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IMDbPro

War of the Worlds

  • Série de TV
  • 1988–1990
  • TV-PG
  • 45 min
AVALIAÇÃO DA IMDb
6,5/10
1,6 mil
SUA AVALIAÇÃO
POPULARIDADE
4.687
2.637
Alex Cord in War of the Worlds (1988)
Dark ComedyActionAdventureHorrorThriller

A humanidade deve retomar sua guerra contra os marcianos quando eles reanimam após décadas de hibernação após sua derrota nos anos 50.A humanidade deve retomar sua guerra contra os marcianos quando eles reanimam após décadas de hibernação após sua derrota nos anos 50.A humanidade deve retomar sua guerra contra os marcianos quando eles reanimam após décadas de hibernação após sua derrota nos anos 50.

  • Criação
    • Greg Strangis
  • Artistas
    • Jared Martin
    • Lynda Mason Green
    • Philip Akin
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,5/10
    1,6 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    4.687
    2.637
    • Criação
      • Greg Strangis
    • Artistas
      • Jared Martin
      • Lynda Mason Green
      • Philip Akin
    • 49Avaliações de usuários
    • 16Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 indicação no total

    Episódios44

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    Editar
    Jared Martin
    Jared Martin
    • Harrison Blackwood
    • 1988–1990
    Lynda Mason Green
    • Suzanne McCullough
    • 1988–1990
    Philip Akin
    • Norton Drake
    • 1988–1989
    Richard Chaves
    Richard Chaves
    • Colonel Paul Ironhorse
    • 1988–1989
    Rachel Blanchard
    Rachel Blanchard
    • Debi McCullough
    • 1988–1990
    Denis Forest
    Denis Forest
    • Malzor…
    • 1989–1990
    Ilse von Glatz
    • Advocate #2…
    • 1988–1989
    Adrian Paul
    Adrian Paul
    • John Kincaid
    • 1989–1990
    Catherine Disher
    Catherine Disher
    • Mana
    • 1989–1990
    Julian Richings
    Julian Richings
    • Ardix…
    • 1989–1990
    Michael Rudder
    • Advocate #3…
    • 1988–1989
    Richard Comar
    Richard Comar
    • Advocate #1…
    • 1988–1989
    Ric Sarabia
    Ric Sarabia
    • Advocate #2…
    • 1988–1989
    David Calderisi
    David Calderisi
    • Advocate #1
    • 1989
    Corinne Conley
    Corinne Conley
    • Mrs. Pennyworth
    • 1988–1989
    Michael Copeman
    Michael Copeman
    • Advocate #3…
    • 1989–1990
    Michael Eric Kramer
    Michael Eric Kramer
    • Advocate #2…
    • 1988–1989
    Larry Reynolds
    Larry Reynolds
    • Tom Kensington
    • 1988–1989
    • Criação
      • Greg Strangis
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários49

    6,51.5K
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    Avaliações em destaque

    crazyrabbits

    What. The. Hell.

    You know, the first season of this show wasn't that bad. You had strong plots, good acting, and a good overall storyline.

    Then the second season started.

    What the hell was Frank Mancuso Jr. thinking when he made this series? It sucked! Here are some of the reasons why it sucked:

    1) You killed off half the cast, including the strong military commander and the computer expert. They were actually the most interesting characters on the show!

    2) What year is it? For one thing, it's never explained how much time has passed between the first and second seasons, and there's also the matter of where the woman who owned the house where lived in the manor went? She just disappeared.

    3) The main characters now live in an underground pipe.

    4) Even when the main character (Harrison) said he never used a gun, he just broke his own moral code and shot some guys in the second season premiere.

    5) The plots just sucked. Period.

    Bottom Line: Stick to the first season, and forget this season ever happened. You'll be better off.
    mistermime

    A brilliant first season only to be marred by idiot studio execs in season 2...

    The first season of War of the Worlds was groundbreaking and refreshingly innovative. In many ways, it was the predecessor of shows like "The X-Files". The first season was very much like a game of chess between the Blackwood Project and the aliens- led the triumvirate Advocacy (featuring the underrated actress, Ilse Von Glatz- who was chilling as an Advocate). Towards the end of the season, there was a mythology carefully being built with the introductions of new characters such as the renegade alien/human hybrid- Quinn and the Qar'To Synth, Katara. Also, the show was blessed with creative writing, excellent direction- and casting Ann Robinson as Sylvia Van Buren was a nice coup for the producers.

    However, Paramount had plans to assassinate the show and installed Frank Mancuso Jr. as the new executive producer. He obliterated the first season storyline, continuity, most of the characters and killed the show in the process. But to many fans, the only real season of WOTW was 1988-1989.
    mercuryix

    Great premise, cut short too early

    The idea of bringing back the aliens from War of the Worlds is simply great, especially for those who wonder "what if the aliens had attacked us with our technology today, instead of back in the '50s?" The answer is clear; they would STILL kick ass! The heat rays they used are just as unbeatable in the 80s as they were in the 50s, and the idea of the aliens going into hibernation to survive rather than just dying was a great plot device to bring them into the present. The spaceships, sound effects and sfx are lovingly recreated in the series. The show reminds me of Star Trek, in one respect only - both shows had great premise, but given too little backing by the studios that created them. Networks will never learn - if you're going to do a risky new sci-fi series, either back it all the way or don't bother. If the series had been given full support with and heavy advertising, and maintained the intelligence of the stories, this might have gone on for years. As it is, it's definitely worth checking out on the sci-fi channel. Now if there is ever a War of the Worlds/Star Trek crossover, that would definitely be worth seeing...(no matter how silly the idea is.)

    Eight stars for effort on this series.
    RestlessRust

    A War of Give and Take

    The best thing about this series was that, in the first half of the first season, you never knew who was going to win the battles. An example plot would have the aliens trying to acquire a list of the locations of their canned (literally) comrades. The humans try to stop them but fail.

    That's what I loved about the series: EVERYTHING was unexpected. Then late in the first season, you started having plots that were too obvious. (On TV in the 80s, there was no way aliens were going to detonate a nuclear bomb in the middle of the USA--especially with our heroes in the same city!) From that point on, the show settled for standard science fiction. It was still interesting, but it had lost its spark and never got it back.
    jeffyoung1

    Who are the aliens?

    Very little is known of the alien invaders from Mortax and the series did not intend to explain much of them. In the original, "War of the Worlds", the aliens originate from Mars. Since Mars is a dead planet and presumably any presence of an indigenous civilization would be noticed from earth, it made sense to change the origin of the aliens to a faraway solar system.

    It was a shame that the series did not capitalize on the episode, "Angel of Death". The unexpected, ironic, and somewhat twisted humorous ending would have made for a much more interesting second season had the original plot line been followed. As it was, some viewers, including myself, disliked the second season's post-apocalyptic setting and stopped watching the series.

    I present here my own speculative analysis of the aliens from Mortax, for anyone curious enough to read on.

    Most likely the inhabitants of Mortax originated from a tightly controlled, rigid, caste-driven society. The upper caste was smug in its superiority over the lower caste classes, even those presumably of a high class, such as scientists. The ruling caste or upper classes which ruled Mortax probably were probably a hereditary class which may or may not have included a military class as a subsidiary upper caste.

    At some point in its history, the lower caste classes of Mortax gained political power enough not to overthrow the current ruling caste but enough to gain comparable political parity and most importantly, respect.

    As a result of this paradigm shift in Mortax civilization, the upper ruling class now had to address the lower classes with respect. They now called the lower classes, 'comrades'. The lower classes could now address their heretofore upper caste rulers as, 'advocates', not, sir, ma'am, majesty, excellency, highness, lord, mistress, or any other such title conferring superiority over the claimant and inferiority over the one saying it. But it is very clear from the comments of the often frustrated Advocate triumvirate that the bigotry of the upper castes over the lower castes is still very much alive. But now it is politically incorrect to say so in front of them.

    Mortax civilization was now unified and moreover, unified in its new, overriding goal, the salvation of its race, civilization, and culture. Unfortunately, the smug racial superiority and bigotry of the upper caste were now subsumed by all of Mortax society. The new inferior class fit only for extinction were the humans of earth. The invasion of earth is an invasion to humans. For Mortaxians, it is a 'colonisation' of a habitable planet regrettably infested with inferior biological sentients called humans whose existence is expendable. The invasion is a fight to the death for all of humanity.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Originally, Paramount had conceived the series not as a sequel or for television, but a feature remake of A Guerra dos Mundos (1953) with George A. Romero slated to direct.
    • Erros de gravação
      Throughout the entire first season, the aliens are preoccupied with finding their hibernating comrades, and only twice do they ever discuss getting a hold of the original warships from the 1953 invasion. However, Dr. Harrison Blackwood says in the pilot episode that there were thousands of ships warehoused by the military after the invasion, and it would only take the aliens getting a hold of one of them to wipe out humanity. It seems odd then that the aliens never make this a priority.
    • Citações

      Harrison Blackwood: In 1953 Earth experienced a War of the Worlds. Common bacteria destroyed the aliens but it didn't kill them. The aliens fell into a state of deep hibernation. Now the aliens have been resurrected more terrifying than before. In 1953 aliens started taking over the world. Today they're taking over our bodies.

    • Cenas durante ou pós-créditos
      A mysterious credit that appears at the end of all episodes from Season One is for "The Far Side" cartoons by Gary Larson, courtesy of Chronicle Features. It's unclear why this credit appears since there is no evidence of the cartoon's use or even a reference throughout the show. It is because in an early episode, a Larson cartoon appears on a bulletin board in a shot and the credits were not changed after that episode.
    • Versões alternativas
      The animation of the alien hand taking a hold of Earth that opens every episode in the first season is omitted on the DVDs.
    • Conexões
      Follows A Guerra dos Mundos (1953)

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    Perguntas frequentes

    • How many seasons does War of the Worlds have?
      Fornecido pela Alexa
    • What are the differences between seasons 1 and 2?

    Detalhes

    Editar
    • Data de lançamento
      • 7 de outubro de 1988 (Estados Unidos da América)
    • Países de origem
      • Canadá
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • War of the Worlds: The Second Invasion
    • Locações de filme
      • Toronto, Ontário, Canadá
    • Empresas de produção
      • Hometown Films
      • Paramount Television
      • Ten Four
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      45 minutos
    • Cor
      • Color
    • Mixagem de som
      • Stereo
    • Proporção
      • 1.33 : 1

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