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The Big Blue is a story mainly centred around Jacques Mayol (Jean-Marc Barr), a free diver. Free diving is a sport where people dive as deep as they can with a single breath, and no equipment other than a rope and a weighted mechanism to take them to the required depth. Although to say the story of Big Blue is just about free diving does not do it any justice. The story starts in Greece with Jacques as a child, then moves forward to "present day". In the story we also have Enzo (Jean Reno), Jacque's lifelong friend and nemesis who motivates him to free dive in competition (so he has some competition) and also gets him work in other areas of diving. During this work Jacques meets an insurance investigator Johana (Rosanna Arquette), and a romance starts (albeit mostly from her). The story continues as Jacques struggles with problems in his past, present and future.

The Big Blue is an unusual movie. There is some silly (but arguably funny) humour. Also there are some serious levels including romance, and how we deal with problems from our past, our existence, and our future. The film is also quite long (in the aptly named "version longue") at about 2 hours and 40 minutes. Fans of Jean Reno would certainly love this movie.

I really enjoyed this film. The main story is very light and thinly stretched, so to really enjoy it I feel you have to look deeper at the characters and read between the lines. I also really enjoyed the humour, which was silly but fun and was a good counterpoint to the serious scenes. Jean-Marc Barr was absolutely stunning as Jacques, bearing in mind the number of underwater sequences that were required as well. It's a real shame that we don't see Jean-Marc in more leading roles. Jean Reno was also extremely good, and although for me an irritating character Rosanna Arquette put in a reasonable performance. The cinematography is another lush element of the film, with the beautiful locations and underwater sequences (especially those with the dolphins). Eric Serra's soundtrack is pretty good also, although sounds a little dated. As mentioned, this review is based on the "version longue". 5/5

This movie is the most fantastic contemplation of earth paradise in existence.

First it's imperative that we notice one major difference: the short version and the "version longue" are two completely different films. From tip to toe. I only knew this film previously in its short version. Yesterday I bought the "version longue" in my local FNAC store without subtitles (it's rare these days).

And.................... I fell in love with everything about it, stunned and mesmerized, being at the same time riddled by the way that the short version lost all sense, in comparison with the "longue" version. You can think of an integral version like a way to stuff a film with pictures, but in this movie we have the feeling that the movie was intended to have 164 minutes, and not nearly two.

And you can picture the transformation that occurred in my perception of this film, as I passed from that mutilated, full-screen, mono-sound version to a full, widescreen and hi-fi version. This is why "Le Grand Bleu" passed from just a movie by Luc Besson to the greatest movie of my greatest director.

My perception is that this is the great underwater epic he always wanted to make. And he achieves it in every way, specially letting the audience identify themselves with it.

Perhaps my favorite Besson movie was "The Fifth Element" (I like them all), but after having the privilege of experiencing this fantastic, beautiful, stunning, vivid and moving film, "The Big Blue" passed from one of the medium levels to definitely the top one. The characters all gained strength, the underwater scenes all made sense, the previous movie was completely backed up, and the feeling that this movie was a contemplative journey gained finally its place.

I gave it a 10 out of 10, not for the US version (how can they even think of erasing Eric Serra's score?!?!?) which, for its mutilations, deserved a 1, but for the version longue, which is the only way the movie shall be seen. What a masterpiece! After I saw this movie, I rewinded it thinking that my only wish is that one day I get to take part on such an experience, being there, dreaming and sharing my dream with everyone who would like to share it with me. Perhaps one day, a beautiful blue day...

THE movie that made Besson go down in history. A key-movie that divided the French public between the ones who saw on it, only a tedious documentary about the ocean and the others who acclaimed this passionating movie. As far as I'm concerned, I rank in the second category. "Le grand bleu", it's simply a periphrase with a tinge of euphemism to design the ocean, a universe that always inspired to men fear but also fascination. The two main characters, Jacques Maillol and Enzo Molinari are fascinated by the sea but for different reasons. If Reno devotes all his energies to diving so as to access to success and glory, the sea is more than this for Jacques. He was born with it, he swears by it (so much that he neglects Johanna's love) and the sea will lead him to death. A place of athletic competition, an ideal place for rest and entertaining where dolphins are his real and sole friends, finally the eternal heaven, the ocean epitomizes all this to Jacques. "le grand bleu" also ranks among the movies that you must watch rather than telling it. Of course, there isn't almost any plot, dialogs are short and rare but pictures are gorgeous enough to create an entrancing climate supported by Eric Serra's mesmerizing music. The movie's technical qualities can only arouse admiration: a shiny photography that perfectly reflects the color of the sea, the blue and a fluid making sometimes clever: Jacques' childhood is made in black and white. Besides, the movie enabled to discover two outstanding actors: Jean-Marc Barr and Jean Reno but oddly if Reno became one of the most popular French actors, it wasn't the case with Barr. In spite of a promising debut, he has never be able to make a movie that could have got back him in the saddle. Maybe was he so elated at the bottom of the sea, in heaven where everything is fine...

I have to watch this movie once a year just to calm my nerves. One of the few films to which I have also purchased the soundtrack. This film, like the sea which is its subject, hypnotizes you, seduces you, rocks you into a state of oneness with the lush scenery. Rosanna Arquette is beautiful and sexy in an uncharacteristically understated way. Barr makes the perfect beau and embodies the spirit of the film and the ocean. I fell in love with Jean Reno in this film. Unforgettable imagery, interesting premise, good chemistry between Arquette and Barr, and Reno is a joy to watch.

Masterfully directed by Luc Besson and a film to treasure.

47. THE BIG BLUE (adv.-romance, 1988) Mayol (Jean-Marc Barr) is determined to dethrone current world-free diving champion Enzo (Jean Reno). Childhood friends, they share a fierce rivalry that, nonetheless, has kept their friendship alive. Both of them share an almost spiritual affinity with the sea, especially Mayol who lost his father. His love for his sport, however, is put on hold when he meets Joanna (Rosanna Arquette). But as Mayol and Enzo's competition become more fierce, Joanna slowly feels herself drifting away from Mayol, as his fascination with the sea takes on an obsessive turn.

Critique: Marvelouslly filmed underwater adventure from master-Frenchman Luc Besson, who has specialized on action films. This is his most personal work to date, thus taking on a uniquely surreal quality. The exquisite camera-work is very special, at times almost documentary in quality.

This mix of 'art' cinematography and romance made it a big money earner all over Europe but, not surprisingly, only gained critical acclaim elsewhere. Adding to its failure is a somewhat downbeat ending that, I think, complements the film's mythic storyline.

Besson's 'epic masterpiece' has yet to reach many viewers who would embrace his visionary talents.