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6,6/10
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Um detetive da polícia durão sai para capturar um assassino em série horrível, que aterroriza os canais de Amsterdã.Um detetive da polícia durão sai para capturar um assassino em série horrível, que aterroriza os canais de Amsterdã.Um detetive da polícia durão sai para capturar um assassino em série horrível, que aterroriza os canais de Amsterdã.
- Prêmios
- 1 indicação no total
Lou Landré
- Chef
- (as Lou Landre)
Door van Boeckel
- Maniac
- (as Door van Boekel)
Avaliações em destaque
Like I say in my comments on "De Lift", this is particularly funny for Dutch-aholics. A lot of the scenes are references to Dutch famous people, or will later become references to those.
The Bond-like chase through the canals of "Amsterdam", is one of the most famous scenes, and is up to Hollywood standard. Huub Stapel is again the best choice for the leading character "Eric Visser", charming, tenacious, and this time single. The comic relieves are numerous in this movie, but the best to me are the scenes where Stapel's daughter Anneke and her friend Willy try to find the killer through telepathy. And luckily Dick Maas doesn't resort to an old Hollywood trick, and let them solve the whole thing.
Unfortunately, the whole industry in Europe is only interested in making "interesting, and challenging" movies. Movie making in Europe should be about the art, not about the money, according to the critics. The result, however, is that most movies from Europe are either depressing to the point of throwing yourself from a tall building, or completely incomprehensible, or just boring. There are a few great exceptions to the rule, and this is certainly one of them.
For those who saw it in 1988 in a theater, and happened to be in a theater that (as is usual in Holland) puts in a break half way through the movie, so they can scam you out of your money selling over priced drinks (okay different story), you might remember one of the best finishing touches to a movie ever seen: the hand that shoots out of the water, holding a strawberry ice cream cone! That actually had me about 5 inches of my seat.
The Bond-like chase through the canals of "Amsterdam", is one of the most famous scenes, and is up to Hollywood standard. Huub Stapel is again the best choice for the leading character "Eric Visser", charming, tenacious, and this time single. The comic relieves are numerous in this movie, but the best to me are the scenes where Stapel's daughter Anneke and her friend Willy try to find the killer through telepathy. And luckily Dick Maas doesn't resort to an old Hollywood trick, and let them solve the whole thing.
Unfortunately, the whole industry in Europe is only interested in making "interesting, and challenging" movies. Movie making in Europe should be about the art, not about the money, according to the critics. The result, however, is that most movies from Europe are either depressing to the point of throwing yourself from a tall building, or completely incomprehensible, or just boring. There are a few great exceptions to the rule, and this is certainly one of them.
For those who saw it in 1988 in a theater, and happened to be in a theater that (as is usual in Holland) puts in a break half way through the movie, so they can scam you out of your money selling over priced drinks (okay different story), you might remember one of the best finishing touches to a movie ever seen: the hand that shoots out of the water, holding a strawberry ice cream cone! That actually had me about 5 inches of my seat.
The first time I saw this film was when I was 16, when they released the film in the U.S. At the time, I was a more or less a huge horror fan, so I decided to check it out. This film was awesome in terms of stunts and camerawork. The plot is somewhat typical of a serial killer/slasher film, but give Dick Maas credit. He did a splendid job with this film. I caught the film on TV last year and taped it. Every chance I get, I'll pop in it and watch the film. Kudos to Dick Maas and his team.
I saw this for the first time recently due to the director (I have enjoyed Dick Maas' The Lift and Prooi) and also got enticed into checking this movie due to some good reviews.
It is indeed a solid action thriller but the ending is kinda rushed n there is no mystery/suspense element to it.
It has a good car sequence doing a full 180, an amazing boat chase sequence reminding us of Bond's Live and Let Die.
While viewing this, Shape of Water came to my mind, especially during the tunnel scenes.
Veerman and Eric rush to Dr Martin's house when the nurse informs Eric about Laura's missed call. How they deduced that Laura will be at Martin's house is beyond me.
Martin's doors were all open. Now who keeps their doors open man. At least not here in my beloved country India.
Our lead guy (Eric) gets his face spit upon by a suspect and without washing his face he consumes coffee n then later has sex with Laura (a lousy one though). Hope he washed his face before kissing her.
It is indeed a solid action thriller but the ending is kinda rushed n there is no mystery/suspense element to it.
It has a good car sequence doing a full 180, an amazing boat chase sequence reminding us of Bond's Live and Let Die.
While viewing this, Shape of Water came to my mind, especially during the tunnel scenes.
Veerman and Eric rush to Dr Martin's house when the nurse informs Eric about Laura's missed call. How they deduced that Laura will be at Martin's house is beyond me.
Martin's doors were all open. Now who keeps their doors open man. At least not here in my beloved country India.
Our lead guy (Eric) gets his face spit upon by a suspect and without washing his face he consumes coffee n then later has sex with Laura (a lousy one though). Hope he washed his face before kissing her.
Dutch director Dick Maas clearly has a flair for entertainment. This serial killer film is lifted above the norm by a series of fantastic sequences; from creepy murder scenes to a hilariously over the top speed boat chase through the canals of Amsterdam, Amsterdamned is a delight to watch from start to finish. It goes without saying that this film takes place in Amsterdam, and it would appear that the film is something of a love letter to the great Dutch city. Amsterdam's streets make for an excellent horror location, while the canal shots are what really give the film its originality. Maas also gives us sequences in which the reputation of the city is discussed. Personally, I love the location shots of this film; having visited Amsterdam a couple of times myself, it's nice to recognise where the film is taking place. The plot is basically your run of the mill serial killer yarn, but it's lifted above the norm because of the fact that the murderer himself is water-based. Amsterdam's canals make for his home, as the murderous diver drags anyone who comes too close to the river to their doom. We follow the trail of murders and the police investigation into the crimes.
The film runs at around 105 minutes; a running time that would usually lead to me saying is too long for this sort of film. However, despite the fact that the film plays from what is a very basic plot, it never becomes boring. Dick Maas bombards the audience with stunning location shots, deliriously entertaining sequences and some very sinister moments of horror to ensure that Amsterdamned never becomes trite or dull - and besides, every time there's a danger of the film going downhill, our competent director is on hand with another grisly murder sequence! For a film that runs so freely, it's surprising that it's actually not all that messy. Maas blends several different styles together, but the plot always stays on course. The atmosphere is always foreboding as it is made clear that the murderer could strike at any time. I've got to say that I was a little disappointed by the end, however. After a brilliant 100 minutes, Maas sees fit to tack on an ending that feels very trite and overly used. However, the build up to this let down is fantastic and by the time it comes to the ending, it doesn't really matter how it ends because you've just witnessed what is one of the finest films ever to come out of the Netherlands. Personally, I loved every minute of this great film and really can't recommend it highly enough!
The film runs at around 105 minutes; a running time that would usually lead to me saying is too long for this sort of film. However, despite the fact that the film plays from what is a very basic plot, it never becomes boring. Dick Maas bombards the audience with stunning location shots, deliriously entertaining sequences and some very sinister moments of horror to ensure that Amsterdamned never becomes trite or dull - and besides, every time there's a danger of the film going downhill, our competent director is on hand with another grisly murder sequence! For a film that runs so freely, it's surprising that it's actually not all that messy. Maas blends several different styles together, but the plot always stays on course. The atmosphere is always foreboding as it is made clear that the murderer could strike at any time. I've got to say that I was a little disappointed by the end, however. After a brilliant 100 minutes, Maas sees fit to tack on an ending that feels very trite and overly used. However, the build up to this let down is fantastic and by the time it comes to the ending, it doesn't really matter how it ends because you've just witnessed what is one of the finest films ever to come out of the Netherlands. Personally, I loved every minute of this great film and really can't recommend it highly enough!
Now I can't believe that this little gem has passed me by for so long, especially being a big fan of slashers and giallo movies, well this was a nice treat and it's appealing enough and just when you thought you've seen everything that this genre has to offer, "Amsterdamned" puts a unique spin on things by featuring a killer dressed in scuba diving gear swimming around the canals of Amsterdam looking for his next victim.
It's all well paced, being mainstream enough for thriller fans and yet gruesome e and sleazy enough for horror fans. That is also dozens of red herrings that keeps the viewer interested enough to keep watching up until the final reveal which okay can be a bit of a cop out, but the dozens of stunts that were handled very well, and when the killer pops out of the water to claim its next victim, it is genially scary and given the fact that he can do this and escape easily into the canals does add a sense of danger to the proceedings and makes everything a lot more tense and frightening.
The main central character Vissor played brilliantly by Huub Stabel who's trying to solve this case before the killer strikes again and also has the best scene in the movie with the speed boat chase, which was exciting and thrilling at the same time, and will always be an iconic memorable scene. This movie also uses the beautiful city of Amsterdam to its full effect showing all the beautiful sights and scenery. Another standout performance was Serge-Henri Valcke who clearly steals the show with his funny comedic elements, which adds a touch of greatness to this movie.
All in all "Amsterdamned" is a great watch and is a definite highlight in the giallo genre and has a great mix of everything and plus a really cool killer.
It's all well paced, being mainstream enough for thriller fans and yet gruesome e and sleazy enough for horror fans. That is also dozens of red herrings that keeps the viewer interested enough to keep watching up until the final reveal which okay can be a bit of a cop out, but the dozens of stunts that were handled very well, and when the killer pops out of the water to claim its next victim, it is genially scary and given the fact that he can do this and escape easily into the canals does add a sense of danger to the proceedings and makes everything a lot more tense and frightening.
The main central character Vissor played brilliantly by Huub Stabel who's trying to solve this case before the killer strikes again and also has the best scene in the movie with the speed boat chase, which was exciting and thrilling at the same time, and will always be an iconic memorable scene. This movie also uses the beautiful city of Amsterdam to its full effect showing all the beautiful sights and scenery. Another standout performance was Serge-Henri Valcke who clearly steals the show with his funny comedic elements, which adds a touch of greatness to this movie.
All in all "Amsterdamned" is a great watch and is a definite highlight in the giallo genre and has a great mix of everything and plus a really cool killer.
Você sabia?
- CuriosidadesDick Maas passed on the opportunity to direct a sequel to A Hora do Pesadelo (1984) in order to do this film. He later stated that he should have postponed Amsterdamned, as the Elm Street sequel could have been his international breakthrough.
- Erros de gravaçãoWhen the old man that lives on the barge loads the shotgun, you can see that the primers on the shells have indentation marks in their centers, signifying they have already been fired.
- Citações
Vermeer: What do you think she meant when she said a huge black monster with giant claws?
Eric Visser: I don't know, but I hope your mother-in-law has an alibi.
Vermeer: UGH!
- Versões alternativasFor the West German theatrical version as well as all subsequent VHS and DVD releases the demise of the killer was cut. Only in 2007 the uncut version was released by EuroVideo.
- ConexõesEdited into Kameleon als schokkend doelwit (2007)
- Trilhas sonorasAmsterdamned
Music by C.L. Touber (uncredited)
Lyrics by C.L. Touber (uncredited)
Performed by Monique Klemann and Suzanne Klemann (as Loïs Lane)
Released by WEA Records No. 248.061.7
(C) 1988 WEA Records, Loïs Lane Music (A Division of EMI Music Publ.)
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Amsterdamned
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 98.003
- Fim de semana de estreia nos EUA e Canadá
- US$ 14.819
- 27 de nov. de 1988
- Faturamento bruto mundial
- US$ 98.003
- Tempo de duração1 hora 54 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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By what name was Caçada no Canal da Morte (1988) officially released in India in Hindi?
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