Cocktail

God only knows in my lifetime I've dealt with a lot of bartenders, I still do now when I go in a place and only order non-alcoholic beverage. But unless it was a topless joint where the bartenders were required to do more than pour and converse and maybe toss out an occasional drunk, I never did see one do the Hippy Hippy Shake. And here Tom Cruise does it tandem with Bryan Brown.

Still Cocktail is an entertaining enough film with Tom Cruise now settled into the parts he usually plays as an all American social climber. Tom's fresh out of the army and his first stop is his uncle Ron Dean's bar in Queens. He probably could get a job with his uncle, but Tom aims for higher things.

The problem Tom has in looking for a job is that old adage, what kind of work are you out of? He tries in all kinds of places, but he has no experience. An exhausted Tom arrives at an upscale bar presided over by Bryan Brown and the two of them hit it off. Brown teaches Tom all the tricks of the trade in bartending and hustling.

Bartending on the Upper East Side is a whole different world than the working class of Queens. In fact right around the same time Cocktail was out the tragic murder of Jennifer Levin by preppie killer Robert Chambers was introducing via the tabloids of the world of the yuppie bars of that vicinity. It was the world of Cocktail brought to a gruesome reality.

The women come and go for both Cruise and Brown. Success turns out to be ephemeral. The key scene in the film for me is that where Brown after marrying East Side princess Kelly Lynch and her father's money has backed him in opening the most posh establishment on the East Side, he confesses that he doesn't know the first thing about really running a business. Running a bar/restaurant is a lot more than pouring drinks and dispensing wisdom. Turns out Brown hasn't got that much wisdom and his realization of that leads to tragedy. It's a beautifully played scene, the best I've ever seen from Bryan Brown.

Elizabeth Shue as Tom's East Side princess is very appealing, but I also like Ron Dean as Cruise's uncle who really does have a lot of wisdom and he doesn't think that he has it simply because he pours drinks.

Brian Flannagan in Cocktail became one of Tom Cruise's staple roles and further endeared him as our number one superstar. Still I've yet to see a real bartender do the Hippy Hippy Shake.

Tom Cruise stars as Brian Flanagan, who is fresh out the army and finding that landing an executive job in the big city isn't as easy as he thought. Taking on a course for a business degree, he winds up working part time at a cocktail bar under the tutelage of bar tending philosopher Doug Coughlin (Bryan Brown). A new world is about to open up for both of them.

Right, I have the softest of soft spots for this movie. That doesn't mean I'm not aware of its many failings, most notably the heavy weight of predictability that pounds down on the head from the very first frame. But as simple as it may be (oh this is plot line simplicity decorated in flashy booze bottle twiddling), and the obvious cash in on Cruise's box office appeal that it was (note that his next film was the considerable shift to Rain Man), it's fun (thanks to Bryan Brown's mugging) and sweetly romantic (thanks to Elisabeth Shue being sweetly romantic). Yeah it's a hard sell I know! But Cruise charms in a way that has his haters swigging the Alabama Slammers by the dozen, and guys! Kelly Lynch pops up wearing a thong. Yeah I'm pretty shallow where Cocktail is concerned, sue me...

All together now, "This magic moment" 6.5/10

"Cocktail" from 1988 is one of the films that solidified Tom Cruise's superstar status. He stars in this film with Bryan Brown, Lisa Banes, and Elizabeth Shue.

Cruise plays Brian Flanagan, a young man with a lot of dreams of making big bucks. After getting out of the service, he relentlessly seeks a job in New York City, finally snagging one as a bartender in a upper east side, trendy bar, where he works alongside Doug Coughlin, his boss.

Before long they're an attraction in and of themselves, throwing bottles to one another, finishing off each other's drinks, all the while dancing, turning, and gyrating.

Brian goes to business school as well, but given his late nights, it's exhausting and not very fulfilling.

He and Doug both have dreams of owning their own bars, and the two become great friends. However, after a huge fight, Brian goes to Jamaica and runs a bar there, making good money and falling for Jordan, a pretty waitress (Shue).

Then Doug shows up, having married rich, and when a very classy, upscale woman (Banes) comes to the bar, Doug bets Brian that he can't get to first base with her. He does, and Jordan sees him do it, and drops out of the picture.

Back in New York, Brian finds out living with a high-powered woman is no picnic - in fact, it's pretty humiliating -- and he runs into Jordan again.

"Cocktail" doesn't have much of a plot, but it has two very attractive leading men, sexy Bryan Brown and, of course, Cruise, handsome even with his old nose and looking quite different than he did in "The Color of Money." He's very charming,likable, and exudes a lot of youthful energy. He has some emotional moments, too, which he handles well.

"Cocktail" is a light film aimed at a younger crowd than I was even in 1988, but anyone can enjoy its swinging New York atmosphere, lazy Jamaican sun, great soundtrack, and two wild bartenders.

Underneath it all, it's about the dreams of youth and the reality of being out in the world. That's a message everyone learns pretty quickly.

If only real life was like this surprise success with Tom Cruise flashing his teeth in what was to become his standard role as a young whippersnapper on the make while scoring with rich chicks.

The busy story (adapted by Heywood Gould from his original novel) is energetically directed by Australian newcomer Roger Donaldson, and although Cruise is officially the star, the best performance is inevitably that of Donaldson's fellow antipodean Bryan Brown (described by Cruise as looking like a guy "who dyes his hair and shaves with a Brillo").

It's all very eighties, lines like "The Donald Trump of the Cookie Business" having since acquired an unforeseen resonance.

The ultimate bad movie, Cocktail stars Tom Cruise as the money obsessed Brian Flanagan, a flair bartender trying to get rich quick. Cruise ups the charisma to unbearable levels in yet another Colour of Money template, this time with Bryan Brown as the older mentor figure who both guides, challenges and redeems cocky young Cruise. The final act is rushed as an afterthought, but it doesn't matter. There is more than enough Tom love to go around. 7/10.