John McClane, agente do departamento de polícia de Nova York, tenta salvar sua esposa, Holly Gennaro, e outras pessoas que o terrorista alemão Hans Gruber tomou como reféns durante a festa d... Ler tudoJohn McClane, agente do departamento de polícia de Nova York, tenta salvar sua esposa, Holly Gennaro, e outras pessoas que o terrorista alemão Hans Gruber tomou como reféns durante a festa de Natal no Nakatomi Plaza, em Los Angeles.John McClane, agente do departamento de polícia de Nova York, tenta salvar sua esposa, Holly Gennaro, e outras pessoas que o terrorista alemão Hans Gruber tomou como reféns durante a festa de Natal no Nakatomi Plaza, em Los Angeles.
- Direção
- Roteiristas
- Estrelas
- Indicado a 4 Oscars
- 8 vitórias e 8 indicações no total
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- (as Joey Plewa)
- Kristoff
- (as Gerard Bonn)
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Avaliações em destaque
For one thing the action is explosive and consistently exciting, and the cinematography is astounding being very inventive and colourful. John McTiernon(The Hunt for Red October, Last Action Hero) directs briskly and efficiently, and the pacing a vast majority of the time is exhilarating.
Then there is a terrific score by Michael Kamen, some intelligent and witty scripting and a plot that doesn't feel forced or convoluted. Not to mention some excellent acting. As good as Bruce Willis is, yes his character is somewhat two-dimensional, but he is also resourceful and world-weary and Willis handles this really well, it is Alan Rickman who steals the acting honours as Hans Gruber. Gruber is cold, calculating, suave and menacing, in my opinion only Rickman could do justice to such a character. Overall, a superb movie, not only the best of the Die Hard franchise but one of the best of the action genre. 10/10 Bethany Cox
Well, what else can I say besides that this is "THE" (can't stress it more) action movie from the 80's with a young Bruce Willis. Personally, I don't even know how many times I've seen this movie. "Die Hard" remains an example for all action movies that followed. At that time you had the Sly and Arnie action movies. But these were more a performance of brutal violence, with big muscles and a sense of invincibility. Bruce showed a clever, shrewd, caustic action hero, who can take a beating, but on the other hand shows that he's not completely invincible.
Of course, the action in films nowadays is much bigger, more impressive and mind-blowing, but the strength of this film is the story, the accumulated tension, lightness and the dry humor of Bruce Willis. From the first minute he takes you in his grip, and he won't let loose. You see him slowly evolve from a wrinkle-free clean-shaved top cop into a reasonable damaged hero. This pattern keeps coming back in the next two parts, which are also top movies of the same caliber.
You'll notice this is already an old movie because for instance lighting a cigarette in a public place isn't prohibited. But how the action scenes are imaged, is still top-work and should be the aim for many action flicks.
I think the sudden confrontation between Gruber and McClane is one of the strongest scenes in this film, along with the well known "Yippie-kay-yee" cry. Trademark of Willis. The fact he likes the character of McClane a lot, you see clearly in "The Last boyscout". In that movie he plays an impoverished detective with the same coolness and cynical, dry humor as McClane. Too bad that in the last two Die Hard movies, McClane is only a shadow of himself like in the original movie.
"Die Hard" is one of those rarities in movie land, which you can watch without thinking "Pfft Again this movie". It remains, for me, an enjoyment to watch.
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Special praise must go out to Alan Rickman too whose performance as chief baddie Hans is to this day one of cinemas finest, moving convincingly from cool, calm and collected to desperate and nervous, never once seeming anything less than utterly ruthless and calculating. Even after we discover that Hans isn't there as a political terrorist but simply as a thief, he loses absolutely no villain credibility when he responds to Holly McClane's criticism by saying "I am an exceptional thief, Mrs. McClane and since I'm moving to kidnapping you should be more polite." Although we know Hans is capable of vile acts, he actually sees those as merely means to a greater and somehow justifiable end. His disposition is almost humanitarian and you would imagine him as quite a gentleman outside of the context of the crimes he commits in Die Hard's arc. In the end though, Hans is a pure sociopath that even the audience is conned into sympathizing with. I would actually argue that Die Hard is the greatest pure action film ever made. Yippie-ki-yay *muddy funster*... and happy holidays.
Overall rating: 9 out of 10.
*** (out of 4)
Enjoyable and tense thriller about a group of terrorists (led by Alan Rickman) who overtake a L.A. skyscraper and the only thing keeping them from getting away with their crime is a New York police officer (Bruce Willis) there on vacation. There's a lot of very good things about this movie but I've always thought that the majority of the credit has to go to star Willis. He might not have been a A-list star at the time this was released but it's easy to see why he became one afterwards. I think what's so great about him and the character he plays is that we can believe he's just your typical guy you'd see walking around on the streets with you. That every-day-man quality that Willis has works so well here because of the odds stacked against his character you can't help but just sit back and enjoy this one person taking out a professional organization. The hilarious one-liners, the smart remarks and the way Willis makes himself know to the terrorists is just classic and we get so many great showdowns that you can't help enjoy all of them. It certainly doesn't hurt that you've got a strong supporting cast with Rickman being a villain you just love to hate. The coldness RIckman brings to the part is the perfect contrast to Willis' cop and it works perfectly. Reginald VelJohnson, William Atherton, Bonnie Bedelia and Paul Gleason also add great support for Willis to play off of. The action scenes are certainly some of the best you're going to see and what holds them together so well is the direction by John McTiernan. He perfectly blends the humor, tension and the action but he also gives the film a wonderful pace that keeps it moving at a fast rate. DIE HARD might be far-fetched in what one man is able to do but this really doesn't take away from any of the fun.
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- CuriosidadesThe fictional Nakatomi Plaza is the headquarters of 20th Century Studios, so the studio could use one of its own buildings and didn't have to hold back on stunts and action sequences. While Jeb Stuart was writing the screenplay, he did a tour of the building, and immediately incorporated some of the locations and objects he found there into his script as set pieces (such as the cart that McClane and Karl end up riding during their fight). The company charged itself rent for the use of the then-unfinished building. Some of the middle floors were occupied by legal and administrative departments, so only empty floors were used for filming. Still, the filming of scenes that involved gunfire had to be postponed until after hours because some of the employees from the active floors started to complain about the noise.
- Erros de gravaçãoSeveral times during transmissions with the two-way radios, characters interrupt each other, which would be impossible given the type of radios they were using; if one person is transmitting on his radio, he cannot hear any other radios transmitting back on the same radio-set. Only a third person listening to the conversations on a third radio would be able to hear the two transmitters "stomping on each other".
- Citações
Dwayne T. Robinson: I've got a hundred people down here, and they're covered with glass.
John McClane: Glass? Who gives a shit about glass? Who the fuck is this?
Dwayne T. Robinson: This is Deputy Chief of Police, Dwayne T. Robinson, and I am in charge of this situation.
John McClane: Oh, you're in charge? Well, I got some bad news for you *Dwayne*, from up here it doesn't look like you're in charge of jack shit.
Dwayne T. Robinson: You listen to me, you little asshole, I'm...
John McClane: Asshole? I'm not the one who just got butt-fucked on national TV, *Dwayne*. Now, you listen to me, jerk-off, if you're not a part of the solution, you're a part of the problem. Quit being a part of the fucking problem and put the other guy back on!
- Cenas durante ou pós-créditosIn the widescreen version, the 20th Century Fox logo is stretched.
- Versões alternativasThe Ultimate edition DVD contains the following deleted/extended scenes:
- Extended power shutdown sequence.
- Extended opening flight scene.
- Brief dialogue in the first Hans/McClane confrontation.
- Extended scene where Robinson/Powell brief the FBI on the tower situation.
- Brief dialogue when Hans interrogates Takagi.
- Brief dialogue after Theo says "You didn't bring me along for my charming personality".
- Extended/alternate dialogue in McClane/Powell conversation after McClane uses the plastic explosives.
- Brief scene of FBI agents getting stuck in thorn bushes as they make their way towards the building.
- At the end, McClane says "You got a warranty for this (Holly's watch, a gift from Nakatomi Corporation)?" to which Holly laughs.
- Argyle's dialogue as Powell's police cruiser flies by in the background.
- Brief Ellis dialogue reacting to the terrorist intrusion.
- City engineer briefly coughs before pulling out the power cord.
- Brief dialogue in Hans/Karl argument about "neutralizing" McClane.
- Additional Holly dialogue after seeing Karl's reaction to McClane's escape.
- ConexõesEdited into Duro de Matar 3: A Vingança (1995)
- Trilhas sonorasSingin' in the Rain
Written by Arthur Freed and Nacio Herb Brown
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Duro de matar
- Locações de filme
- Fox Plaza - 2121 Avenue of the Stars, Century City, Los Angeles, Califórnia, EUA(Nakatomi building, interiors filmed on the 29th and 35th floors)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 28.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 85.892.546
- Fim de semana de estreia nos EUA e Canadá
- US$ 601.851
- 17 de jul. de 1988
- Faturamento bruto mundial
- US$ 143.651.650
- Tempo de duração
- 2 h 12 min(132 min)
- Cor
- Proporção
- 2.39 : 1






