AVALIAÇÃO DA IMDb
6,2/10
6 mil
SUA AVALIAÇÃO
Enquanto lida com o estresse de ter sua peça produzida na Broadway, um dramaturgo é confrontado com a criação de seu filho.Enquanto lida com o estresse de ter sua peça produzida na Broadway, um dramaturgo é confrontado com a criação de seu filho.Enquanto lida com o estresse de ter sua peça produzida na Broadway, um dramaturgo é confrontado com a criação de seu filho.
- Direção
- Roteirista
- Artistas
- Prêmios
- 2 indicações no total
Elva Josephson
- Bonnie
- (as Elva Leff)
Avaliações em destaque
...this is a wonderful family film! It brings back memories from seeing it when I was much younger. It really is a truly special film that demonstrates how important family, even a non-traditional family, is -- especially when we are young. It demonstrates that children are aware of what is happening arond them, despite the fact that adults don't give them much credit for being intelligent. It also shows that "family" comes in many different forms, and sometimes the best family does not include the traditional "mom" and "dad" that we expect.
The only reason I saw this movie, was because Al Pacino was starring in it. I'm a huge fan of him and I don't want to miss any of his movies. "Author! Author!" is a highly enjoyable comedy-drama about a family guy and his many kids. Al Pacino plays a writer of stage plays who is dealing with some personal problems with his wife which also affects his writing.
Of course, "Author! Author!" isn't the best Al Pacino movie ever made, but it's certainly worth watching. This movie was a pleasant surprise. The director Arthur Hiller has also directed the timeless romantic classic "Love Story" with Ryan O'Neal. I think Al Pacino was worth his Golden Globe nomination.
Fine and well acted comedy-drama.
7,5/10
Of course, "Author! Author!" isn't the best Al Pacino movie ever made, but it's certainly worth watching. This movie was a pleasant surprise. The director Arthur Hiller has also directed the timeless romantic classic "Love Story" with Ryan O'Neal. I think Al Pacino was worth his Golden Globe nomination.
Fine and well acted comedy-drama.
7,5/10
Pacino's characters are always warm, intimate and personal - yes even Michael Corleone - and in this film also sensitive and kind. Here he gets to share those qualities with lucky children whose parents abandon them.
As a father, he's tough when he needs to be, tender and concerned when he's called on to be and just a big kid when he feels impelled and its appropriate. His character here, as in many of his roles is self-centered if not self-obsessed, and that can drive the adults around him bonkers when they need his attention, but he never lets the children down.
His house evolves into a kind of wayward home - a place to where his ex-wives's children return of their own will because it's the only place they feel wanted comfortable and respected. There they matter as human beings.
Pacino is a playwright and apparently a good one, but he seems less concerned with the art of his craft and more concerned with it being lucrative for the benefit of his now extended family. He's shown to be the only responsible adult in the movie and he's barely hanging on to the coat tails of sanity as it is. The children all seem to have more sense than the adults. With Pacino, they take an us against the world approach to their problems. We root for them, of course, because they're much too important to be ignored and they've got the spunk to insist that they be seen and heard.
The household has a summer camp bunk mate feel. The children have distinct and in some way opposing personalities. Each stands out as special and for the most part there is little conflict. That may be a contrivance or it could be a believable happy accident.
Tuesday Weld, Pacino's estranged wife and the mother (with different fathers) of four of the five children, is the embodiment of the enemy. A selfish, uncaring, unloving mother - oh, they're out there - but she probably also represents society on some level especially at the tail end of the me-decade 70's. Perhaps for the sake of ratings there is no direct reference to drugs or promiscuity, but it ain't a far leap to make to explain the history of the characters.
As at least one other reviewer has said, the film probably works a lot better for people who have lived the kind of life portrayed.
As a father, he's tough when he needs to be, tender and concerned when he's called on to be and just a big kid when he feels impelled and its appropriate. His character here, as in many of his roles is self-centered if not self-obsessed, and that can drive the adults around him bonkers when they need his attention, but he never lets the children down.
His house evolves into a kind of wayward home - a place to where his ex-wives's children return of their own will because it's the only place they feel wanted comfortable and respected. There they matter as human beings.
Pacino is a playwright and apparently a good one, but he seems less concerned with the art of his craft and more concerned with it being lucrative for the benefit of his now extended family. He's shown to be the only responsible adult in the movie and he's barely hanging on to the coat tails of sanity as it is. The children all seem to have more sense than the adults. With Pacino, they take an us against the world approach to their problems. We root for them, of course, because they're much too important to be ignored and they've got the spunk to insist that they be seen and heard.
The household has a summer camp bunk mate feel. The children have distinct and in some way opposing personalities. Each stands out as special and for the most part there is little conflict. That may be a contrivance or it could be a believable happy accident.
Tuesday Weld, Pacino's estranged wife and the mother (with different fathers) of four of the five children, is the embodiment of the enemy. A selfish, uncaring, unloving mother - oh, they're out there - but she probably also represents society on some level especially at the tail end of the me-decade 70's. Perhaps for the sake of ratings there is no direct reference to drugs or promiscuity, but it ain't a far leap to make to explain the history of the characters.
As at least one other reviewer has said, the film probably works a lot better for people who have lived the kind of life portrayed.
This is a wonderful, heart-warming film! It is funny, sweet, honest, and touching. If as a child you experienced divorce or some other circumstance that placed you in a non- traditional family environment, you will appreciate this film. If you grew up without turmoil and without experiencing loss or the pain of divorce/death of a parent, you may not relate to the subject matter of this film (like some of the other IMDb users who deemed it unwatchable or boring). Oh yeah, and it doesn't contain any explosions. It's not that type of film.
I've seen this movie before, quite a long time ago, and I liked it a lot. Having just seen it for the second time, I'm under the same impression. The movie is very funny and lighthearted, really kind. The script is smart, the performances by Pacino and kids are great. The film is a pleasure to watch, it puts you in a good mood. I think the film was underestimated by viewers, I put it 4 out of 4!
Você sabia?
- CuriosidadesActress Dyan Cannon was initially offered the part of Gloria Travalian but Cannon turned down the role because she felt the character was too "bitchy" and had played a "bitch" before. Later on, Cannon was given the role of Alice Detroit, and thoroughly enjoyed making this film and likened the experience to like "being on a cruise". And Tuesday Weld was cast as Gloria.
- Erros de gravaçãoIn the theater scene immediately following meeting with Alice, Ivan sports an entirely new hair do. The play's director acknowledges it. Then the very next scene has Ivan exiting the subway station with his old hair do.
- Versões alternativasThe 2005 Region 2 DVD, and the 2007 Region 1 DVD, which were both released by Fox Video, contains the following changes: Alternate opening title credits (white titles over black background). No title credit to both the song 'Coming Home To You' and the song's vocalist and writers (Michael Franks, Alan and Marilyn Bergman). Johnny Mandel credited as the film's composer. Film ending with Ivan and the kids at the newstand. Previous video releases by 20th Century Fox Video, CBS/Fox Video, and Fox Video contains the opening credits in white text playing over the NYC skyline backdrop to the set in the playhouse, a title credit to both the song Coming Home To You, and its vocalist and writers (Michael Franks, Alan and Marilyn Bergman), David Grusin credited as the film's composer, and the film ending with the kids celebrating Ivan's success by pouring champagne and cake on him while he is in bed. David Grusin was hired to rescore Johnny Mandel's original score. David Grusin's score is heard in the final film.
- Trilhas sonorasComin' Home To You
Music by Dave Grusin
Lyrics by Alan Bergman and Marilyn Bergman
Performed by Michael Franks
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- How long is Author! Author!?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Qué buena Madre es mi Padre
- Locações de filme
- 193 Waverly Place and West 10th Street, Manhattan, Nova Iorque, Nova Iorque, EUA(apartment: Home of Ivan Travalian)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 13.111.101
- Fim de semana de estreia nos EUA e Canadá
- US$ 2.279.260
- 20 de jun. de 1982
- Faturamento bruto mundial
- US$ 13.111.101
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