Uma Alucinante Viagem

I am surprised that this, well above average 80's comedy scores only a 5.2 from all the IMDB voters. Dan Ackroyd does his usual satirical turn as a con who seizes a great opportunity to steal a contract from his prisons physician. He retreats to California to start his work giving advice on a radio show pretending to be the infamous Dr Lawrence Baird. The only person that knows he's an imposter is the drunken priest (Walter Matthau) who comes along to be pampered by Ackroyd's new found wealth having blakmailed him. Charles Grodin throws in a good supporting performance too. For its genre I think this film deserves the same crediblity as 'Ferris Bueller' or 'Trading Places'. 7.5 / 10

Dan Aykroyd plays an inmate for the criminally insane who escapes a correctional facility. One day he took a call from his psychiatrist and accepts a job as host of a call-in radio show. Plans his escape to Los Angeles to report to the new job. There a lot of adult humor with no nudity. Not recommend for kids. Worth to watch.

I had a lot of fun watching this, and that is all you can ask from a film which tries to give people a feeling of fun.

Dan Aykroyd stars as a mental patient with skills who outmaneuvers the head doctor and pretends to be him to take a job elsewhere, with the ensuing mayhem that follows until the eventual discovery (sort of) of the deception, a story which has been told before but never with as much fun. Aykroyd is brilliant as the mental patient along the way he bumps into Walter Matthau who adds to the mayhem, Matthau does a good job in the role but is not trying to hard to upstage Aykroyd, and Charles Grodin as another shrink who has gone a bit crazy himself is pretty good. The support actors are generally good, Donna Dixon ( the real life wife of Dan Aykroyd) is a bit wooden but the others are ok, but it doesn't matter as Aykroyd, Grodin & Matthau are running the show.

The story is a bit implausible and its well over the top, but deliciously funny. Michael Ritchie directs very well and the pace is kept moving quite well. Its only 1hr 37 min long, you could have added another 10-20 mins on and it would still be as funny if not more. One of the better comedy films of the 80's.

When writing it has a 5.8 rating on here ? But it is much better than that.

I would agree with the comments already posted to this site by the previous rater.

I first stumbled across this movie back in the '80s, when I was employed at a psychiatric hospital. Unfortunately, many of the barbs aimed at the psychiatric profession do hit home. I especially enjoyed the ending, where the psychiatrist would speak thru the door to the hospitalized Grodin. Trust me, its fairly accurate.

Of course, doors at most psych hospitals are not locked, nor are straightjackets used much these days, and any hospital MUST be licensed to have a "padded room".

But a wonderfully underrated film, and certainly one that is quite amusing.

Jeff

Only one comment (as of this writing) on IMDB?? Which is the ultimate example of why this is a very underrated comedy dealing with Aykroyd's escape from a mental facilitly (more like a den for misfits) and masqerading as his hated supervisor/doctor from the nutbarn. He heads to L.A. with his assumed name to sub for an unstable radio shrink (Grodin) and his candid approach garners him city-wide attention. He fast talks his way into a big contract and seems on his way. He gets distracted, though, by knockout Dixon (his real-life wife, how lucky), who is some kind of shrink-producer and also by Matthau's perceptive homeless schemer. He's onto Aykroyd and says he'll keep quiet if Dan splits the cash with him. That's just a little of what's going on in this busy little conman adventure, as at the same time Grodin is getting wise with the real doctor Aykroyd is impersonating. And Grodin's wife is also involved with his lawyer, who is seeing dollar signs in Aykroyd, as well is a kiss-butt producer, and annoyingly assisting Grodin is Clennon, the real doctor who is supposed to be replacing him. There are a lot of great jabs at the psychiatry profession, and the entertainment business, the best being the short but very memorable scene where Aykroyd takes calls on the radio, one of the funniest scenes I've ever watched. Unfortunately, the film ends abruptly and could've used a better knock out blow. But, from beginning to (near) end this provides a lot of solid laughs and it's too bad that the kind of plot it has doesn't permit another trip to the couch.