O Ano em que Minha Voz Quebrou

"The Year My Voice Broke" is one of those unknown, quintessential diamond-in-the-rough films that can't seem to find its way into the DVD market, but breaths Criterion throughout the entire viewing. The daring, honest, and descriptive story of a young boy, his love for this older girl, and the tribulations of growing up in a small town are merely scratching the surface to what this film has to offer. It speaks, and pays homage, to those classic films from the late 40s, early 50s by creating a town with character, mythology, and individuality. One could argue that the town in which this film takes place is our fourth character, behind Danny, Freya, and Trevor – but perhaps this enthusiast is getting ahead of himself. Watching this import on a used VHS, the picture was grainy, the player made noise, and the sound was utterly destructive – yet the heart of this film oozed from the screen. The power of the characters, the detail of our story, and the truth in director/screenwriter John Duigan's words went from having meaning in a 1987 film (that was supposed to take place in 1962) to creating a story that didn't feel dated or old watching it today, at the end of 2009. That is the legacy of "The Year My Voice Broke", the raw emotion harassed in this film continues to be relevant today – perhaps even more. As Hollywood uses every CGI possible to recreate the same effect, all one needs to do is look back at films that used the old-fashioned method…great actors, a daring script, and a background that could knock your socks off.

To applaud this film, one would need to pat the back of a very young, a very talented, Noah Taylor. Taking on not just an awkward role, he needed to show his anger, his teenage frustration, as well as his headiness for brains instead of brawn. Noah Taylor, known to me as Technical Support in "Vanilla Sky", succeeded gracefully and with the power of most of our top paid American stars. His ability to show us his unconditional love for Freya, his quizzical hatred for Trevor, as well as his sleuthing skills proved that this kid was ready for anything. His co-workers inhabiting each scene worked with his dynamic and equally pushed their talents. Freya, played by Loene Coleman, a newbie to the screen, was enchanting as the love interest. While she wasn't quite the level of Mr. Taylor, her ability to carry her scenes worked. She was the classical bad-girl-next-door with secrets. Her chemistry with Taylor kept me glued to the screen. The same can be said for Trevor, played by Ben Mendelsohn, who's diabolical, nearly irritating, laugh created a character all his own. As the wildcard, we never knew what he was going to do next, and both our characters and our audience were scared of that. To demonstrate the intensity of these actors, watch closely the scene in which they spend the night in the "haunted" house near the railroad tracks. Each one has a motive, each actor/character delivers their emotion, and with each line the scene gets more and more powerful. I wasn't expecting this with children so young.

With these three dominate characters; one may ask what else would be needed for an independent film to succeed? One more, the town. As mentioned before, the town that these three (and many others) reside is reminiscent of our American "Bedford Falls". There are residents that have been their all their lives and secrets many of them keep to protect their town. Throughout the film, our characters are continually building their moments via smaller lives within the town. We learn about Danny's passion for the black arts, that Trevor knows the police firsthand, and that Freya's unknown secret keeps the town at bay. Without the closeness of this town, "The Year My Voice Broke" wouldn't have worked. If filmed in a bigger city, the intimate feeling of a protective yet destructive town would have floundered. The town drunk would have been less poignant, Danny's dad's role would have felt less personal, and the idea of home being safe would have felt less comforting. The town had to be a character in this film. Duigan knew it, developed it, and built it strongly into his film.

This was a character driven film. Without Noah Taylor, Loene Coleman, or Ben Mendelsohn, this film would have failed. It is hard to imagine anyone else being able to carry these characters, or that an American reality would pack as much of a punch. It was impressive to see Australia in 1962, a place we don't explore in cinema enough over past centuries. Director Duigan, if I haven't already drooled over him enough, understood this film, wrote a genuine story, and built a cinematic triumph. Alas, this film has been forgotten, but look closely at the cinematography, the lavish landscapes, the devotion of our characters, the above mentioned town – these all could not have been accomplished without a passionate eye. I applaud Duigan for his talent and ability to transform this 1980s film into a universally emotional and exciting moment of cinema.

Overall, I have said enough. I loved this movie. It was detailed, emotional, and beautiful. Everyone, from director to actors performed superbly. It was a rough couple of prior films, but "The Year My Voice Broke" provided that classic niche. It felt fresh and new, despite the age. I recommend this to everyone. Buy a VHS player and get a copy of this movie, you will not be disappointed.

Grade: **** 1/2 out of *****

Australia seems to have an incredible knack for turning out beautiful films about real life situations fraught with meaning and mystery. This one is no exception. Like the Peter Weir classic _Picnic at Hanging Rock_, the landscape seems to come alive on the screen, and the sense of Australia's isolation does as well.

What I especially liked is that many of us (myself included) can empathize with Danny, but he's not perfect. The film really gets across the pain of falling for someone that you can never have. Trevor also embodies the kinds of guys that inexplicably attract strong-willed women like Freya. Despite the fact that one might not like his character, he's shown to have genuine feelings for Freya, and to be somewhat understanding of Danny. The major strength of the film is that the characters are fully fleshed out, with their own virtues and vices.

Instead of watching the cruddy teen movies that Hollywood churns out nowadays, give this one a try.

This 1987 film written and directed by John Duigan and starring the ingenious Noah Taylor is a undiscovered gem. Set in 1952 in rural Australia the story centers around Danny Embling, a likeable and thoughtful boy outcast by his peers. He is in love with his best friend Freyia,and it is their turbulent relationship that is the heart of the story. When Freyia falls in love with Trevor, a hyper-active and troubled boy, the three struggle with their emerging feelings and the life altering decisions that they must make. Certainly, we've seen this all before but not like this. Never in my life have I seen such an honest portrayal of youth. The dialogue is not filled with ridiculous pop culture references or complex vocabulary but that is the charm. These people talk just like us. The story is never contrived and the acting is completely natural. Although all the performances are commendable,none so much as Noah Taylor's heartfelt portrayal of our bumbling hero. This is his first major film role and he floats through it naturally. His acting is subtle yet varied and he is one of the greatest undiscovered actors of our time. This is a wonderful film that everyone, art film buff to action fan,from 14 to 94 should see for the sweet story and natural performances especially from the wonderful Noah Taylor.

This movie is the best film I've ever seen in my life.

I saw it for the fist time last summer, and has been my favorite ever since.

A coming of age story, this movie is set against the early sixties and what it was like growing up as a teen, in Australia, it tells a story of two teenagers trying to find themselves and eventually each other during one year. The laughter and tears makes this movie a classic, and will be adored by teens for years to come. Danny and Fay, are the best characters and best teenagers you would ever want to know, and have as friends. They become your best friends and when tragedy strikes, you're right there with them.

I hope each and every one of you who will watch this movie and give it a chance, I know I did. The photography alone will entice you to stay and watch the whole thing. With beautiful shots, love scenes, friendships, and just being a teen, this film is my favorite, and will stay my favorite for many years to come, and my voice has already broken.

This film is a genuine and moving portrayal of growing up in Australia. On some level, the film makes the mundane haunting and beautiful. For people wanting to see the 'real' Australia, rather than the Crocodile Dundee myths, this movie is a classic.

Definitely a film for the sentimental thinker. Like most Australian movies, it lacks the big-budget shoot em up special effect American style. It is more laid back, and lets the characters tell their stories. It made quite an impression in Australia when released, but was less successful overseas.

The sequel of this movie, "Flirting", starred Nicole Kidman and Thandie Newton, who played a cameo in "Interview with the Vampire" opposite Tom Cruise.