Adicionar um enredo no seu idiomaThe crazy and sometimes surreal comedic adventures of four very different students in Thatcher's Britain.The crazy and sometimes surreal comedic adventures of four very different students in Thatcher's Britain.The crazy and sometimes surreal comedic adventures of four very different students in Thatcher's Britain.
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The definitive post-punk sitcom is a wild watch in these future times, it seems dingy, grotty and cheap but the sheer relentless energy of it is breathtaking. It respects nothing, not least the conventions of television sitcom, and takes no prisoners. Certainly the second series is a great deal more consistently funny (as consistent as the Young Ones could ever be at least) but the entire endeavour is foolish, otherworldy and extraordinary. During a recent rewatch I discovered the house where the exteriors were filmed was right around the corner from me, and I went there to look, but that made it seem all the distant and strange. Could this have ever really taken place? Was any of this madness ever real?
The Young Ones may be an obscurity in the USA, but here in Australia its fondly remembered. We first heard rumours of it back in about '82, then someone sneaked in a crappy tape of 'Bomb'. We sat and watched it in awe. This was The Great British Surrealist sitcom; the logical next step from The Goons and Monty Python. It was appallingly, daringly head and shoulders above everything else from the 80's (oh, alright, except Black Adder. Especially Black Adder II).
Four students: a hippy, a punk, a would-be anarchist who secretly loves Cliff Richard, and... Mike, 'the cool person' - who appears to be throughly normal. Except he isn't. In fact, when you really take a close look at him, Mike is actually stranger than all the others put together. Half of his lines make little or no sense. He said something once about a sheepdog, which struck me as one of the strangest lines I've ever heard on television. But anyway, he is still nominally the anchor of normality around which all the madness rotates.
Using Python's rapid-cut technique, and employing a similar lack of concern for continuity, a Young Ones episode is a rollercoaster of surrealism, violence and squalor (the latter two elements taken to even greater extremes by Mayall and Edmonson in 'Bottom'). Episodes are suddenly interrupted by the appearance of Benito Mussolini, singing a song called 'Stupid Noises', or by various other manifestations of Russian landlord Alexai Sayle, who is inclined to go into stand up comedy routines and address the audience, much to the confusion of everyone else on set. Images of garden taps or insects are flashed on screen for a fraction of a second, scenes cartwheel off in all directions: a family of peasants in the adjoining room sit huddled round a lamp, a wardrobe leads into the realms of Narnia, an unexploded atomic bomb lands in the middle of the kitchen, vegetables in the fridge talk to each other, and Motorhead just happen to be in the loungeroom, performing 'Ace of Spades'.
Someobody else said that this series hit Britain like bombshell. It's effect was similar in Australia. It never spawned any imitators - the rest of the 80's seemed to be given over to dreary political satire, but it is undeniably one of the great English sitcoms - even if, now and then, it drags its feet just a little.
Like Fawlty Towers, it ran for only two series, but when they were over, it had breached countless boundaries of bad taste and absurdity, introduced the writing talents of Ben Elton, the careers of Rik Mayall, Alexei Sayle, Nigel Planer, Dawn French and Adrian Edmonson, and made the godawful, bland, mid 80's bearable for a few people like me.
Four students: a hippy, a punk, a would-be anarchist who secretly loves Cliff Richard, and... Mike, 'the cool person' - who appears to be throughly normal. Except he isn't. In fact, when you really take a close look at him, Mike is actually stranger than all the others put together. Half of his lines make little or no sense. He said something once about a sheepdog, which struck me as one of the strangest lines I've ever heard on television. But anyway, he is still nominally the anchor of normality around which all the madness rotates.
Using Python's rapid-cut technique, and employing a similar lack of concern for continuity, a Young Ones episode is a rollercoaster of surrealism, violence and squalor (the latter two elements taken to even greater extremes by Mayall and Edmonson in 'Bottom'). Episodes are suddenly interrupted by the appearance of Benito Mussolini, singing a song called 'Stupid Noises', or by various other manifestations of Russian landlord Alexai Sayle, who is inclined to go into stand up comedy routines and address the audience, much to the confusion of everyone else on set. Images of garden taps or insects are flashed on screen for a fraction of a second, scenes cartwheel off in all directions: a family of peasants in the adjoining room sit huddled round a lamp, a wardrobe leads into the realms of Narnia, an unexploded atomic bomb lands in the middle of the kitchen, vegetables in the fridge talk to each other, and Motorhead just happen to be in the loungeroom, performing 'Ace of Spades'.
Someobody else said that this series hit Britain like bombshell. It's effect was similar in Australia. It never spawned any imitators - the rest of the 80's seemed to be given over to dreary political satire, but it is undeniably one of the great English sitcoms - even if, now and then, it drags its feet just a little.
Like Fawlty Towers, it ran for only two series, but when they were over, it had breached countless boundaries of bad taste and absurdity, introduced the writing talents of Ben Elton, the careers of Rik Mayall, Alexei Sayle, Nigel Planer, Dawn French and Adrian Edmonson, and made the godawful, bland, mid 80's bearable for a few people like me.
I remember watching The Young Ones back around 1982-83 on Public TV in Gainesville Florida while attending college at U of Florida. There were only 2 TV stations in this smallish city/town, ABC and the local public television station. It pretty much sucked for television except when they aired the BBC comedies like The Two Ronnies, Dave Allen at Large, Benny Hill and my favorite TYO's! I marveled at their total lack of respect for everything and everyone, especially stuffy english royal types. Back in those days, we in America rarely got to see a show where the characters showed total disregard for authority. Saturday Night Live was about as close to raunch and outrageous as it got. So I loved the 4 lads from england! It reminds me of my youth and the fun times I had back in college. To this day, I haven't seen the Young Ones on TV anywhere! I miss all these great BBC shows!
This is my favorite show of all time... no questions asked. My mother introduced it to me last year when she bought a video called "The Very Best of The Young Ones" which featured 5 episodes. They were Bomb, Boring, Bambi, Interesting and Summer Holiday. I was so hooked on it! I gave the video away to someone else... not before getting the complete series of season 1 and season 2 on DVD. It's absolute kick@ss and stuff and I can't help but watch it all of the time. I blooming love it.
I love Vyvyan the most out of them all, followed by Rik than Neil and of course Mike TheCoolPerson. But they're all hilarious. My favorite episode was probably Bambi... but they're all good.
Alexei Sayle would have to have been recognized as the funniest man in the whole entire world during this series.
The musical guests are fantastic as well with Madness, Motorhead, and so much more.
Hilariously written, wonderfully over the top acting, very original the whole way. Great... great... great... great show! This is proof that the British do comedy 100,000,000,000,000,000 times or better than the United States of America. Sorry Yankees... bow down before the Oxford graduates, Cambridge graduates and gifted high school dropouts!
I love Vyvyan the most out of them all, followed by Rik than Neil and of course Mike TheCoolPerson. But they're all hilarious. My favorite episode was probably Bambi... but they're all good.
Alexei Sayle would have to have been recognized as the funniest man in the whole entire world during this series.
The musical guests are fantastic as well with Madness, Motorhead, and so much more.
Hilariously written, wonderfully over the top acting, very original the whole way. Great... great... great... great show! This is proof that the British do comedy 100,000,000,000,000,000 times or better than the United States of America. Sorry Yankees... bow down before the Oxford graduates, Cambridge graduates and gifted high school dropouts!
... How fortunate that on this one project the nations foremost figureheads in alternative comedy were gathered together and allowed to give their imaginations free reign. I don't think you'll ever see a sitcom as gleefully silly or unconventional as this one, partly because of the personalities involved in making it and partly due to the regular musical interludes that were thrown in purely to give the team more cash.
Incidentally, "Cash" from series two is my favourite episode, and Neil my favourite member of the gang. What can you say about a scenario where Vyvvian (a bloke) learns that he's pregnant, except that it's utter genius?! Neil's whole demeanour seals it for me; he doesn't even have to say anything, and Nigel Planer's mournful expression will still crack me up, without fail.
It's the absolute opposite of those cosy, easygoing shows where everybody likes one another really. You can't really call it 'The Good Life' when you're living in what most would describe as 'a hole'... As it happens, I don't really have any objection to such a nice '70's comedy, although listening to Vyvvian launch into a verbal tirade against it almost changed my mind, delivered as it was with such unchecked outrage. You can always trust "The Young Ones" to offer some biting political comment, unless you're talking to Rick, that is... !
Incidentally, "Cash" from series two is my favourite episode, and Neil my favourite member of the gang. What can you say about a scenario where Vyvvian (a bloke) learns that he's pregnant, except that it's utter genius?! Neil's whole demeanour seals it for me; he doesn't even have to say anything, and Nigel Planer's mournful expression will still crack me up, without fail.
It's the absolute opposite of those cosy, easygoing shows where everybody likes one another really. You can't really call it 'The Good Life' when you're living in what most would describe as 'a hole'... As it happens, I don't really have any objection to such a nice '70's comedy, although listening to Vyvvian launch into a verbal tirade against it almost changed my mind, delivered as it was with such unchecked outrage. You can always trust "The Young Ones" to offer some biting political comment, unless you're talking to Rick, that is... !
Você sabia?
- CuriosidadesNone of the writers had ever done anything for television before and simply wrote what they thought would be funny, not giving any thought to how it would actually be filmed. When they arrived on set the first day they realized how much work the crew had gone to for what were, in a lot of cases, throw-away jokes with no real connection to the plot. They apologized and promised to write things that would be easier to film, but the crew told them they had enjoyed the challenge and to keep writing as they had and they would find a way to film it.
- Versões alternativasRepeats shown on the BBC and UK Gold since the late 1990s have been trimmed of some terminology that is now deemed racist.
- ConexõesFeatured in Comedy Classics of the 80's (1991)
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Hemma värst
- Locações de filme
- Codrington Road, Bristol, Inglaterra, Reino Unido(exterior shots of the Young Ones' road)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
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