Anjos de Aço

IRON ANGELS is Hong Kong's answer to CHARLIE'S ANGELS, as a pair of fighting women go up against a sinister drug smuggling organisation in a bid to take down the kingpin in charge - who just happens to be a woman. The film is chock full of outstanding action sequences in the form of car chases, shoot-outs and of course martial arts bouts, and it's fair to say that this is top stuff. Certainly there's rarely a dull moment here amid all the death, violence, and suspense.

The delectable Moon Lee wins all of the attention as the lovely-looking crime fighter who turns out to be a deadly combatant in the fight stakes too. She needs to be: the villain of the piece is none other than Yukari Oshima, who invests her role with a real deadliness. Support comes from the welcome likes of David Chiang and in particular Hwang Jang Lee, who gets something more developed than the usual stock bad guy role, which I was very happy with. Inevitably the story is dominated by kick-ass fight choreography and a wowzer powerhouse fight climax that has to be seen to be believed.

i'd have given this movie a higher rating, but i prefer subtitles to dubbing. that said, the action scenes were aces and the subplots were, as usual for HK flicks, cringe-inducing enough that you were ecstatic when they got back to the martial arts. a neat trick with concrete stands out.

also, i found myself mooning for moon lee - don't want to mess with that angel. the set-up did seem like a take-off on that old fave charlie's angels, but with a co-ed cast. it was nice to see that the women could handle themselves as well or better than the men.

Yeung's poppy fields are torched by a law enforcement task force, she retaliates by ordering police officials assassinated. The Angels break into Yeung's corporate offices, eventually tracing her headquarters. After Alex Fong's character is captured and held by Yeung, the Angels mount an assault to rescue him. A complex sub-plot involving an armored car bullion robbery eventually leads the Angels to a final showdown with Yeung and her men.

This film tends to get some respect, and though it has some explosive action, much of the plot is taken up by a lot of buildup, characters appearing, talking and some spying - to be honest, it was just about watchable for the first 45 mins before going up a gear, where some of the finest fights and stunts are performed. This is quite violent film, containing some sadistic scenes of torture, courtesy of Cynthia Luster. She steals every scene she is in. She's so nasty that you just can't wait until Moon Lee and co. Give her a good send-off. Not as good as the sequel, but it's ok with an intense last thirty minutes.

I had heard a lot of good things about "Iron Angels" and how it influenced the Hong Kong film industry so much that for years they were trying to cash in on its success by attaching the world "Angels" to a series of similar films. Having finally seen it, I must say I was a bit underwhelmed. Don't get me wrong, the action scenes ARE spectacular and explosive, particularly a massive shootout (we're talking about HUNDREDS of bullets here) that ends with a very high jump from the roof of a house, and the climactic fight between Moon Lee and Yukari Oshima that gets seriously bloody and brutal. It's the film-making itself that leaves something to be desired: there are too many points where the film seems to lack a smooth flow from scene to scene, and becomes hard to follow. Obviously a must-see for Girls-With-Guns fans (Lee, Oshima - who brings a touch of perversity to her villainous role - and Elaine Lui all mean SERIOUS business in action), but not quite a classic of the genre IMO. Try to see it in the "Iron Angels" version, as the one titled simply "Angels" has been trimmed in moments of extreme violence. (**)

This is a stunning, epic action film with choreography and direction that is as close to perfection as anything I've ever seen.

It is a hard, mean, brutal work that also features some of the best girl-on-girl fighting ever burned to celluloid.

It's hard to know where to start praising it. Everything works. The basic plot line is a little CHARLIE'S ANGELS-like, but don't be fooled into thinking there's anything frivolous within these film cans.

The opening gun battle in Burma's Golden Triangle sets the grim, nihilistic tone. As heroin poppies burn, we are whisked to Hong Kong where our "angels" and the chief villain, Oshima Yukari, are introduced.

Directors Raymond Leung and Teresa Woo captain this project with great assuredness, style and a freshness in the staging that is staggering. The camera moves, cutting and choreography are of the highest order, as is the terrific synth score and the sharp sound design.

Oshima, a sexy, vicious villain, demonstrates a penchant for torture that contrasts with the more girlish, soft personalities of the "angels". One angel, Moon Lee, is absolutely amazing in her demanding role, coming across as both sexy and totally insane.

More noteworthy scenes: an ultra-violent fight between two "friends" in a parking garage; a raid on a country hideout; Oshima's final duel with an able male opponent.

In the Eighties they spent big bucks on material like this. What a golden age it was.