Esquecendo o Passado

There were a few newspapers, here and there, that named CANNERY ROW as one of the Best of the Year, and they were the few that truly appreciated what is one of the finest capturing of Steinbeck ever on the screen. The film unites a couple of Steinbeck works that also became the book for Rodgers and Hammerstein's "Pipe Dream". Unfortunately, Steinbeck goes in and out of favor, and, at the moment, he is not lionized. But CANNERY ROW is a total delight -- replete with an extraordinary capture of the Steinbeck dialogue, a magnificent mise en scene of coastal California, a delicious group of characters captured to perfection, exquisite photography, and a soundtrack that united Bach with a melodic and playful score that deserved soundtrack status. Everything works... the humor is handled with a touch of wonderful madness by Nick Nolte, Debra Winger, and a gleeful bunch of farceurs playing giddy prostitutes and aging drop-outs who live along the desolate Cannary Row. Classic moments include the jitterbug between Nolte and Winger that temporarily interrupts their insults; the infamous frog hunt; Doc's special treat at the diner.... This David Ward film should be elevated to a classic status. It must be rediscovered so that audiences can delight in it for ages to come. See it..... Relax... Enjoy....and listen to the narration of John Huston - another element that is right on the mark !!!

MGM was in a slump in 1982, and nobody knew how to market this episodic, whimsical adaptation of two plot-light John Steinbeck novels. So a lot of people were deprived of a life-affirming, atmospheric wartime romance that preserves the democratic, people-loving tone of the Steinbeck originals. Shot partly on an elaborate sound stage and partly on or near Monterey seaside locations, it's a leisurely collection of likable losers and near-losers inhabiting the titular sardine- canning center that's seen better days. Nick Nolte as Doc, a marine biologist with a not-too-secret past, is perfection, as is Debra Winger as Suzy, a combative but yearning drifter--the movie captures the character's mercurial, changeable nature far better than Rodgers and Hammerstein did in their own adaptation, "Pipe Dream." We'd like to see more of the gang, and don't really get to know Mac (M. Emmett Walsh) and his cohorts very well. But Frank McRae's a wonderful Hazel, and John Huston's narration, much of it verbatim Steinbeck, ties things together neatly. A bit slow, and a bit fanciful, it's nonetheless a wonderful date movie, best experienced with a good California wine.

a Steinbeck adaptation. and little more. because the atmosphere, the acting, the voice of John Huston, the details, the precise adaptation and the images and music are good pillars for a pure delight. a classic who preserves its special charm and delicate manner to give force to each character. one of most impressive roles of Nick Nolte and beautiful science to translate flavor of text lines not only in images but in a sort of touching metaphors. a magic film and this fact gives to it extraordinary nuances not only as frame of a picture from South or illustration for a great American writer work spirit but for a mirror-film who gives more than status than reader who becomes viewer to its public. a special contribution has Audra Lindley in this memorable embroidery of emotions and Steinbeck credo.

This is one of my favorite "feel-good" films. Its laid-back pace flows as a Steinbeck novel reads. This tone was set at the get-go by John Huston's narration. Most narrations seem to be used mainly as a means of filling in plot holes left by a lousy script, and end up being a distraction. Huston's enhances the film. Makes you feel like you have the book in front of you. One of those films I could watch again and again.

When this film was released, it was under-marketed and for studio-based political reasons, all but buried. Additionally, some critics tried to frame it as a failed attempt at "art-house" cinema. However, this simply is one of the best films ever made of a Steinbeck work, and one of the best films of the 1980s. Poignant, masterfully photographed, funny and sweet, brilliantly acted and directed, it is a must see for anyone who loathes mainstream American film making and yearns for literate cinema. Nolte is at his best, acting with a magnificent range. Winger is perfect as Suzy. The adaptation of Steinbeck's "Sweet Thursday" is spot on. The ensemble acting of the tramps led by one of the greatest character actors of all time, M. Emmett Walsh and Frank McRae and the soundtrack including Doctor John's piano stylings, make this a film of metaphor and wonderful enchantment. If you haven't seen this film, turn off your phone, light a fire, and settle in for the ride of your life, emotionally and artistically.