Sweet Lorraine

The final season of a Catskill hotel that has seen its best days provides the framework for this film, featuring Maureen Stapleton as the owner who must decide whether or not to sell, Trini Alvarado as her granddaughter who wishes to soldier on as a partner, and a raft of others performing as employees of the hotel whose activities comprise numerous subplots. The work is highly episodic, but most scenes are permitted to pass with virtually no development, leading to a rather downbeat feeling in the viewer, with the significance of reminiscence for the players being largely unappreciated; an entirely unfocussed exercise.

Although I personally think this movie is a 10, I have to give it an 8, because there are a fair number of lines in this movie that will cruise directly over the head of any viewer who has never been to the Borscht Belt.

I used to work at a resort in the Catskills in the summers of the 80's, and every time I watch this movie -- I've got goose bumps from start to finish. It's accurate. Dang accurate. Yes, I too used to wave and yell hello to Jerry. Once airfares became affordable to "normal" people, East Coasters started vacationing all over the country, and every single one of the grand old resorts of the Catskills went through a period of struggling to maintain guest counts, afford repairs on demand, etc. etc. A few have managed to survive and weather the changes. Others went fallow for many years before being purchased and turned into vast corporate golf resorts. Still others remain fallow to this day. Nope, I'm not going to spoil which of these three categories the Lorraine fits into. You'll have to watch to find out.

As Lillian, Maureen Stapleton captured the quintessential Catskills resort matron. Every "character" I ever worked with up there, I saw a piece of them in one or another of the characters in this movie. The hotshots, the quiet workers, the social butterflies, the lovable curmudgeon head chef, etc. etc. The Lorraine was no bed-and-breakfast. "She" was a full fledged resort with a dining room that could sit a couple hundred and enough guest rooms to accommodate even more, dance classes, calisthenics, sports, evening variety shows, etc. etc. Like a page straight out of Ulster County history.

As Molly, Trini Alvarado really brought out the yearning that was in all of us in the 80's -- to recreate the bygone glory of the Catskills all of our parents and grandparents waxed nostalgic about, that real never-give-up spirit. As Sam, Lee Richardson portrays a cook for whom I would be delighted to return to the iceline -- hard-driving but warm-hearted.

I'm glad to see new life being breathed back into the region now, but it will never again be like the old days when the resorts were owned by families, the staff became family, and time hung in a bubble from Fathers Day until Labor Day every single year. The warmth was so genuine, and this movie captures it. If it hadn't, I would feel as completely ambivalent toward this movie as I do toward Dirty Dancing.

This is a heartwarming story of human hearts, a couple of love stories between characters, as well as each main character's own little love story with the Lorraine, wrapped around a bit of a history lesson looking into a vital but bygone period of East Coast life. For the viewers who EVER visited the Borscht Belt during its heyday, or particularly during its decline, this is a must own movie! Pocono folks will understand it too!

If you're looking for the tale of a formerly glorious resort/hotel now shut-down, with wild conflict and action, sorry, but you'll have to watch The Shining for that.

If you know someone who used to summer or work in the Catskills or Poconos and just can't seem to understand what was so magical about the place for them -- this movie will show you that magic better than any other out there. If you want "Hollywood", watch Dirty Dancing; if you want a heartwarming story served atop a heaping helping of the REAL DEAL, watch Sweet Lorraine.

A relatively quiet and simple movie, but in a good way that leaves the viewer with a nice, somewhat melancholic wistfulness.

The movie excellently captures the world it portrays (one summer holiday season with the owner, staff and guests of a Catskill hotel that has seen better days). As others have noted, Maureen Stapleton makes the movie worthwhile on her own, and it's a special pleasure for anyone who has an appreciation for the history of such resort hotels, and the role they played giving many entertainers a start in "the old days."

The Nat King Cole song of the same title captures in song much of what the movie captures on film.

One summer in the 1960's, 3 girls from Florida packed a car and went to work in a family resort in the Poconos. For me it was utter culture shock. South Florida, and I don't mean Miami, was so very different. I yet remember the 3 year old twins from New Jersey who asked their dad, "Is this the country?" But so much of this movie was like my summer. The relationship of the college kids to the owners/family. The motley group of kids working at the resort. I happened to have a job as a chambermaid, which had real advantages over being a waitress. We were off work for the day after the rooms were cleaned! Our inn was no way near as large, the entertainment was even more corny, but the the experience, the memories. They are golden. It was a great summer job, a place to meet people from very different backgrounds, to see new places. Thanks for "Sweet Lorraine".

Small, sweet, enchanting movie. It's real nice to see a movie with original characters, no explosions and no big stars. Drama that puts a smile in your face.