AVALIAÇÃO DA IMDb
7,4/10
5,5 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThe lives of an English working-class family are told out of order in a free-associative manner. The first part, "Distant Voices", focuses on the father's role in the family. The second part... Ler tudoThe lives of an English working-class family are told out of order in a free-associative manner. The first part, "Distant Voices", focuses on the father's role in the family. The second part, "Still Lives", focuses on his children.The lives of an English working-class family are told out of order in a free-associative manner. The first part, "Distant Voices", focuses on the father's role in the family. The second part, "Still Lives", focuses on his children.
- Prêmios
- 11 vitórias e 7 indicações no total
Avaliações em destaque
This is an important film and evidently is regarded as such by many serious reviewers, so I watched it and found it sometimes very hard to sit through because it struck more than a few painful chords in my own memory of my family when I was growing up in the 40s and 50s. Indeed.
My continuing impression is that men of that era, not only in the UK and US as well as elsewhere, were really almost clinically unreflective in that they were so used to being tolerated and getting away with murder that they were nearly incapable of seeing themselves in anything resembling a true light.
How women both sustained family life by themselves and because of their friendships with other women belies the fact that they felt powerless to change anything for the better, at least for more than five minutes.
My fantasy is that it would be great for a lot of men of my generation (now 70) to be tied down with their mouths taped and their eyes propped open with toothpicks, if need be, and forced to watch this movie about forty times! Since that's not going to happen, all I can do is recommend that the peers of my generation at least consider watching it. It can only do us good!
Peter
My continuing impression is that men of that era, not only in the UK and US as well as elsewhere, were really almost clinically unreflective in that they were so used to being tolerated and getting away with murder that they were nearly incapable of seeing themselves in anything resembling a true light.
How women both sustained family life by themselves and because of their friendships with other women belies the fact that they felt powerless to change anything for the better, at least for more than five minutes.
My fantasy is that it would be great for a lot of men of my generation (now 70) to be tied down with their mouths taped and their eyes propped open with toothpicks, if need be, and forced to watch this movie about forty times! Since that's not going to happen, all I can do is recommend that the peers of my generation at least consider watching it. It can only do us good!
Peter
This film caught me 14 years ago when I first saw it.. and yesterday I was really touched by it again. A registration of 'forgotten' times somewhere during....the first half of the 20th century in Britain...a Totally Overwhelming sense of melancholy filmed in an extraordinary way by Terence Davies.A true work of art. The excellent idea of calling up emotions by letting the characters sing the sing-along songs of the era.... Then there is the photography of this film...seldom have i seen a modern day movie that brings up past times as this piece of wonder.... very , very tastefully done...the coloring and costume designs , the decorations...everything works to give you the idea that you'r staring into a timemaschine...wow.. amazing ! Heartbraking story of 'normal lives , by normal people , who are all gone and 'forgotten'... Still one of the most amazing pieces of cinema around !
It's difficult to say exactly what this luminous masterpiece is about. It's a memoir of sorts but a highly stylized one where memories are re-experienced and conveyed through songs, frequently communally sung; painful familial interactions powerfully shot as if the scenes were paintings or sets on a stage. This formal approach resonates simultaneously with richness and alienation, pathos and ecstasy. Difficult to shake.
Not at all what I expected and there's certainly nothing quite like it anywhere in the history of cinema. Powerfully acted and masterfully directed: One of the great works of British movie-making.
I also highly recommend Davies' two other great works: "The Long Day Closes" and the recent, made for Showtime movie starring an amazing Gillian Anderson, "The House of Mirth." I personally didn't care that much for "The Neon Bible."
Not at all what I expected and there's certainly nothing quite like it anywhere in the history of cinema. Powerfully acted and masterfully directed: One of the great works of British movie-making.
I also highly recommend Davies' two other great works: "The Long Day Closes" and the recent, made for Showtime movie starring an amazing Gillian Anderson, "The House of Mirth." I personally didn't care that much for "The Neon Bible."
Pete posthlewaite hits a performance that is so unique it is frightening. so true was the passion there where times in the movie when I wished he would die! The episodic and random nature of the flashbacks made it seem like memories from one's own childhood which reinforced the naturalistic acting and indeed made it almost voyeuristic! The true beauty of the film lies in the realism of the scenes and in the accurate depiction of life as it really is in all it's ugliness! Above all the movie said to me that out of "brutallity" can come "compassion and humanity". One scene really hits home is the Christmas scene where the camera pans up an idyllic British street where the Christmas lights are shining and by nature our faces are starting to smile and then dissolves into the living room where the family are sitting in expectation. You can feel the tension as you see the first shot and when he pulls the tablecloth off the table and shouts "CLEAN THIS UP",I remember jumping up!!! MASTERPIECE In my eyes yes! 10 OUT OF 10
This film grows on you - the first time I saw it, it was rather bleak and just a bit boring.
However, the more you think about it and if you were lucky enough to record it and watch it again, it slowly but surely turns into a masterpiece.
The characters, the setting, the atmosphere is true England - England which has all but disappeared. This film is so unique it deserves a place up there with the likes of Citizen Kane, Pelle The Conqueror etc. etc.
Don´t miss it!!!
However, the more you think about it and if you were lucky enough to record it and watch it again, it slowly but surely turns into a masterpiece.
The characters, the setting, the atmosphere is true England - England which has all but disappeared. This film is so unique it deserves a place up there with the likes of Citizen Kane, Pelle The Conqueror etc. etc.
Don´t miss it!!!
Você sabia?
- CuriosidadesThe film was a 'labour of love' for director, cast and crew. Due to the very low budget, it had to be shot intermittently over a period of two years, often at weekends when equipment was cheaper to hire or free.
- Erros de gravaçãoThe names of art-director Jocelyn James and first assistant director Andy Powell are listed twice at the end credits.
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- How long is Distant Voices, Still Lives?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Distant Voices, Still Lives
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 693.563
- Fim de semana de estreia nos EUA e Canadá
- US$ 10.021
- 30 de jul. de 1989
- Faturamento bruto mundial
- US$ 771.745
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