AVALIAÇÃO DA IMDb
6,7/10
18 mil
SUA AVALIAÇÃO
Um escritor de guias de viagem emocionalmente distante deve continuar com sua vida depois que seu filho é morto e seu casamento desmorona.Um escritor de guias de viagem emocionalmente distante deve continuar com sua vida depois que seu filho é morto e seu casamento desmorona.Um escritor de guias de viagem emocionalmente distante deve continuar com sua vida depois que seu filho é morto e seu casamento desmorona.
- Direção
- Roteiristas
- Artistas
- Ganhou 1 Oscar
- 4 vitórias e 11 indicações no total
Robert Hy Gorman
- Alexander
- (as Robert Gorman)
Bill Lee Brown
- Morgue Detective #1
- (as W.H. Brown)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Hurt expresses more with the slightest movement on his face than most actors do with pages of dialogue. An achingly beautiful portrait of a man trapped within himself, struggling at once to stay in and get out
Probably the best performances I have ever seen out of Geena Davis AND William Hurt. AND !BIG SURPRISE! Kathleen Turner does not overact in this one--I think it was not long after this film that Turner started going over the top.
This is a sad, introspective film so if you don't like to watch movies which portray life's real problems, skip this one. And, yes, even though Geena Davis is supposed to be a Baltimore city woman and does not have one HINT of our beloved accent, I let it go. I cared so much about her and her son in this film and wanted so much for Macon and his family to love them as I did.
In this film, Muriel (Geena) meets Macon (Hurt), who is deeply mourning the accidental death of his young son which has apparently caused Macon and his wife Sarah (Turner) to separate. Geena's smile can light up a room. In some scenes, you just want to hug her! Her films today have been few and far between. She needs to rehire the agent who put her in this film, "The Fly" and "Thelma & Louise" because they are, by far, her best.
For those of you who have never experienced agonizing grief in your own lives, you may not understand Hurt's feelings. For me, I cried deeply watching him battle his pain and internal chaos--should he stay with Turner, should he start a new life with Davis? His choices may seem simple to you, but believe me, having been in his shoes, I know that something simple like picking out what clothes to wear to work each day is a monumental task. I can't remember ever liking Hurt in anything he has done, but he nailed this part. I am sure he dug up this pain from some godforsaken part of his life, and he surely deserved an award for this role. I was rooting for him to "let go" of the past the entire film--it took me a whole year to do so in my own life.
Ladies, this is definitely a "whole box of tissue" movie.
This is a sad, introspective film so if you don't like to watch movies which portray life's real problems, skip this one. And, yes, even though Geena Davis is supposed to be a Baltimore city woman and does not have one HINT of our beloved accent, I let it go. I cared so much about her and her son in this film and wanted so much for Macon and his family to love them as I did.
In this film, Muriel (Geena) meets Macon (Hurt), who is deeply mourning the accidental death of his young son which has apparently caused Macon and his wife Sarah (Turner) to separate. Geena's smile can light up a room. In some scenes, you just want to hug her! Her films today have been few and far between. She needs to rehire the agent who put her in this film, "The Fly" and "Thelma & Louise" because they are, by far, her best.
For those of you who have never experienced agonizing grief in your own lives, you may not understand Hurt's feelings. For me, I cried deeply watching him battle his pain and internal chaos--should he stay with Turner, should he start a new life with Davis? His choices may seem simple to you, but believe me, having been in his shoes, I know that something simple like picking out what clothes to wear to work each day is a monumental task. I can't remember ever liking Hurt in anything he has done, but he nailed this part. I am sure he dug up this pain from some godforsaken part of his life, and he surely deserved an award for this role. I was rooting for him to "let go" of the past the entire film--it took me a whole year to do so in my own life.
Ladies, this is definitely a "whole box of tissue" movie.
At last,the dvd has arrived and it is a pure joy from start to finish.I was 21 when I first saw this film at the theatre and I knew it was good then,but now,a little older and wiser,I consider it a masterpiece.William Hurt's performance is mesmerising and Geena Davis is at her best.The dvd has 14 deleted scenes and I do feel sorry for Kathleen Turner,as some of her best work is on the cutting room floor.If you enjoy a real actor's movie,then this will not disappoint.The last 5 minutes,with marvellous John Williams underscoring,is sheer perfection.How this did not win best picture I shall never know.
William Hurt gives one of the most intensely interior performances on record. He is indescribable moving. His emotional paralysis becomes the palpitating centre of this gorgeous Lawrence Kasdan film. I saw the film, when it first come out, on a big huge screen that allowed me the strangely unique privilege of entering a man's soul. In the surface, nothing. Less than nothing, William Hurt floats through his daily existence, surrounded by his quirky family, his wounded, distant ex wife but first and foremost, his impenetrable loneliness. The character never utters a word who could confirm that, and yet is there, ever present, if you look deep, deep into his eyes. The scene in which he almost lets himself go in Geena Davis's arms is as cathartic as anything I've ever seen in any modern American movie. A couple of days ago I saw it again on a normal TV screen and all of the above wasn't there. Still a gorgeous film, a funny, melancholic romantic comedy but what about the interior masterpiece of William Hurt's performance? Gone. Did I imagine the whole emotional ride? Possible but unlikely. I took my VHS copy to a friend's house with a phenomenal home entertainment centre and a massive screen. William Hurt's performance was back. His is a performance conceived and designed for the big screen. One hundred per cent cinematic. The TV screen is far too small to allow us into a man's soul. If you haven't seen it I urge you to see it but in a big screen, the biggest you can find. Now let me leave you with this little tip. Look into William Hurt's eyes when he is in the taxi in Paris and sees the boy, who reminds him of his own son, walking down the street. It is the best performances by an actor in one of my favourite film moments of all time.
This is a wonderful film by Lawrence Kasdan about a man who withdraws from his relationships with other people (and the world) after a terrible family tragedy. William Hurt plays the character of 'Macon', a man who writes books for people who don't want to travel and has become as grey and dull as his suit. His wife Sarah (the vibrant Kathleen Turner) separates from him and after an accident he goes to live with his family who live a life organised by his sister, Rose (Amy Wright) and settles into a dull routine. Even his dog seems to be turning against him, then he meets Muriel (Geena Davis) when boarding his dog and she not only teaches the dog new tricks but also shows Macon that his ways can be changed too. William Hurt gives a truly marvellous performance as a man who has given up on life and has become almost catatonic. This is a film that gets better with each subsequent viewing, containing much food for thought especially for anyone that wishes for a 'safe' and 'planned' life. The wonderful dreamlike score is by John Williams and it was nominated for an Oscar amongst many nominations for this film. Thankfully this outstanding movie is now available on DVD and in the correct viewing format.
Você sabia?
- CuriosidadesWhile filming A Mosca (1986), Geena Davis was reading the novel on which this film was based. In fact, she would read it to Jeff Goldblum while he went through the hours-long process of having prosthetic make-up applied to his body. Goldblum also appeared in Lawrence Kasdan's earlier films, O Reencontro (1983) and Silverado (1985).
- Erros de gravaçãoAfter returning from England, Macon reaches into his pocket for his keys twice.
- Trilhas sonorasI'M GONNA LASSO SANTA CLAUS
Written by Frankie Adams and 'Wilbur Jones'
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Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 32.632.093
- Fim de semana de estreia nos EUA e Canadá
- US$ 97.578
- 26 de dez. de 1988
- Faturamento bruto mundial
- US$ 32.632.093
- Tempo de duração
- 2 h 1 min(121 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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