2-cha-cha-CHA!"). It's not a seamless, polished picture, but it does have heart and charm and this sold me--but on the second time around. *** from ****
As a HUGE fan of John Waters films, I have nothing but praise for this film. So fun, so campy, so enjoyable ( and you know...there IS a real plot inside the film. It's not just music and hair! ) The characters are at once silly and loveable, esp. Divine as Edna Turnblatt. And who can't love Ricki Lake as the voluptous teen sensation, Tracy Turnblatt!?! It's such a great movie. The one liners alone make me howl, as well as the great 60's look they were able to COAT the film with ( like hairspray? ) The clothes, the furniture, the makeup, EVERYTHING. Stellar pseudo B-movie casting ( Debbie Harry, Sonny Bono ). It's a favorite!!!
Você sabia?
- CuriosidadesRicki Lake began rapidly losing weight due to the intense dance lessons she had to take for the film. She reportedly had to "eat like crazy" in order to stay plump.
- Erros de gravaçãoIn the closing credits, the 1988 production year is shown in Roman Numerals as "MCMDXXXVIII." It should be "MCMLXXXVIII."
- Citações
Tracy Turnblad: Oh, Link. This is so romantic. l wish - l wish l was dark-skinned.
Link Larkin: Tracy, our souls are black, even though our skin is white.
- Cenas durante ou pós-créditosDuring the ending credits, there are footsteps moving to the beat of the song playing in the background.
- Versões alternativasThe main title credits in the Italian version misspell Ric Ocasek's name as "Rock Ocasek."
- ConexõesEdited into I Love the '80s (2002)
- Trilhas sonorasHairspray
Written by Rachel Sweet, Willa Bassen, and Anthony Battaglia
Performed by Rachel Sweet
Produced by Kenny Vance
Courtesy of Studio 900 Music, Sweet Rebel Music, and New Line Music
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Hairspray - No Tempo da Brilhantina
- Locações de filme
- Perry Hall High School - 8100 Ebenezer Rd, Perry Hall, Maryland, EUA(should be 4601 Ebenezer Road, Perry Hall, MD)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 2.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 6.671.108
- Fim de semana de estreia nos EUA e Canadá
- US$ 577.287
- 28 de fev. de 1988
- Faturamento bruto mundial
- US$ 6.679.788
- Tempo de duração
- 1 h 32 min(92 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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