AVALIAÇÃO DA IMDb
6,8/10
3,6 mil
SUA AVALIAÇÃO
A jovem inglesa Lynda mora com o pai viúvo e a irmã caçula em uma cidade litorânea após a 2ª Guerra. Entretanto, ela acaba ficando grávida de um amigo do seu pai.A jovem inglesa Lynda mora com o pai viúvo e a irmã caçula em uma cidade litorânea após a 2ª Guerra. Entretanto, ela acaba ficando grávida de um amigo do seu pai.A jovem inglesa Lynda mora com o pai viúvo e a irmã caçula em uma cidade litorânea após a 2ª Guerra. Entretanto, ela acaba ficando grávida de um amigo do seu pai.
- Ganhou 1 prêmio BAFTA
- 6 vitórias e 4 indicações no total
Susan Valentine
- Lynda's Mother
- (as Susan Skipper)
Avaliações em destaque
10zax-3
a beautiful film, very human, very funny...... faultless performances all round. Emily Lloyd is wonderful, this is a performance of real depth and adeptness. Wonderfully emotive and poignant whilst being funny. Where are you Emily?
In my country this film did not reach the cinema theaters. I saw it back in 1989 in a small room (100 seats or less) of a private university's Cine Club.
It was a beautiful surprise. I was not expecting such a good film with dark drama and comic moments at one time. And the end is so relaxing after so much trouble... The best to me is the natural way Emily Lloyd acts, whom I try to follow after I saw this film.
In my opinion, she is underrated and not present in many films. Alas! Such a waste of talent and expressiveness.
It was a beautiful surprise. I was not expecting such a good film with dark drama and comic moments at one time. And the end is so relaxing after so much trouble... The best to me is the natural way Emily Lloyd acts, whom I try to follow after I saw this film.
In my opinion, she is underrated and not present in many films. Alas! Such a waste of talent and expressiveness.
An excellent study of austere england in war. A troubled character trying hard to become an adult, with all the petulance associated with teenagers (whatever the decade). It must be a hard film for north americans to watch, no gluto inous consumption, all that human frailty. Good job it wasn't made for them, we European liberals love this sort of thing.
Like most of the above reviewers say, this movie is a good film for a laugh and plenty of outrageous behaviour from the protagonist, Lynda. A terrific reproduction of 50s Britain - right down to the dressing gown patterns and minor consumer products. But what is it she really wants and what does she learn from her foolish behaviour? 'Nothing' seems to be the answer. And this 'nothing' seems to be the major theme. It is a film about folly.
In many ways Lynda's path is boringly predictable: She has no understanding of the man who manipulates her, nor of the future consequences of her rudeness and impulsive behaviour. One wonders what amount of social realism is represented here for an unmarried mother of the period. Poorly paid jobs, lack of support, a low income to further disable somebody with little patience and understanding of the situation she has largely created for herself. A fun attitude, temporary prettiness and her fast-disappearing youth will not go that far.
In many ways Lynda's path is boringly predictable: She has no understanding of the man who manipulates her, nor of the future consequences of her rudeness and impulsive behaviour. One wonders what amount of social realism is represented here for an unmarried mother of the period. Poorly paid jobs, lack of support, a low income to further disable somebody with little patience and understanding of the situation she has largely created for herself. A fun attitude, temporary prettiness and her fast-disappearing youth will not go that far.
This film is loosely based on the early life of Cynthia Payne, an infamous British prostitute and madam who has been the subject of other films. It was the debut for British actress Emily Lloyd, who played Linda aka Cynthia Payne. The film follows Linda's sexual awakening with flash backs to her younger childhood.
Linda is an unhappy child whose mother died when she was young and her father, raising her and her sister as a lone parent, struggles to manage her as she reaches adolescence. Her burgeoning sexuality is ill-fitting with the social mores of the seaside community in which she lives. Her sexual curiosity is innocent and defiant. This makes for much hilarity: in one scene she is taken to see a psychiatrist who asks her what rude words she knows in order to assess her sexual precociousness. Linda is well aware of the psychiatrist's intention and leads him a merry dance. In another she shows her legs and some of her underwear to fellow colleagues in a bus station. Yet there are times during her sexual development that are mundane and also sad. It is apparent that what Linda most wants is love and in particular is needy for love from her father, in the absence of her mother, but he never understands her enough to realise this.
The ending of the film, which I won't share in the review, is typical of Linda's character. She strides with pride and passion across a park and golfing course, yet she is young and vulnerable and somewhat foolhardy. The viewer admires her resolve, her fortitude and fears for her future.
The performances of all are superb. Emily Lloyd and Tom Bell deserve special mention. The plot is simple and effective and the characterisations credible. Although it is set in an England that has passed, the themes and meaning remain relevant for today's young women.
Linda is an unhappy child whose mother died when she was young and her father, raising her and her sister as a lone parent, struggles to manage her as she reaches adolescence. Her burgeoning sexuality is ill-fitting with the social mores of the seaside community in which she lives. Her sexual curiosity is innocent and defiant. This makes for much hilarity: in one scene she is taken to see a psychiatrist who asks her what rude words she knows in order to assess her sexual precociousness. Linda is well aware of the psychiatrist's intention and leads him a merry dance. In another she shows her legs and some of her underwear to fellow colleagues in a bus station. Yet there are times during her sexual development that are mundane and also sad. It is apparent that what Linda most wants is love and in particular is needy for love from her father, in the absence of her mother, but he never understands her enough to realise this.
The ending of the film, which I won't share in the review, is typical of Linda's character. She strides with pride and passion across a park and golfing course, yet she is young and vulnerable and somewhat foolhardy. The viewer admires her resolve, her fortitude and fears for her future.
The performances of all are superb. Emily Lloyd and Tom Bell deserve special mention. The plot is simple and effective and the characterisations credible. Although it is set in an England that has passed, the themes and meaning remain relevant for today's young women.
Você sabia?
- CuriosidadesJust like Serviços Íntimos (1987), the previous movie from writer David Leland, this project was inspired by the real-life figure, Cynthia Payne. This movie focuses on her childhood growing up in Sussex while the other deals with her adulthood.
- Erros de gravaçãoThe U.S. flag on the bandstand during the dance has fifty stars. The U.S. flag in 1951 had only 48 stars.
- Citações
Lynda Mansell: Up your bum!
- Trilhas sonorasThe Robin's Return
(1898) (uncredited)
Music by Leander Fisher
Principais escolhas
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- How long is Wish You Were Here?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Wish You Were Here
- Locações de filme
- Dome Cinema, Marine Parade, Worthing, West Sussex, Inglaterra, Reino Unido(Lynda goes to live with Eric at the Dome Cinema)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 3.283.832
- Fim de semana de estreia nos EUA e Canadá
- US$ 43.611
- 26 de jul. de 1987
- Faturamento bruto mundial
- US$ 3.283.832
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