Os Trapaceiros da Loto

"The Squeeze" is one of those movies that sadly doesn't work. Keaton's colorful performance can't save a convoluted script that tries to juggle wild comedy with thriller elements. There is a line in the climax that oddly summarized the film in a nutshell.

"Its seems like your imagination has finally outpaced reality," one character says.

It was so uncanny how well this phrase described the film that I began to think the writer, Daniel Tiplitz, was making a reference to himself! "The Squeeze" is a film with a realistic grounding, but is stuffed with outlandish, completely far-fetched ideas. Watching the film felt like viewing a dream of seeing the movie itself (if this makes any sense at all). I realized this when I tried describing scenes of the film and found it was much like describing a dream.

It starts out pleasant enough with a shady poker game where Michael Keaton hilariously tries to bluff the other guys at the table, but doesn't manage to be the least bit convincing. It was an acceptable beginning, but things were thrown completely off course when he gets home to his apartment that has a large rhino made out of TV screens sitting in it!

Anyway, Keaton gets mixed up with a young PI (Rae Dawn Chong) who uncovers lottery corruption. They try to piece a muddled mystery together, but the film is so out-there that the deeply buried story becomes lost. This isn't exactly a problem, however. I had an enormously fun time viewing the film, no matter how much it descends into bomb territory.

Unfortunately, nothing can stop the fact that this is pretty bad movie. It has a confused story, needless characters and some overly-violent scenes.

There is some fun to bad had here, and Michael Keaton is a riot as usual, but it simply doesn't work.

(2 out of 4)

Michael Keaton is an installation artist in the glamorous world of Staten Island's disco scene. When Rae Dawn Chong serves a summons on him, a corpse turns up in his apartment, and everyone wants a mysterious black box he finds, it turns into the sort of laugh-free, frantic action comedy that seemed to be all too common in the era. It concentrates on destruction as funny.

It's clear that a lot of money was spent on the production, and the set piece is early on when a battle breaks out in the middle of the disco, but the vague characters aren't appealing, and there isn't any chemistry between the leads.

This might have made a good TV episode, and it's entertaining enough, but it's nothing special. If you were looking for chemistry between our two leads, let me put it this way. If good chemistry advances science without causing damage, Harry and Rachel working together are what happened to Ruben's club. That's not to say they don't have some good moments.

There is potential for this to become a romantic buddy detective comedy. As I listened to an online radio station while typing this, I was hearing the theme from "Moonlighting", but this certainly isn't that. In fact, the movie takes a while to get to the point where it will achieve anything close to that.

Michael Keaton is a respected actor. That's now. This was then. I'm not saying he's a bad actor, but he just doesn't show the potential here to become what he is now. He is likeable enough and shows a lot of intelligence.

Rae Dawn Chong has her good moments. Her excitement over getting a major case is one of these. Rachel is tough and smart but cute.

John Davidson is exactly what you might expect, a used car salesman type who is too full of himself.

There is also a good-looking billionaire who created the device, but I don't remember his name. The actor did a good job.

After something terrible happens at Ruben's club, an exciting chase through New York City, Staten Island and New Jersey results.

The music in this movie is terrible 80s garbage, except for all the great music toward the end with the major lotto prize giveaway. But one of the performers of the bad music actually does an impressive job as an actor in the film. Meat Loaf is the frightening tough guy Titus, who doesn't say any words other than interjections such as "Ow" until his final scene. where he says one intelligent sentence. With little more than an evil smile, he manages to be one of this movie's standout characters. I don't remember his partner's name but he's good too.

The scenes leading to the climax are quite entertaining.

Yes, it's formula. No, it doesn't quite achieve anything remarkable. But I was entertained.

Michael Keaton is a genuine comic actor; as this unusual buddy comedy-thriller caper goes on to showcase it. His likeable combination with Rae Dawn Chong (private PI) is naturally brought across. Keaton nails his down-on-his-luck character looking to score big to utter perfection. It's the two leads, witty banter and some amusing support parts (Meat Loaf's novel sweaty henchman) that make it watchable.

They need to be, as the contrived plot is uninteresting and very convoluted. The script is just as perplexing. Never does it fuse together. Something about a corrupt multi-million dollar lotto ring scam with a murder-mystery angle. One or two spontaneous set-pieces work, but for most part the direction remains quite pedestrian.

Usually I like these types of dark comedy-thrillers, where the protagonist/s faces danger around nearly every corner and encountering odd situations along the way. It's just the story and direction needs to match that level of excitement, in which case it falls short. Real short. You can easily see why this film is forgotten.

Pulling off the crime drama/rom-com/suspense mix is no easy task. This one, if given a chance, is not nearly as bad as the citation its often been given. The Squeeze was prototypical of others of its time, starting with the "every guy" who suddenly gets caught in the middle of corruption and intrigue, then spends 90+ minutes doing his best to stay one step ahead of, well, death. It would be very easy to find a lot of things to critique about "Squeeze," as previous reviews have stated. But it also has a lot going for it.

Michael Keaton was a hot ticket at the time, and the character was a good fit for his on-screen strengths. Harry has that somewhat cocky exterior that thinly veils a very insecure, questioning inner self, often masked by not taking himself too seriously. Its been said Jenny Wright was originally to play Rachel, and no offense to her, but after seeing this its hard to imagine a better fit for the role than Rae Dawn. She quite naturally pulls off what too many female lead characters try more forcefully, yet less successfully, to do now; she's a great combination of adorable and feisty, fun-loving, yet tough. Sure, you check your brains at the door, knowing that in reality the leads should have been dead 10 times over. But what this film most has going for it is {1} decent, believable charisma between Keaton and Chong, and {2} genuinely likable lead characters -- two things so often missing from today's movies. It has charm. It has a bit of a dark side without being overly profane or violent, so as to not take away from that charm. As a result, it keeps you interested.

This was a favorite from 3 decades ago I had forgotten about, until I stumbled upon it on late night telly recently. I'm glad I did. If you're feeling nostalgic for films that had these aforementioned elements mostly missing today, and can track this one down, I think you will be too.