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Os Desajustados

Título original: Withnail & I
  • 1987
  • 14
  • 1 h 47 min
AVALIAÇÃO DA IMDb
7,5/10
50 mil
SUA AVALIAÇÃO
POPULARIDADE
3.558
1.630
Os Desajustados (1987)
Trailer for Withnail And I
Reproduzir trailer2:06
4 vídeos
99+ fotos
Buddy ComedyComédiaComédia de humor negroDrama

Em 1969, dois atores desempregados e toxicômanos se retiram para o campo para umas férias que se revelam desastrosas.Em 1969, dois atores desempregados e toxicômanos se retiram para o campo para umas férias que se revelam desastrosas.Em 1969, dois atores desempregados e toxicômanos se retiram para o campo para umas férias que se revelam desastrosas.

  • Direção
    • Bruce Robinson
  • Roteirista
    • Bruce Robinson
  • Artistas
    • Richard E. Grant
    • Paul McGann
    • Richard Griffiths
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,5/10
    50 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    3.558
    1.630
    • Direção
      • Bruce Robinson
    • Roteirista
      • Bruce Robinson
    • Artistas
      • Richard E. Grant
      • Paul McGann
      • Richard Griffiths
    • 268Avaliações de usuários
    • 82Avaliações da crítica
    • 84Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória e 1 indicação no total

    Vídeos4

    Withnail And I
    Trailer 2:06
    Withnail And I
    6 Movie & TV Podcasts When You Need a Binge Break
    Clip 4:16
    6 Movie & TV Podcasts When You Need a Binge Break
    6 Movie & TV Podcasts When You Need a Binge Break
    Clip 4:16
    6 Movie & TV Podcasts When You Need a Binge Break
    Withnail And I
    Clip 1:38
    Withnail And I
    Withnail And I: Clip 1
    Clip 1:38
    Withnail And I: Clip 1

    Fotos195

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    Elenco principal17

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    Richard E. Grant
    Richard E. Grant
    • Withnail
    Paul McGann
    Paul McGann
    • ...& I
    Richard Griffiths
    Richard Griffiths
    • Monty
    Ralph Brown
    Ralph Brown
    • Danny
    Michael Elphick
    Michael Elphick
    • Jake
    Daragh O'Malley
    Daragh O'Malley
    • Irishman
    Michael Wardle
    Michael Wardle
    • Isaac Parkin
    Una Brandon-Jones
    • Mrs. Parkin
    Noel Johnson
    Noel Johnson
    • General
    Irene Sutcliffe
    • Waitress
    Llewellyn Rees
    • Tea Shop Proprietor
    Robert Oates
    • Policeman 1
    Anthony Wise
    • Policeman 2
    Eddie Tagoe
    Eddie Tagoe
    • Presuming Ed
    Joyce Everson
    • Lady in Tea Room
    • (não creditado)
    Alecia St Leger
    • Lady in Tea Room
    • (não creditado)
    Fred Wood
    Fred Wood
    • Man In Cafe
    • (não creditado)
    • Direção
      • Bruce Robinson
    • Roteirista
      • Bruce Robinson
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários268

    7,550.4K
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    Avaliações em destaque

    9pjcarline

    British film-making at its best.

    Camden, 1969. Two unemployed actors, Withnail (Richard E Grant), and I (Paul McGann), are facing up to the reality of an empty wine cellar and a harsh comedown following a speed binge. Squalid living conditions and the prospect of life on the poverty line leads 'I' (otherwise known as Marwood), to suggest a rejuvenating break in the Lake District. After Withnail manages to persuade his bizarre uncle, Monty (Richard Griffiths) to part with the keys of his dilapidated cottage, the take the Jag north for a taste of country life.

    Adapting to such an alien environment is an initial challenge to the highly strung Withnail; his predicament is significantly worsened following an altercation with poacher Jake (Michael Elphick). Meanwhile, Marwood is forced to concentrate his attentions to fending off the advances of the lecherous Monty, who has inconveniently come to stay.

    Following an awkward evening, the pair hurriedly return to London and, after a run-in with the Metropolitan Police, return to find Danny (Ralph Brown) has made himself at home. Drugged rodents fill the oven while Presuming Ed fills the bath and Marwood is rescued from the mire - it seems he will crack the boards after all. "Congratulations", Withnail says emptily, as he begins to contemplate life without his straight man.

    Bruce Robinson deserves high praise for creating a rich, debauched world of weird thumbs, phenodihydrochloride benelex, old suits, uncontaminated urine and the Camberwell carrot. WIth a the tightest of budgets, he brings the late 1960's to life. The script is incredibly witty and eminently quotable. Both Mary Selway (casting director) and Bruce Robinson succeeded in bringing dialogue to life with an impeccable choice of actors. Richard E Grant has never come close to his performance as Withnail - his drunken performances are remarkable. Richard Griffiths is as camp as a hat as the overbearing, exuberant Monty, and Ralph Brown is frequently hilarious as the dangerous but lovable Danny.

    This is a film that will never be tarnished by age, and neither is it limited by repeat viewings. It is a very accessible film, despite its largely English humour, and 'Withnail' remains one of the best films about friendship. Certainly a one off, 'Withnail' is a must see film that will not disappoint.
    9Theo Robertson

    Brilliant Brit Comedy

    Strange to believe that WITHNAIL AND I , a film that is regarded as today one of the best British comedies ever made flopped spectacularly on its initial release in 1987 and maybe it's not too easy to see why . In the late 1980s the British film industry was in an absolute mire and the very phrase itself " British film " made a homegrown audience roll its eyes and think of art-house crap directed by Derek Jarman or Peter Greenaway . Any British film no matter the genre or how good it was always got tarred with the same brush in those days .

    Years later actor Ralph Brown ( Danny ) was asked " Why is it a good film ? " to which he replied " Because there's no crap bits in it " which simplifying the truth . WITHNAIL AND I is a very rare type of British comedy since it has been developed to its utmost potential . All too often British comedies of the last 20 years feel like they've been rush released before the script has been used to its full potential but not with this comedy classic because nearly every scene couldn't possibly be any funnier . Everyone has their favourite scene like the one in the Irish bar or the tea room or the one with bull but for me the stand out scene has got to be the urine sample down at the police station . It's also interesting to note that it's a movie without any female characters and feels both homo-erotic and laddish at the same time . It also carries an emotional and poignant impact at the end , something all of us can relate to when our best friend finds a new best friend and we become quickly forgotten

    All the cast are excellent but Richard E Grant is nothing short of superb and it's probably his performance as much as Bruce Robinson's smart script . You could argue that because Withnail is a camp , self centered , mincing thespian Grant is playing an extension of himself and while this may be true he's certainly enjoyable to watch here . Ironically enough I'd have thought he'd be brilliant as the title character in DOCTOR WHO but it was co-star Paul McGann who got the role in the 1996 American TVM and what a major disappointment he was . As it stands both actors will probably be best remembered for their cracking roles in this movie
    triskellion

    Role of a lifetime

    Richard E Grant is simply perfect as Withnail, the addled but undoubtedly well-equipped "actor" on holiday with his pal, the "I" in the title. His soliloquy from Hamlet in the final scene is one of the best readings of that scene anyone's done in film. This is a film with a point, and a great way of avoiding making it too emphatically. I love every character, and every line. When Withnail frantically searches for antifreeze after drinking lighter fluid in a crazed attempt to become drunk, "I" says, "Everyone knows you shouldn't mix your drink!" Superb!
    Infofreak

    Who says a comedy can't be intelligent, sad AND laugh out loud FUNNY?

    The first time I watched 'Withnail and I' in the late 80s I thought it was pretty good, but that's about it. Over the years, and a few more viewings, it really started to grow on me, and recently rewatching it on DVD for the first time I was struck at how brilliant and unique it is. It's a very subtle film really, and most comedy is admittedly a matter of taste, but if this movie clicks with you you'll most likely end up putting it in amongst your all time favourites. To me it's one of the greatest comedies ever. It's intelligent and sad and genuinely laugh out loud FUNNY, something you rarely see these days. The movie is episodic and seems to ramble on, but it's much more than a shaggy dog story, there's an underlying depth and melancholy to it that makes it something special. Richard E. Grant has never been better than this. Playing Withnail and writing his wonderful autobiography cement his place in film history as far as I'm concerned. Paul McGann is also excellent, and there are lovely performances from Richard Griffiths, Michael Elphick and Ralph Brown. EVERYONE is good in 'Withnail' but it's still Grant's movie all the way. He is just utterly brilliant! 'Withnail and I' is one of THE great British movies, and comes with my highest recommendation.
    bruce-446

    There is no other movie....

    There is no other movie that I have seen where almost every line of the screenplay is memorable. This is a beautifully crafted script and many of the lines in the film will live with you forever.

    But of course, it is the way the words are spoken that makes them so memorable, and this is where Marwood and Withnail take you through a journey of almost impeccable desperation, confusion, anxiety, freedom and ultimately love, loss and redemption.

    It's in this field of complex and beautifully woven emotion that all the aspects of the film become greater than the sum of it's parts.

    To hear Withnail quoting Hamlet in the rain at the end of the film is one of the most underrated moments of modern cinematic history-it's stunning.

    If you've ever spent time in London, been naughty and been caught in a period of uncomfortable and chaotic transition this is a film that will capture you.

    This film is about 'youth, beauty and decay' as Uncle Monty would say.

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    Enredo

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    Você sabia?

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    • Curiosidades
      The first preview screening appeared to be a total disaster - the audience sat there stony-faced, never laughing once. It was only after the screening had concluded that a distraught Bruce Robinson discovered that the audience was comprised entirely of non-English speaking German tourists who were all staying at a hotel nearby.
    • Erros de gravação
      While driving to Cumbria, the car only has one headlamp, however at one point the camera shows the road ahead, and two beams of light show up on the road ahead.
    • Citações

      Withnail: Are you the farmer?

      Marwood: Shut up, I'll deal with this.

      Withnail: We've gone on holiday by mistake. We're in this cottage here. Are you the farmer?

      Marwood: Stop saying that, Withnail! Of course he's the fucking farmer!

    • Cenas durante ou pós-créditos
      The end credits contain the following: "...& I Paul McGann" The triple dots are as it follows Richard E. Grant's credit as Withnail (hence matching the movie title). While McGann's character's name is never referenced in the movie, either spoken or written, it has been identified as Marwood in materials issued in relation to the movie.
    • Versões alternativas
      The original cinema version of this film was shorter than the one that has since been released on video, laserdisc and DVD. Changes include:
      • Marwood's opening voice-over has been redubbed.
      • Marwood's speech about his thumbs having gone weird has been cut. The scene thus goes from the line "I don't feel good" to "Look at my tongue".
      • Withnail's "I'm gonna pull your head off" has been cut.
      • Danny's anecdote about The Coalman has been cut.
      • Some dialogue concerning Withnail's current work and Marwood also being a thespian has been cut out of the scene at Monty's home.
      • The scene of Marwood slipping in the mud and then angrily persuading Withnail to have another look at the shed has been cut.
      • The first part of Withnail and Marwood's conversation with the major, concerning Withnail having been in the Territorials, has been cut. The scene in this version simply dissolves from Withnail and Marwood walking to the pub with Marwood's voice-over to the major bringing up the subject of Jake. Marwood's line about why Withnail lied to the major has understandably also been cut.
      • The word Saveloy has been redubbed to Sausage.
    • Conexões
      Featured in Siskel & Ebert & the Movies: RoboCop/The Squeeze/Snow White and the Seven Dwarfs/Withnail and I (1987)
    • Trilhas sonoras
      A Whiter Shade of Pale
      Performed by King Curtis

      Written by Keith Reid, Gary Brooker and Matthew Fisher (uncredited)

      1969 Published by Westminster Music Ltd.

      Original Sound Recording made by Warner Bros. Records

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    • How long is Withnail and I?
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    Detalhes

    Editar
    • Data de lançamento
      • 5 de novembro de 1987 (Brasil)
    • País de origem
      • Reino Unido
    • Central de atendimento oficial
      • Handmade Films Website
    • Idiomas
      • Inglês
      • Latim
    • Também conhecido como
      • Withnail y yo
    • Locações de filme
      • 55 Chepstow Place, Bayswater, Westminster, Greater London, Inglaterra, Reino Unido(Withnail and Marwood's flat)
    • Empresas de produção
      • Cineplex Odeon Films
      • HandMade Films
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • £ 1.100.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 1.544.889
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 6.903
      • 27 de abr. de 2025
    • Faturamento bruto mundial
      • US$ 2.204.198
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 47 minutos
    • Cor
      • Color
    • Mixagem de som
      • Mono
    • Proporção
      • 1.85 : 1

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