O Ano em que Minha Voz Quebrou

"The Year My Voice Broke" is one of those unknown, quintessential diamond-in-the-rough films that can't seem to find its way into the DVD market, but breaths Criterion throughout the entire viewing. The daring, honest, and descriptive story of a young boy, his love for this older girl, and the tribulations of growing up in a small town are merely scratching the surface to what this film has to offer. It speaks, and pays homage, to those classic films from the late 40s, early 50s by creating a town with character, mythology, and individuality. One could argue that the town in which this film takes place is our fourth character, behind Danny, Freya, and Trevor – but perhaps this enthusiast is getting ahead of himself. Watching this import on a used VHS, the picture was grainy, the player made noise, and the sound was utterly destructive – yet the heart of this film oozed from the screen. The power of the characters, the detail of our story, and the truth in director/screenwriter John Duigan's words went from having meaning in a 1987 film (that was supposed to take place in 1962) to creating a story that didn't feel dated or old watching it today, at the end of 2009. That is the legacy of "The Year My Voice Broke", the raw emotion harassed in this film continues to be relevant today – perhaps even more. As Hollywood uses every CGI possible to recreate the same effect, all one needs to do is look back at films that used the old-fashioned method…great actors, a daring script, and a background that could knock your socks off.

To applaud this film, one would need to pat the back of a very young, a very talented, Noah Taylor. Taking on not just an awkward role, he needed to show his anger, his teenage frustration, as well as his headiness for brains instead of brawn. Noah Taylor, known to me as Technical Support in "Vanilla Sky", succeeded gracefully and with the power of most of our top paid American stars. His ability to show us his unconditional love for Freya, his quizzical hatred for Trevor, as well as his sleuthing skills proved that this kid was ready for anything. His co-workers inhabiting each scene worked with his dynamic and equally pushed their talents. Freya, played by Loene Coleman, a newbie to the screen, was enchanting as the love interest. While she wasn't quite the level of Mr. Taylor, her ability to carry her scenes worked. She was the classical bad-girl-next-door with secrets. Her chemistry with Taylor kept me glued to the screen. The same can be said for Trevor, played by Ben Mendelsohn, who's diabolical, nearly irritating, laugh created a character all his own. As the wildcard, we never knew what he was going to do next, and both our characters and our audience were scared of that. To demonstrate the intensity of these actors, watch closely the scene in which they spend the night in the "haunted" house near the railroad tracks. Each one has a motive, each actor/character delivers their emotion, and with each line the scene gets more and more powerful. I wasn't expecting this with children so young.

With these three dominate characters; one may ask what else would be needed for an independent film to succeed? One more, the town. As mentioned before, the town that these three (and many others) reside is reminiscent of our American "Bedford Falls". There are residents that have been their all their lives and secrets many of them keep to protect their town. Throughout the film, our characters are continually building their moments via smaller lives within the town. We learn about Danny's passion for the black arts, that Trevor knows the police firsthand, and that Freya's unknown secret keeps the town at bay. Without the closeness of this town, "The Year My Voice Broke" wouldn't have worked. If filmed in a bigger city, the intimate feeling of a protective yet destructive town would have floundered. The town drunk would have been less poignant, Danny's dad's role would have felt less personal, and the idea of home being safe would have felt less comforting. The town had to be a character in this film. Duigan knew it, developed it, and built it strongly into his film.

This was a character driven film. Without Noah Taylor, Loene Coleman, or Ben Mendelsohn, this film would have failed. It is hard to imagine anyone else being able to carry these characters, or that an American reality would pack as much of a punch. It was impressive to see Australia in 1962, a place we don't explore in cinema enough over past centuries. Director Duigan, if I haven't already drooled over him enough, understood this film, wrote a genuine story, and built a cinematic triumph. Alas, this film has been forgotten, but look closely at the cinematography, the lavish landscapes, the devotion of our characters, the above mentioned town – these all could not have been accomplished without a passionate eye. I applaud Duigan for his talent and ability to transform this 1980s film into a universally emotional and exciting moment of cinema.

Overall, I have said enough. I loved this movie. It was detailed, emotional, and beautiful. Everyone, from director to actors performed superbly. It was a rough couple of prior films, but "The Year My Voice Broke" provided that classic niche. It felt fresh and new, despite the age. I recommend this to everyone. Buy a VHS player and get a copy of this movie, you will not be disappointed.

Grade: **** 1/2 out of *****

I thoroughly enjoyed all of the film. The two young actors are well cast. What originally made the movie stand out for me was the sound track. I had never seen,or heard, a film that used the music of Vaughn Williams before. I was flicking channels one night when the music made me stop and I watched the rest of the film. I have watched it twice since. Gloomy, moving and fascinating.

Australia seems to have an incredible knack for turning out beautiful films about real life situations fraught with meaning and mystery. This one is no exception. Like the Peter Weir classic _Picnic at Hanging Rock_, the landscape seems to come alive on the screen, and the sense of Australia's isolation does as well.

What I especially liked is that many of us (myself included) can empathize with Danny, but he's not perfect. The film really gets across the pain of falling for someone that you can never have. Trevor also embodies the kinds of guys that inexplicably attract strong-willed women like Freya. Despite the fact that one might not like his character, he's shown to have genuine feelings for Freya, and to be somewhat understanding of Danny. The major strength of the film is that the characters are fully fleshed out, with their own virtues and vices.

Instead of watching the cruddy teen movies that Hollywood churns out nowadays, give this one a try.

This movie is the best film I've ever seen in my life.

I saw it for the fist time last summer, and has been my favorite ever since.

A coming of age story, this movie is set against the early sixties and what it was like growing up as a teen, in Australia, it tells a story of two teenagers trying to find themselves and eventually each other during one year. The laughter and tears makes this movie a classic, and will be adored by teens for years to come. Danny and Fay, are the best characters and best teenagers you would ever want to know, and have as friends. They become your best friends and when tragedy strikes, you're right there with them.

I hope each and every one of you who will watch this movie and give it a chance, I know I did. The photography alone will entice you to stay and watch the whole thing. With beautiful shots, love scenes, friendships, and just being a teen, this film is my favorite, and will stay my favorite for many years to come, and my voice has already broken.

John Duigan's The Year My Voice Broke stands out from other coming of age films because of its simple honesty and natural performances. Gorgeously photographed in Braidwood, New South Wales, Australia, the film avoids the usual "rites of passage" cliches and makes real the heartbreak of awakening sexuality and feeling alone. Set in 1962, Danny Embling (Noah Taylor) is a sensitive, scrawny 15-year old who is obsessed with his childhood friend, 16-year old Freya Olson (Leona Carmen).

He writes poetry and tries to emulate rock stars to win her over but his voice is always breaking when he tries to sing. Freya, orphaned as a baby and now something of a wild spirit, shares her secrets with Danny in their private place on the nearby rocky crags. Both teens feel isolated, Danny from the macho attitudes of his schoolmates and Freya because of the truth she senses about her mother.

Freya is increasingly attracted to Trevor (Ben Mendelsohn), a rugby player who is given to petty crime. Though the mood grows dark, Duigan uses humor to lighten things up when Danny attempts to hypnotize Freya into loving him, and when the boy tries mental telepathy to prevent Freya from kissing Trevor. Danny's loneliness is painfully evident when he tags along with Freya and Trevor on a date and has to endure the agony of watching them make love at a "haunted house". This house plays a significant part in Danny, Freya, and Trevor's relationship and in the film's dramatic climax. Duigan ties his story to the dark secret of the town whose discovery will change the lives of the characters forever and leave you reflecting on the pain of growing up.