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5,1/10
7,2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaIn the distant future, a federation marshal arrives at a research lab on a remote planet where a genetic experiment has gotten loose and begins feeding on the dwindling scientific group.In the distant future, a federation marshal arrives at a research lab on a remote planet where a genetic experiment has gotten loose and begins feeding on the dwindling scientific group.In the distant future, a federation marshal arrives at a research lab on a remote planet where a genetic experiment has gotten loose and begins feeding on the dwindling scientific group.
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Expect little from it and you'll be please with what you get. I was. 'Forbidden World' is a quickly produced Roger Corman low-budget b-grade fable that's all in for exciting and junky exploitation. Nice. So I see it tagged as an 'Alien' clone
yeah kinda. Ah definitely. This time it's not an outer-space visitor, but a mutant of genetic work which goes through transformation cycles and then making ends meat of a terrific b-cast. Out of all of the films of this ilk that decided to ride the wave of 'Alien (1979)' success, from what I've seen this would be my favourite of the bunch. Still need to get my hands on the other Corman produced Sci-fi / horror cult fave 'Galaxy of Terror (1981)'.
The story centres on intergalactic trouble-shooter Mike Colbey being sent to a barren world were a group of scientists in remote station are researching genetic research without restrictions. However one of their experiments has got out of control.
It's rather straightforward, even though the script does throw around many scientific exchanges but counterpointing that is many trashy dialogues. But it seems to know what it is and goes about it in the right manner. After such a disjointed beginning (like from some other movie), it hits its strides and keeps a quick tempo, as it moves through in no time. Where this draws the most interest from is its crude and gooey make-up effects. It's daring, outrageous and literally had guts. There are a few unforgettable sequences and it's a sight to behold in the way they finally depose of the mutant. Ridiculous, but clever. However talk about leaving a icky mess! They don't make them like this anymore. Although it did get hard to see with moments of hectic editing techniques (though some odd inclusions added something different), dim lighting composition and fuzzily intrusive photography. This stark visual quality helped cemented the forebodingly moody and suffocating atmosphere within the tautly limited set-designs. Susan Justin's electronic score is elastically thumping with a real seductive pull to it. Some might call it irritably cheesy, but I loved the main theme. Allan Holzman's direction is bitingly simple and it works. Adding graphic violence (like the melting tissue in to sloppy gruel) and constant sleaze (with actresses June Chadwick and Dawn Dunlap showering together) in a pulsating package of genuine competence. The mutant (who turns peeping tom at one stage or another) with its massive head and glaring teeth looks great and terrifying. The cast do the job of what's asked from them. Jesse Vint is fine as Mike Colbey, although he spends more time flirting and sleeping about with the women. Fox Harris hams it up as one of the scientists and the sumptuous June Chadwick gives a sharp performance as scientist too. The gorgeous Dawn Dunlap spends a lot of the time screaming her head off, running around corridors and baring flesh. I guess the character is just keeping to tradition. Linden Chiles, Michael Bowen and Scott Paulin cap off a modest support cast.
Cheap and tacky, but highly enjoyable kitsch.
The story centres on intergalactic trouble-shooter Mike Colbey being sent to a barren world were a group of scientists in remote station are researching genetic research without restrictions. However one of their experiments has got out of control.
It's rather straightforward, even though the script does throw around many scientific exchanges but counterpointing that is many trashy dialogues. But it seems to know what it is and goes about it in the right manner. After such a disjointed beginning (like from some other movie), it hits its strides and keeps a quick tempo, as it moves through in no time. Where this draws the most interest from is its crude and gooey make-up effects. It's daring, outrageous and literally had guts. There are a few unforgettable sequences and it's a sight to behold in the way they finally depose of the mutant. Ridiculous, but clever. However talk about leaving a icky mess! They don't make them like this anymore. Although it did get hard to see with moments of hectic editing techniques (though some odd inclusions added something different), dim lighting composition and fuzzily intrusive photography. This stark visual quality helped cemented the forebodingly moody and suffocating atmosphere within the tautly limited set-designs. Susan Justin's electronic score is elastically thumping with a real seductive pull to it. Some might call it irritably cheesy, but I loved the main theme. Allan Holzman's direction is bitingly simple and it works. Adding graphic violence (like the melting tissue in to sloppy gruel) and constant sleaze (with actresses June Chadwick and Dawn Dunlap showering together) in a pulsating package of genuine competence. The mutant (who turns peeping tom at one stage or another) with its massive head and glaring teeth looks great and terrifying. The cast do the job of what's asked from them. Jesse Vint is fine as Mike Colbey, although he spends more time flirting and sleeping about with the women. Fox Harris hams it up as one of the scientists and the sumptuous June Chadwick gives a sharp performance as scientist too. The gorgeous Dawn Dunlap spends a lot of the time screaming her head off, running around corridors and baring flesh. I guess the character is just keeping to tradition. Linden Chiles, Michael Bowen and Scott Paulin cap off a modest support cast.
Cheap and tacky, but highly enjoyable kitsch.
Look. Don't expect top notch quality here. This is your typical straight to VHS shlock. I used to eat this kind of film up as a kid on Cinemax. To be honest, this type of filmmaking is hard to come by these days. The VHS/Rental store era was a special time. Shame that this isn't a thing anymore, and streaming sites are more concerned with ensuring top quality (or close to it) film fare. Do yourself a favor. If you come across these old Roger Corman productions, watch it. It may be tough sometimes, but the payoff is worth it.
I first saw this in the late 80s on a vhs.
Revisited it recently on a fast forward mode.
The movie has a lousy sex scene mixed with a lousy 'cannot make out wots going on' kill scene.
Dawn Dunlap's nudity is the only saving grace. She looks more like a younger Denise Richards.
The fight towards the end with the alien looks as if the guy is fighting a bull or something but that too is ruined with shaky cam n reddish flickering lights.
Were the end flashback scenes required?
Revisited it recently on a fast forward mode.
The movie has a lousy sex scene mixed with a lousy 'cannot make out wots going on' kill scene.
Dawn Dunlap's nudity is the only saving grace. She looks more like a younger Denise Richards.
The fight towards the end with the alien looks as if the guy is fighting a bull or something but that too is ruined with shaky cam n reddish flickering lights.
Were the end flashback scenes required?
Forbidden World isn't exactly a stellar film, but it sure is an entertaining one! This shameless Alien rip-off is packed to the brim with gore and nudity and never pretends to be more than just an hour and seventeen minutes of pure escapism.
For a low-budget movie, the research station set doesn't look bad at all. There might not be much more than a few corridors, some sleeping quarters, a sauna (yes, a sauna, guess why) and a laboratory, but it's quite an atmospheric place. Also, the practical effects are rather good, with bloody corpses that ooze slime from every pore and a shape-shifting monster (bearing more than a passing resemblance to Alien's Xenomorph) to admire. The catchy synth soundtrack is also worth mentioning.
If you're looking for a serious sci-fi horror movie, steer well clear of this film, but if you're in the mood for a bit of trashy fun, you could do a lot worse than Forbidden World!
For a low-budget movie, the research station set doesn't look bad at all. There might not be much more than a few corridors, some sleeping quarters, a sauna (yes, a sauna, guess why) and a laboratory, but it's quite an atmospheric place. Also, the practical effects are rather good, with bloody corpses that ooze slime from every pore and a shape-shifting monster (bearing more than a passing resemblance to Alien's Xenomorph) to admire. The catchy synth soundtrack is also worth mentioning.
If you're looking for a serious sci-fi horror movie, steer well clear of this film, but if you're in the mood for a bit of trashy fun, you could do a lot worse than Forbidden World!
Producer Roger Corman was kind of like the Italians in his propensity for doing low-budget knock-offs of Hollywood hits. But one kind of film neither he nor the Italians (I saw this back-to-back with the similar Italian movie "Escape from Galaxy 3") probably should have attempted were these sci-fi extravaganzas. This movie is less notorious than Corman's previous space film "Galaxy of Terror" (where a female character is raped by a huge, slimy space worm and Erin "Happy Days" Moran's head explodes), but it's about the same quality.
Corman probably should have, at least, stuck to ripping off EITHER "Star Wars" or "Alien", but instead he wastes most of his meager budget in a pointless and risible spaceship battle scene at the beginning before settling into a fairly creative "Alien"-type story where a space crew in a remote outpost are menaced by a horrible creature. But the twist is it's not an alien, but a spontaneously mutating monster they created in a misbegotten experiment to deal with a food shortage back on Earth.
Jesse Vint is kind of an odd leading man for one of these kind of movies as he's mostly famous for 70's "hicksploitation" films like "Macon County Line" and "Black Oak Conspiracy". My favorite performances though come about an hour in when June Chadwick (as a scientist) and Dawn Dunlap (as a lab technician) take a shower together for some reason. This is a scene that was definitely missing from "Alien" (at no point did Sigourney Weaver and Veronica Cartwright take a shower together). Dunlap is especially appealing in this movie, even when she's not taking a shower (or otherwise getting naked). She's wasn't much of an actress, but in her short career she managed to work with both Roger Corman and the French photographer/director/pervert David Hamilton (she appeared as the title character in his notorious nubile nudie movie "Laura" when she was all of about 17). She's a few years older here, and, oh man, is she cute!.. But where was I? Yeah, this is OK I guess. It's definitely not "Alien", but. . .
Corman probably should have, at least, stuck to ripping off EITHER "Star Wars" or "Alien", but instead he wastes most of his meager budget in a pointless and risible spaceship battle scene at the beginning before settling into a fairly creative "Alien"-type story where a space crew in a remote outpost are menaced by a horrible creature. But the twist is it's not an alien, but a spontaneously mutating monster they created in a misbegotten experiment to deal with a food shortage back on Earth.
Jesse Vint is kind of an odd leading man for one of these kind of movies as he's mostly famous for 70's "hicksploitation" films like "Macon County Line" and "Black Oak Conspiracy". My favorite performances though come about an hour in when June Chadwick (as a scientist) and Dawn Dunlap (as a lab technician) take a shower together for some reason. This is a scene that was definitely missing from "Alien" (at no point did Sigourney Weaver and Veronica Cartwright take a shower together). Dunlap is especially appealing in this movie, even when she's not taking a shower (or otherwise getting naked). She's wasn't much of an actress, but in her short career she managed to work with both Roger Corman and the French photographer/director/pervert David Hamilton (she appeared as the title character in his notorious nubile nudie movie "Laura" when she was all of about 17). She's a few years older here, and, oh man, is she cute!.. But where was I? Yeah, this is OK I guess. It's definitely not "Alien", but. . .
Você sabia?
- CuriosidadesDuring a screening, Roger Corman actually smacked an audience member on the head for laughing at the film. When Roger left the theater, the guy he punched poured soda all over his head from the balcony.
- Erros de gravaçãoIn the first lab scene on planet Xarbia, when Mike Colby says "That thing is trouble, I can smell it", we can see a yellow microphone appearing from the inferior-left that appears again on the next scene from the same plane.
- Citações
Tracy Baxter: You know what? It looks like you could really use the steam bath!
Mike Colby: Well, I had a hard night.
Tracy Baxter: So fair's fair. Get naked.
- Cenas durante ou pós-créditosThe concluding credits roll over the vomit covered corpse of the monster.
- Versões alternativasThe German version (labelled "Mutant - das Grauen im All") recycles the space battle of the first five minutes, with a new language track. Tracy's absence is explained away by simply not waking her from cryo-sleep; SAM's return upon destruction at the end of the original film is not explained at all.
- ConexõesEdited from Mercenários das Galáxias (1980)
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- US$ 1.000.000 (estimativa)
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