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IMDbPro

Vozes Distantes

Título original: Distant Voices, Still Lives
  • 1988
  • PG-13
  • 1 h 24 min
AVALIAÇÃO DA IMDb
7,4/10
5,5 mil
SUA AVALIAÇÃO
Lorraine Ashbourne, Angela Walsh, and Dean Williams in Vozes Distantes (1988)
Assistir a Trailer
Reproduzir trailer1:34
1 vídeo
74 fotos
DramaMúsica

Adicionar um enredo no seu idiomaThe lives of an English working-class family are told out of order in a free-associative manner. The first part, "Distant Voices", focuses on the father's role in the family. The second part... Ler tudoThe lives of an English working-class family are told out of order in a free-associative manner. The first part, "Distant Voices", focuses on the father's role in the family. The second part, "Still Lives", focuses on his children.The lives of an English working-class family are told out of order in a free-associative manner. The first part, "Distant Voices", focuses on the father's role in the family. The second part, "Still Lives", focuses on his children.

  • Direção
    • Terence Davies
  • Roteirista
    • Terence Davies
  • Artistas
    • Pete Postlethwaite
    • Freda Dowie
    • Angela Walsh
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,4/10
    5,5 mil
    SUA AVALIAÇÃO
    • Direção
      • Terence Davies
    • Roteirista
      • Terence Davies
    • Artistas
      • Pete Postlethwaite
      • Freda Dowie
      • Angela Walsh
    • 38Avaliações de usuários
    • 32Avaliações da crítica
    • 86Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 11 vitórias e 7 indicações no total

    Vídeos1

    Trailer
    Trailer 1:34
    Trailer

    Fotos74

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    + 69
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    Elenco principal35

    Editar
    Pete Postlethwaite
    Pete Postlethwaite
    • Father
    Freda Dowie
    Freda Dowie
    • Mother
    Angela Walsh
    • Eileen
    Dean Williams
    • Tony
    Lorraine Ashbourne
    Lorraine Ashbourne
    • Maisie
    Sally Davies
    • Eileen as a Child
    Nathan Walsh
    • Tony as a Child
    Susan Flanagan
    Susan Flanagan
    • Maisie as a Child
    Michael Starke
    • Dave
    Vincent Maguire
    • George
    Antonia Mallen
    • Rose
    Debi Jones
    • Micky
    Chris Darwin
    • Red
    Marie Jelliman
    • Jingles
    Andrew Schofield
    Andrew Schofield
    • Les
    Anne Dyson
    Anne Dyson
    • Granny
    Jean Boht
    • Aunty Nell
    Alan Bird
    • Baptism Priest
    • Direção
      • Terence Davies
    • Roteirista
      • Terence Davies
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários38

    7,45.5K
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    Avaliações em destaque

    10the_cinesexual

    One of the most rewarding and unique films I've ever seen.

    It's difficult to say exactly what this luminous masterpiece is about. It's a memoir of sorts but a highly stylized one where memories are re-experienced and conveyed through songs, frequently communally sung; painful familial interactions powerfully shot as if the scenes were paintings or sets on a stage. This formal approach resonates simultaneously with richness and alienation, pathos and ecstasy. Difficult to shake.

    Not at all what I expected and there's certainly nothing quite like it anywhere in the history of cinema. Powerfully acted and masterfully directed: One of the great works of British movie-making.

    I also highly recommend Davies' two other great works: "The Long Day Closes" and the recent, made for Showtime movie starring an amazing Gillian Anderson, "The House of Mirth." I personally didn't care that much for "The Neon Bible."
    8just-4

    What a sad sentimental movie

    I'm not the sentimental type, I don't know what it was in this movie, the rain, the singing or the sadness of live, but I just got all warm inside. It was such a beautiful film, and it had just the right length too. Very nice.
    7mjneu59

    easier to appreciate than enjoy

    Terrance Davies' two-part nostalgia exercise is, depending on your tolerance for unembellished honesty, either a sentimental trip down memory lane or a cold-eyed wallow in drab English monotony. The British writer director went to great lengths to re-create a facsimile of working class family life circa 1940-1950, and his meticulous attention to detail sets an almost too perfect mood: the film is both painfully realistic and totally depressing. Using a fragmented, hopscotch style approximating the actual process of memory itself, Davies mixes bits and pieces of autobiographical detail to show how cultural traditions have a way of repeating themselves for a typical Liverpool family, held together by stifling blue collar conditions and a good deal of recreational singing (38 period songs are featured on the soundtrack). The snapshot style doesn't allow for any dramatic momentum, but the film is constructed more as a sampling of brief, transient moments, and is extremely well crafted and emotional despite the often oppressive melancholy.
    8stuhh2001

    The "real truth", was far worse than the movie.

    In an interview, Terence Davis has stated that he had to tone down the reality of the story because as depressing as the film is, the "real thing" would be unendurable for audiences. We have all seen rage on the screen. Brando, De Niro, and Pesci, have had their moments, but the two actors who truly frightened me, and left me literally trembling, were Temuera Morrison, as the Maori father in "Once Were Warriors", a film from New Zealand, and Peter Postlethwaite, as the father in "Distant Voices". These actors hit something visceral in me, that my therapists never even guessed at. Fear of the father? Living with a man (my dad, so consumed with anger at a world that never had a truly happy day for him) who could only vent his rage at his family? Who knows, and at the age of 68, who the hell cares. Besides, Postlethwaites (I'm sure this name kept him out of the "bigtime" for many years, a little shobiz humor folks) acting honors go to the mother, Freda Dowie. She's on Masterpiece Theatre a lot and she's either mentally ill, or like this woman, a battered housewife trying to keep her kids and herself alive. Happiness or even a nice day is not on her agenda. Just trying to get through poverty, and not having her jaw broken by her husband is a happy day to her. If you like exploding autos, and thong draped anorexic Barbie dolls, this movie is not for you. But if you want to see a work of art carved out of Davis' agony, see this movie. Oh yes, I remember he said in an interview on NPR, that he couldn't remember his father ever touching him, or saying a kind word to him.
    isnogud-der-grosswesir

    Stunning 60´s piece

    This film grows on you - the first time I saw it, it was rather bleak and just a bit boring.

    However, the more you think about it and if you were lucky enough to record it and watch it again, it slowly but surely turns into a masterpiece.

    The characters, the setting, the atmosphere is true England - England which has all but disappeared. This film is so unique it deserves a place up there with the likes of Citizen Kane, Pelle The Conqueror etc. etc.

    Don´t miss it!!!

    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      The film was a 'labour of love' for director, cast and crew. Due to the very low budget, it had to be shot intermittently over a period of two years, often at weekends when equipment was cheaper to hire or free.
    • Erros de gravação
      The names of art-director Jocelyn James and first assistant director Andy Powell are listed twice at the end credits.
    • Citações

      Micky: When they're not using their big stick, they're farting. Aren't men horrible?

    • Conexões
      Featured in Century of Cinema: A Personal History of British Cinema by Stephen Frears (1995)
    • Trilhas sonoras
      There's a Man Goin' Round
      (uncredited)

      Traditional

      Performed by Jessye Norman

    Principais escolhas

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    Perguntas frequentes19

    • How long is Distant Voices, Still Lives?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • outubro de 1988 (Reino Unido)
    • Países de origem
      • Reino Unido
      • Alemanha Ocidental
    • Idioma
      • Inglês
    • Também conhecido como
      • Distant Voices, Still Lives
    • Locações de filme
      • Liverpool, Merseyside, Inglaterra, Reino Unido
    • Empresas de produção
      • British Film Institute (BFI)
      • Channel Four Films
      • Zweites Deutsches Fernsehen (ZDF)
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 693.563
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 10.021
      • 30 de jul. de 1989
    • Faturamento bruto mundial
      • US$ 771.745
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 24 min(84 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby
    • Proporção
      • 1.78 : 1

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