Top Model: Acompanhantes de Luxo

Top Model (1988)

** (out of 4)

Kristin Rose plays a writer who goes undercover as a prostitute and nude model so that she can do research for her newest novel. This film is known as Eleven Days, Eleven Nights 2: The Sequel but it's also known as Top Model, which is probably the best title to be used. This here is basically a remake of Eleven Days, Eleven Nights, which became a huge box office hit and put D'Amato back on the map for a short time before he ended his career making hardcore porn. I wasn't too thrilled with the original film but this one here manages to be somewhat better due to some nice humor in the form of the strange men that come in and out of the woman's life. That includes a creepy little photographer who's always wanting something more. D'Amato's main woman, Laura Gemser, has a small role here and is also in one of the strangest scenes as a cowboy wants her to ride him like a bull. And yes, she's partially naked. Rose doesn't come off as the best actress in the world but this is a softcore film so the most important thing is her body and she has a great one to look at throughout the film. The movie itself runs way too slow and goes on for way too long but there's certainly a lot worse out there.

this film has been made by joe d'amato aka Aristide Massaccesi with kind of european sense of social life and interpreted by my favour actress Luciana Ottaviani aka Jessica Moore that she plays a role as top model and in reality she is a writer with the role of Sarah Asproon that Aristide Massaccesi ( Joe d'Amato) wrote in the different names one of is Sarah Asproon it is a very nice film and deserves an excellent as reward. unfortunately it is very sad that Aristide Massaccesi is dead otherwise he would direct other film to let the people to applause his talented trick of magic

I love this movie. Okay, so maybe it looks like just a cheap, italian porn flick but there's so much more to it. There is something vaguely disturbing and sinister about this film that it makes it that much more erotic. Basically, its the story of a paper-back writer who goes undercover as a prostitute to research for her steamy new novel. Along the way, she has sex with lots of greasy, italian men, degrades herself in front of assorted perverts and turns a gay man straight. If anybody could straighten out a gay man it would be Jessica Moore(or whatever her real name is). The sleazy, new orleans ambience of this film is terrific as you can almost feel the heat, humidity and sex. There are some striking, disturbing visuals, like when Moore does some kinky posing with mannequins for a photographer. There are some clowns thrown in, which always gives a film a sinister edge, and lots of homoerotic undertones(or is that overtones?). Anyway, go out and get this movie and wallow in its sleaze and perversity.

An erotic love story.

Big Joe used his usual plot devices here.

Prostitution ring disguised as a modeling agency services wealthy clients of all types. I couldn't tell if this was filmed in the U.S. or Europe. But wherever it was filmed, it looked great.

Seeing Mark Shannon play a cowboy was actually funny. But do cowboys really call every woman they meet 'filly?'

Laura (Goddess Supreme) Gemser matures in her roles and actually plays the boss of women instead of just a rebel. I hated the fact that she cut her hair. She looked better with it loooooooong. She's still a Goddess however.

The sub-plot about the young lad dealing with potential homosexuality was a tad weird.

But the lass in the lead looked GREAT. Her massage scene with the Turk left me gasping.

In the mid-1980s Joe D'Amato made largely soft pornos and this is one of the better ones, despite being filmed in the US (his Italian films tend to be better). Following the commercial success of "11 days, 11 nights", this was marketed as a sequel, but it is rather more like a remake, and it is a slight improvement on the original. Both films were clearly inspired by "9 and a half weeks" (there is also a nod to Zulawski's Femme Publique) but D'Amato changed the story by putting the woman in control, a modification which works very well. No cinematic masterpiece, but a superior example of the genre.