Deus Abençoe as Crianças

Título original: God Bless the Child

Filme para televisão
1988
Not Rated
1 h 33 min

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Mare Winningham and Dorian Harewood in Deus Abençoe as Crianças (1988)

Adicionar um enredo no seu idiomaSingle mother Theresa Johnnson becomes homeless, loses her job, and tries to survive with her young daughter Hillary through charities and public shelters.Single mother Theresa Johnnson becomes homeless, loses her job, and tries to survive with her young daughter Hillary through charities and public shelters.Single mother Theresa Johnnson becomes homeless, loses her job, and tries to survive with her young daughter Hillary through charities and public shelters.

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

7,2/10

498

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Veja as informações de produção no IMDbPro

Prêmios
- 2 vitórias e 1 indicação no total

Fotos7

Avaliações de usuários28

7,2498

Avaliações em destaque

9Nozz

God Bless Mare Winningham

I think there's no better actress out there than Mare Winningham. It seems that almost always she plays a victim, maybe because she's not jaw-dropping beautiful. But she's believable in every role, and in this one she takes you with her on a downward spiral where the only consolation is her own dogged innocence. Helps you realize, once more, that the people you don't stop to look at twice are each, no less than the striking ones, a complete human world.

10Brian14Leonard

Of course this isn't available on video...

...because if it were more widely distributed, more people would be aware of the shattering effects of poverty and the dilemmas of the "working poor" in the USA. We can't have that, can we?

The film, as others have said, is a gripping and sad picture of a decline into destitution. Mare Winningham is terrific.

dutchtom1

the American disease

The movie portrays the opposite of the American dream. Because for every great winner there are great losers, not because they deserve that, but because bad luck can strike anyone. And when just surviving becomes an impossible dream to achieve, that's when you know you're a goner. Homelessness is humiliating. It is more important that all citizens have homes and medical aid, than to be spoilt for choice, and become obese, sick with a third house and a yacht, while others have nothing. The Amercian dream should be providence for everyone, but the real nightmare is stark capitalism relentlessly leaving people out in the dark. This movie is incredibly touching and has a communistic message, countering the yuppie consensus of the Reagan era. It surpasses its format, eg, a TV movie. And surpasses most Hollywood dross. 10 out of 10

8Sylviastel

An Unforgettable Drama as Tragic and Common as Life today!

Mare Winningham plays the role of a single mother who must struggle without a job and a home with a young child. The film is memorable because she must make the most difficult choice that any parent can make of whether her only child should remain with her on the streets, in rat-infested apartments, in shelters, after friends and family can't help them out anymore. This issue is not new but as old as time itself where parents must struggle to make the most difficult decision of turning her child over to foster care and the state or live on the streets. The final scene is just heartbreaking so have your tissues ready to wipe the tears away.

10engels

A woman loses her husband, job and house, and tries to survive with her daughter. At the end she has to make a hard decision.

A complaint against poverty. Even more gripping than its portrayal of the sad situation in which the woman finds herself is the hopelessness of it, as can for be heard in her remark 'without a house I cannot get a job and without a job I cannot get a house.' The movie provides no answers, but that is a strength more than a weakness, making the viewer even more aware of the seriousness of the problem at hand. It does make for a sad movie, though.

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Erros de gravação
When Theresa first looks at her low-income apartment, lots of holes and other damage are visible in the walls; the damage changes and even disappears in later scenes.

Citações
Theresa Johnson: [to Hillary] Honey, it's almost lunchtime. I'm gonna go get us some sandwiches. Do you think you can stay here and play by yourself for a little while?
Hillary Johnson: Yeah, I wanna go on the swings.
[as she runs towards them]
Theresa Johnson: Good.
[pause]
Theresa Johnson: No, wait!
[she beckons Hillary back over]
Theresa Johnson: Don't forget Mary Beth!
[hands Hillary her doll]
Hillary Johnson: [happily] Okay.
[she runs back to the swings, Theresa walks off to a large tree in the park and hides behind it, watching Hillary swing as Reed's van pulls up. He exits the vehicle with a social worker]
Calvin Reed: Hillary!
Hillary Johnson: [happy to see him] Hi!
Calvin Reed: Hi! Could you come over here, please?
Hillary Johnson: [getting off the swing and walks to him] Mom's gone. She went to get sandwiches.
Calvin Reed: I know. She asked me to come get you, take you over to my house.
Hillary Johnson: Why? Is she gonna be there?
Calvin Reed: [patiently] Now Hillary, you and I are going to have to talk about some things.
Hillary Johnson: [pointing to the social worker] Who's that?
Calvin Reed: Her name is Mrs. McCurdy, and she's a very nice lady. She's going to come with me.
Hillary Johnson: [protesting as Calvin leads her to his van] But I'm not supposed to go with anybody but my mommy.
Calvin Reed: [as Theresa watches from behind the tree, crying] I know, sweetheart. But this time is different.
Hillary Johnson: [frightened] My mommy told me to stay here.
Calvin Reed: [soothingly] It's OK, we're just gonna go over to my house.
Hillary Johnson: [crying] Why can't we wait for her?