Blade Runner: O Caçador de Andróides

A feast for the eyes. Dark and uncompromising. With a haunting musical score by Vangelis that adds a hypnotic quality to those breathtaking megacity landscapes of future Los Angeles. Ridley Scott's adaptation of Philip K. Dick's post-apocalyptic bounty hunter story 'Do Androids Dream Of Electric Sheep' is a visionary work of art; it's a dystopian masterpiece and I'd personally call it as much a milestone of science fiction as Kubrick's '2001' (and be advised to watch the version known as the "final cut" if you want to catch 'Blade Runner' as it was intended by its director).

It's hard to overstate how influential the film was; it invented the sci-fi subgenre now known as "cyberpunk", and it was also the first "film noir" in a sci-fi setting. And although it looks so distractingly gorgeous that even today there are people who still dismiss it as superficial and mere "eye candy", it is a philosphically deep film that ponders existential questions about the nature of being human. Its slow, brooding quality will perhaps leave some modern audiences who are used to a different pace and more action underwhelmed - but make no mistake: this is a groundbreaking masterwork of its genre and a timeles classic. 10 stars out of 10.

Favorite films: IMDb.com/list/mkjOKvqlSBs/

Lesser-Known Masterpieces: imdb.com/list/ls070242495/

OK, I admit...the first time I watched this movie I detested it. But hey, I was 16 years old and had expected an action-packed sci-fi adventure. Blade Runner is not such a film. But I am grateful for this, for after maturing a bit and rewatching the movie a couple of times, I discovered its greatness. It is not a traditional sci-fi movie, it's a touching drama about the value of life and the importance of making the most of what you've got. One of the most important themes in the film is the question of what is more valuable - humans without emotions, or machines with? The film gives no answer - it just opens our eyes and makes us aware that we should be grateful for being alive.

Some people prefer the Director's Cut, but I like the original version better - mostly because of the wonderful end line: "I didn't know how long we had together. Who does?" That pretty much sums it up.

Just my personal opinion. Everything is perfect about this movie. I saw the movie the first time when I was 12 and it was mind blowing for me. 38 years later I feel the same about this movie. Timeless and beautiful. For me 10/10 with a star and smile

This is simply Scott's finest hour. There are a sheer plethora of futuristic films with vision. Films which crudely grope into a possible time ahead,when perhaps a post apocalyptic era is scattered with cliché upon cliché and often miss the whole point. What Ridley Scott achieved with this film,is an entirely possible scenario. It really does feel like a science fiction novel brought to life,but not so much as its derivative penned by Phillip K Dick(do androids dream of electric sheep?). Its a grimy,violent world inhabited by the sick,lower class,villainous second citizens who haven't quite made the grade for the off world colonies. We have a true smelting pot of nationalities.The heavy eastern references within china town like inner cities is particularly poignant.

This film also sees Ford in perfect casting.Theirs a rye charm that Ford has that no other actor could fake or fill quite as effortlessly. Its a mixed review depending on what version you have seen. For me,the directors cut is simply too cut. I preferred the audience friendly screening which had the wonderful narration. The finest moment with this narration has to be the moments described by Batty in his dying eyes and the summing up by Ford of this man/machines passion and love for life.. No other sci-fi futuristic film has ever made the grade before or since in my humble opinion. It captured the raw smells and light of a brutal future scarily depicted in films or even so well. From the chase scene with Zora to the flybys over the city capturing a stunning skyline,chimneys and skyscrapers in one shot. This is my favourite movie of all time for all the reasons above and many more i could effortlessly type all day and night.

In the future year of 2019, a group of four replicas arrive on Earth in search of their creator, Blade Runner Rick Deckard is persuaded into hunting them down.

Love it or hate it, one thing that can't be questioned, is the amount of movies that this film inspired. Blade Runner was a ground breaking movie, one that was way ahead of its time.

Blade Runner is up there with Dune for me as one of the greatest movies to come out of the 80's, I would definitely deem it as a classic, it's so watchable.

The best element for me, the visuals, this is one the truly exquisite looking film, consider the era it was made in, and the lack of sophisticated special effects and tech, this is a triumph of creativity.

I know pacing is an issue for some, and storytelling has changed with time, but the pace here is very deliberate, it develops and builds, it's there to give you a sense of unease. Don't expect action at every turn, that's not the purpose of the film.

The music of Vangelis is terrific throughout, it adds to the film, and never imposes or tries to overtake.

I always love seeing someone's vision of the future, and the future world is wonderfully imaginative and perfectly realised, though still wonderfully 1980's, so there's plenty of punk and glam, big hair, clear plastic jackets and eye shadow galore. One thing that was spot on, a greater coming together of cultures.

A recent news article about AI made me think of this film, scientists are warning about the threat posed by AI development, after watching this film again, I can see where they're coming from.

Harrison Ford is great, perfectly cast as Deckard, another of his iconic roles. Rutger Hauer also manages to captivate and terrify.

This is a classic, quality movie.

9/10.