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IMDbPro

Morto ao Chegar

Título original: D.O.A.
  • 1988
  • R
  • 1 h 36 min
AVALIAÇÃO DA IMDb
6,1/10
11 mil
SUA AVALIAÇÃO
Meg Ryan, Dennis Quaid, and Charlotte Rampling in Morto ao Chegar (1988)
A college professor's day: his top student allegedly commits suicide, his wife presents him with divorce papers and he overnights in a freshman girl's dorm. The next day: more murders around him. Will he find the killer in time?
Reproduzir trailer1:50
1 vídeo
49 fotos
MysteryThriller

Adicionar um enredo no seu idiomaA college professor's day: his top student allegedly commits suicide, his wife presents him with divorce papers and he overnights in a freshman girl's dorm. The next day: more murders around... Ler tudoA college professor's day: his top student allegedly commits suicide, his wife presents him with divorce papers and he overnights in a freshman girl's dorm. The next day: more murders around him. Will he find the killer in time?A college professor's day: his top student allegedly commits suicide, his wife presents him with divorce papers and he overnights in a freshman girl's dorm. The next day: more murders around him. Will he find the killer in time?

  • Direção
    • Annabel Jankel
    • Rocky Morton
  • Roteiristas
    • Charles Edward Pogue
    • Russell Rouse
    • Clarence Greene
  • Artistas
    • Dennis Quaid
    • Meg Ryan
    • Charlotte Rampling
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,1/10
    11 mil
    SUA AVALIAÇÃO
    • Direção
      • Annabel Jankel
      • Rocky Morton
    • Roteiristas
      • Charles Edward Pogue
      • Russell Rouse
      • Clarence Greene
    • Artistas
      • Dennis Quaid
      • Meg Ryan
      • Charlotte Rampling
    • 58Avaliações de usuários
    • 36Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    Official Trailer
    Trailer 1:50
    Official Trailer

    Fotos49

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    Elenco principal32

    Editar
    Dennis Quaid
    Dennis Quaid
    • Dexter Cornell
    Meg Ryan
    Meg Ryan
    • Sydney Fuller
    Charlotte Rampling
    Charlotte Rampling
    • Mrs. Fitzwaring
    Daniel Stern
    Daniel Stern
    • Hal Petersham
    Jane Kaczmarek
    Jane Kaczmarek
    • Gail Cornell
    Christopher Neame
    Christopher Neame
    • Bernard
    Robin Johnson
    Robin Johnson
    • Cookie Fitzwaring
    Robert Knepper
    Robert Knepper
    • Nicholas Lang
    • (as Rob Knepper)
    Jay Patterson
    Jay Patterson
    • Graham Corey
    Brion James
    Brion James
    • Detective Ulmer
    Jack Kehoe
    Jack Kehoe
    • Detective Brockton
    Elizabeth Arlen
    Elizabeth Arlen
    • Elaine Wells
    Karen Radcliffe
    • Jane Corey
    William Forward
    William Forward
    • Chief Resident
    Lee Gideon
    • Mr. Fitzwaring
    Bill Bolender
    Bill Bolender
    • Nick Lang, Sr.
    Hillary Hoffman
    • Corey's Daughter
    John Hawkes
    John Hawkes
    • Sloane
    • Direção
      • Annabel Jankel
      • Rocky Morton
    • Roteiristas
      • Charles Edward Pogue
      • Russell Rouse
      • Clarence Greene
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários58

    6,111.3K
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    Avaliações em destaque

    8artbyjude

    Another One slipped by

    For all those people who believe the dialog is worth something, and who appreciate a farce that is clever enough for you to take it seriously, this movie will surprise you. It is not a 'whodunit' for people who can't aren't able to follow the verbal exchange of our hero, Professor Dexter Cornell (Dennis Quaid).

    Cornell teaches in Southern California, near the tar pits. He has not published a novel in four years, his wife is divorcing him, he drinks a bit much, and is blessed or cursed with caustic wit, which he freely dispenses to his students. He has recommended a friend for advancement, and one bright young student has submitted a manuscript to him as an independent project. Cornell doesn't even want to read it, so gives it an "A", and pushes it to the side. Leaning back with a drink in his office he stares out the window, when the bright young student falls past his window on the way to meeting the sidewalk in a splat encounter.

    Hal comes to talk, and they chat, drinking some more. The Cornell realizes that he HAS to read the manuscript, now. When he goes home, his wife is waiting with divorce papers. He drinks some more. She leaves, and he goes to a faculty affair, only to find her there. He drinks even more. And when his wife learns that the student is dead, she swoons, and he learns that she had been having an affair with the student. This of course prompts him to do some more serious drinking. The next morning he wakes up to find himself in the dorm room of one of his students, a freshman named Syd (Meg Ryan).

    He feels worse than a hangover, goes to the doctor and learns that he has been poisoned, it is irreversible, and he has 24-48 hours to live. He doesn't have much time to find out who killed him, and there are sub-plots, motives, relationships and surprises at every turn, although everything makes sense at the end. All his discoveries and exchanges are adorned with sarcasm, dry wit and keen observations. Let's just say that this movie will give new meaning to the adage "publish or perish".

    There are no bad performances in this movie. There are recurrent images, and symbolism used at careful intervals. Watch for the cracked glass, and images distorted through glass. Some of the camera shots are revolutionary for 1988, and some of the violent action is carefully and skillfully choreographed. The music is unobtrusive and appropriate, although occasionally it makes it's own statement, in song lyrics. The visuals in this flick are impressive.

    If there are any failures, it is that the opening 20 minutes move a little slow, and nearly puts you to sleep. But the pacing picks up quickly, with just the right amount of exposition in between action segments.

    There are no explicit sexual encounters, although there is violence and some bad language.

    This is a writer's movie, and is best appreciated by those who have a sense of humor about their own success or failure. I do think if you take it seriously, you're already in big trouble.
    7mungosmungo8694

    Interesting

    I watched this about two weeks ago, and being a fan of the original, I always like to watch the remake and talk smack about the terrible changes they made. With that being said....This wasn't terrible. I really liked that even though the premise was the same (man gets poisoned, man goes to police to tell the story, movie unfolds in a flashback), I did not feel like I was watching the original movie after about the first 10 minutes of the film. Now the original is a noir classic, This movie though I would not say is a classic in the NEO NOIR category, it definitely is worth a watch.

    Quaid gives a slightly manacle performance that is fun to watch, and he does a pretty good job of holding the movie together. Some of the other cast members, well they work but their motives to me do not lead up to the results that are laid out, but this is a movie, so who cares? The production is spot on. The lighting is what I always imagine a noir picture to be. Fan shadows, lights through blinds, lit cig smoke. All the stereotypes that make a Noir a Noir are here. It does work and looks spectacular. This movie would be a great movie if you were to be studying lighting techniques.

    The end, I did see coming but it felt underwhelming. Noir is known for having some twist, or cool plot device that is set up without even knowing was set up, and then BOOM last ten seconds changes everything....not so much here.

    Is it as solid as the original? Well the original is a classic, but to me is a different movie, and other than the set up and the title, are different and should be judged on their own.

    I enjoyed it and will watch it again.
    barnabyrudge

    Remake of a classic which just doesn't even come close to the required standard.

    D.O.A has a good premise, borrowed from a 1950 film of the same name and a 1969 film entitled Color Me Dead. But beyond the premise it fails to develop into anything worthwhile. The script mistakes ludicrousness for cleverness; the directors peculiarly seem to think they're making a pop video rather than a film; and Dennis Quaid puts on a weird grin and raises his eyebrows maniacally as if he's auditioning as a Jack Nicholson impersonator. It's good for a laugh but, since that wasn't the original intention, it's hard to rate this as a worthwhile film.

    English lecturer Dexter Cornell (Quaid) is a bitter, bored shell of a man. Formerly a great author, he never recovered from the critical failure of his fourth and final novel and vowed never to write again. Without the drive of writing to fill his life, he gave up on everything else too, including his marriage and his dedication to the job. When pupil Nick Lang (Rob Knepper) apparently commits suicide after handing in an assignment, Cornell hits the booze to get over the shock. But soon thereafter, he learns that he has drunk a slow-acting poison, and that within 48 hours he will be dead. So close to death, he finally finds a renewed purpose in being alive.... as, aided by student Sydney Fuller (Meg Ryan), he desperately attempts to solve his own "murder".

    It's such a good idea that one can hardly imagine how it could fail. But it does. It really, really does fail in a big way. All the pointlessly fancy camera angles, all the inappropriate musical scoring, and especially the jaw-droppingly stupid solution to the mystery, conspire to ruin the film. D.O.A stands for "Dead On Arrival", and that's the perfect adjectival phrase for the entire film. Some day, this wonderful idea for a film might be used once again to better effect, but for now you'd be best advised to stick with the 1950 version.
    8dsadajr

    Pretty good update of the original film, with good performances.

    OK, so this film may not have won any Oscars, but it is not a bad film. The original "D.O.A." is undoubtedly a better film, but that does not mean this film is bad.

    The film stars Dennis Quaid in one of his early roles, when he was first becoming really famous, after "The Right Stuff" made him a star, and a very lovely looking Meg Ryan, when she was still now quite famous.

    This is more of an "update" of the 1950 film, rather than a remake, since the setting is different and the characters too, are different. The plot is pretty much the same. A man (this time an English professor at the University of Texas at Austin) is poisoned and he has only 24 hours to find out who poisoned him and why. Meg Ryan plays a young college student who tries to help him. Jane Kaczmarek plays Quaid's estranged wife, in a low key, but intense performance; she steals every scene she is in. Daniel Stern (also in an early role, before "Home Alone" made him famous) plays Quaid's colleague. Charlotte Rampling is fine too in a supporting role.

    The entire cast is top notch; The film is stylish, with a quick pace that keeps you guessing until the end.

    I think this is a film that is certainly worth watching as a thriller, and as a modern version of a classic film.
    8Tweekums

    A solid updating of the 1949 original

    As this film opens Professor Dexter Cornell enters a police station to report a murder... his own. As he sits down to tell his story to the police the action jumps back thirty six hours.

    Cornell is a Lecturer and novelist although he hasn't written a book in for years and can't be bothered to read a work written by a keen student. The next thing he knows that student plummets past his window and dies on the concrete below. That isn't the only thing going wrong; his wife wants a divorce and it later emerges was having an affair with the student. On learning this he decides to get very drunk. The next morning he wakes up in the bed of student Sydney Fuller with a killer hangover. In fact he feels so bad he goes to hospital and discovers that he has been poisoned with radium chloride and only has a day or two left to live. He is determined to discover who poisoned him and why.

    This isn't really a remake of the 1949 film as it only takes the central premise of that film; here we get an entirely set of characters and motives. The opening is a great hook then the story takes its time getting to the point where Cornell discovers he was poisoned. This give us time to meet the various suspects, and student Sydney who will get caught up in the hunt for the truth. Once he learns what happened the tension rises quickly... so does the body count as he finds himself suspected of one murder and targeted by people who think he knows more than he does. Dennis Quaid is impressive as the doomed Professor Cornell and Meg Ryan is fun as Sydney; the rest of the cast is solid too. There are plenty of good action sequences and a few really good surprises... even if the identity of the killer and the motive aren't too surprising. The film has a great neo-noir look; opening in black and white before switching to colour in the flashback; colour that fades as his condition worsens. Overall I really enjoyed it and would recommend it to people wanting a good mystery.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Third of five versions of the D.O.A. (Dead on Arrival) story with the first being the classic original film noir motion picture Com as Horas Contadas (1949) with other versions being Morto ao Chegar (1988), Adrenalina (2006), Color Me Dead (1969), and Dead on Arrival (2013).
    • Erros de gravação
      At the end of the movie, Dex shoots the villain, who falls out of a window. Dex shot the villain in the front and the villain took several steps backward, without turning around. The next shot shows the villain very obviously jumping out of the window by running up to it facing forward and spinning around in the air.
    • Citações

      Bernard: I don't think I like what you're inferring, Mr. Cornell...

      Dexter Cornell: [condescendingly] Implying. When I say it, that's implying. How you take it, that's inferring.

      Bernard: I see. Infer this.

      [punches Dexter]

    • Cenas durante ou pós-créditos
      The opening Touchstone Logo is in black & white and the logo's flash is accompanied by a thunder clap.
    • Conexões
      Featured in Siskel & Ebert & the Movies: Little Nikita/Vice Versa/D.O.A./Off Limits/Stand and Deliver (1988)
    • Trilhas sonoras
      Too Much Sex, Not Enough Affection
      Written by Pat MacDonald

      Performed by Timbuk 3

      Courtesy of I.R.S. Records

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    Perguntas frequentes17

    • How long is D.O.A.?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 15 de julho de 1988 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • D.O.A.
    • Locações de filme
      • San Marcos, Texas, EUA
    • Empresas de produção
      • Touchstone Pictures
      • Silver Screen Partners III
      • Bigelow Productions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 3.500.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 12.706.478
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 3.751.432
      • 20 de mar. de 1988
    • Faturamento bruto mundial
      • US$ 12.706.478
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 36 minutos
    • Cor
      • Color
      • Black and White
    • Proporção
      • 1.85 : 1

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