Frances

1982 is such a competitive year for actresses, most prominently is Meryl Streep's critics- consensus "the all-time best female performance" and Oscar-crowning SOPHIE'S CHOICE (1982), which shamefully I haven't watched yet. Thus unfairly other contenders didn't stand any chance to beat her for that, but I never doubt that it was a nip-and-tuck between Streep and Lange in her tour-de-force sensation FRANCES.

Frances Farmer is hardly a household name among film boffins, she was a shooting star in the Tinseltown, whose defiant nature is destined for hemming herself as a fair game to the studio persecution, and the inhuman therapeutic treatments she receives in the mental hospitals are fierce indictment of our society's callous depersonalization under the aegis of medical remedy, although whether the lobotomy operation was executed still lacks of conviction.

Farmer exhibits her rebelliousness from the very start with her religion-defying speech "god was gone" when she was simply a high-schooler, a fearless doll under the high-handedness of her control freak mother (Stanley), Lange's rendition is begging description, an almost 30 years age-range and 140-minutes running time thoroughly proffers her an once-in-a-lifetime stretch to embody herself into this anguished persona, she minutely delineates how the life-force has been mercilessly ripped off her inch by inch and a belated and vehement face-off with her mother is the most theatrical moment and is the apotheosis of a heart-wrenching vicariousness, bravo to both Lange and Stanley!

Henry York (Shepard), a fictional character as the only man who truly understands Farmer and loves her unconditionally is the narrator, this concoction is a poetic license to add some solace in Farmer's wretched life and a considerable move for its audiences' sake, but meanwhile it barely serves a slush albeit Shepard and Lange work wonder together, the make-believe default also makes no room to expound why those two lovers could not be together, an over- romanticized tone may counteract the despondency of the film but it is also an untimely reminder of how close itself could be as brave as its leading lady Jessica Lange!

I hadn't really remembered who Frances Farmer was until this poignant film was made. This is a rags to riches to insanity true story of Farmer's life. Lange is supported by Kim Stanley who plays Frances' mother Lillian (both were nominated for a 1983 Academy Award!) and Sam Shepard, who plays Harry York. Frances Farmer was ahead of her time in the ways she opinionated herself and the outspokenness with which she lived her life. Treated very badly by the same studio system that made her a star and her own mother's betrayal, Frances' descent into madness and Lange's impeccable acting makes this movie a must to see and, perhaps, own.

This film parallels the Biography Channel's version of Frances Farmer's life and career. Neither gave a definitive answer as to the cause of this actress' problems.

Was it inability to cope with society due to her own high standards of artistic integrity? Or was it a mental flaw that grew more intense as she got older? It was James Jones (in "From Here to Eternity") that wrote: "Maybe in the days of the pioneer, you could go your own way. Pvt. Pruitt, but today you gotta play ball." That obviously implied demonstrating things like compromise, humility, condescension, flexibility, and sundry social graces.

It also implied that one can "be right" and still be very lonely.

Frances apparently chose the wrong profession, if she expected to "be right" so often. She'd have been better off on a farm or ranch, engaged in solo activities rather than the group endeavor of acting.

As it was, she seemed never to have learned to work professionally with colleagues. From her standpoint, she was indeed "right." She constantly exposed the hypocrisy, insincerity and frailty in people and "the system." Yet the price she paid was a loss of what mattered to her: a career that was nourishing and satisfying.

In '82 Jessica Lange followed up her fine Oscar-winning performance as Julie Nichols in "Tootsie" with this incredible portrayal of Farmer in "Frances." The legendary Kim Stanley was her mother and Sam Shepard rendered a perceptive performance as Farmer's close friend.

Not an easy film to sit through, the quality of acting by this trio is exemplary. As much up to date today as when first filmed. Riveting performances by all. --harry-76

I watched Frances because I seemed to remember that Kevin Costner had a tiny part at the start of his career and I'm a big fan. I didn't expect necessarily to see anything startling other than what it said on the tin, a film about the real life movie star from the 40's, Frances Farmer, as played by Jessica Lange. I've always admired Jessica Lange as a really good actress but she's never blown me away like some stars do. At least, not until now. Now watching this 1982 movie in 2014 (a bit late, I know), she's completely reversed my previous thoughts about her. Her performance in this picture has to be one of the most dynamic, hypnotic acting stints I've ever seen by an actress. It reminded me a bit of Faye Dunaway in Network (where she won the Oscar). Looking this movie up I saw that Jessica was beaten in 1982 by Meryl Streep in Sophie's Choice, but if ever an actress was robbed of the Oscar, this performance was it. I'd urge anyone who loves acting at the highest level to watch this movie, just for Jessica Lange's performance, although there is also a very strong backup show by Kim Stanley as her mother. Very long at two and half hours, but I couldn't take my eyes off Jessica Lange's face. It's hard to detect between when she's being charming and when she might suddenly explode. Mesmerizing.

This is an important film, and I am compelled to write a few lines to attract other viewers to see it. Sensitive music by John Barry to set the mood, yes it is a love story really, I enjoyed seeing Jessica Lange and Sam Shepard, they work well together. What can you say about the talent of Jessica Lange? I could not take my eyes off her. Impeccable acting. She is so stunningly lovely,as was the Frances Farmer of the story, they are much alike both breathtakingly beautiful. No other actress could have played this part in 1982. A non conformist ahead of her time, today Frances would be almost normal, the Frances Farmer story is sad and infuriating,such a waste... the child pressured by her mother to be everything the mother wanted for herself, to be a Hollywood star, the ineffectual father who could have stepped in to determine a less shattering future for their daughter. How often do we see that the wrong kind of parental influence on their children can lead to disastrous results? I found Frances courageous and admirable in the face of evil and adversity. The sadness felt by the wonderfully supportive Harry York (played by Sam Shepard) toward the end of the movie brings tears to the eyes, she has forgotten how to love, but she has survived... only to die alone in 1970. Breaks my heart. True to life, caring and detailed movie. Best actress for Jessica Lange, in my view, I noticed her in King Kong and I knew she was going to make it big. Highest marks and comments from malcotoro, Toronto, Canada