Série de comédia que acompanha o desastrado detetive Frank Drebin, interpretado por Leslie Nielsen, enquanto ele tenta resolver crimes em meio a situações absurdas e hilárias, parodiando sér... Ler tudoSérie de comédia que acompanha o desastrado detetive Frank Drebin, interpretado por Leslie Nielsen, enquanto ele tenta resolver crimes em meio a situações absurdas e hilárias, parodiando séries policiais tradicionais.Série de comédia que acompanha o desastrado detetive Frank Drebin, interpretado por Leslie Nielsen, enquanto ele tenta resolver crimes em meio a situações absurdas e hilárias, parodiando séries policiais tradicionais.
- Indicado para 2 Primetime Emmys
- 1 vitória e 3 indicações no total
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...a burlesque dancer to Det. Frank Drebin (Leslie Nielsen) as he approaches her in a dressing room...
"Yes, that's very impressive, but that's not why were here"...(Det. Drebin's deadpan response)
The best sight-gag comedy ever. But of course, it got crushed in the ratings and was yanked right away. Our loss.
I recently purchased a VHS tape with three episodes for my dad and watched 'em again with him. I'm happy to report that if you like the Zucker's style of humor (first unleashed in "Airplane"), you'll have a blast.
"Yes, that's very impressive, but that's not why were here"...(Det. Drebin's deadpan response)
The best sight-gag comedy ever. But of course, it got crushed in the ratings and was yanked right away. Our loss.
I recently purchased a VHS tape with three episodes for my dad and watched 'em again with him. I'm happy to report that if you like the Zucker's style of humor (first unleashed in "Airplane"), you'll have a blast.
One night I was listening to talk radio and they had Leslie Nielsen on the program. He went on to explain why there were only 6 shows. '
With TV shows like MASH you could go to the fridge to get a beer and as long as you heard what was going on you didn't miss anything. But with Police Squad, you HAD to watch the show, with the sight gags you missed a whole lot if you didn't see them. Who could forget "... the part of town known as "Little Italy"..." with the coliseum in the background.
Even the movies relied heavily on the sight gags, but then again being in the theater you were a captive audience.
Leslie also said the one reason the show, movies and other movies like Airplane were funny is because they didn't attempt to tell what was funny. It was up to the viewer to get the jokes.
Well that's just my 2 cents.
With TV shows like MASH you could go to the fridge to get a beer and as long as you heard what was going on you didn't miss anything. But with Police Squad, you HAD to watch the show, with the sight gags you missed a whole lot if you didn't see them. Who could forget "... the part of town known as "Little Italy"..." with the coliseum in the background.
Even the movies relied heavily on the sight gags, but then again being in the theater you were a captive audience.
Leslie also said the one reason the show, movies and other movies like Airplane were funny is because they didn't attempt to tell what was funny. It was up to the viewer to get the jokes.
Well that's just my 2 cents.
This was a funny show. It had an "Airplane!" flavor to it and it parodied the Quinn Martin Productions shows that were popular in the 60s and 70s ("The Streets of San Francisco", "Barnaby Jones", "Cannon", etc). If you're familiar with these shows, they all had the same type of beginnings; Same announcer who would go through the starring cast, that night's guest stars, special guest stars (if any) and the name of "tonight's episode". As well as the on screen act numbers and the epilogue after commercial breaks.
It was everything like "Airplane!", in the sense that you had to watch the show to see the gags and other hidden gags that were in the background along with the verbal jokes and gags.
It was a shame that only 6 episodes were produced, since this was one of my favorite shows. Unlike "The Naked Gun" movies, although funny, the problem with those movies were, the show lampooned QM Productions shows, it was probably hard to transfer that to the big screen. It just didn't have the same feeling to it as the tv show.
It was everything like "Airplane!", in the sense that you had to watch the show to see the gags and other hidden gags that were in the background along with the verbal jokes and gags.
It was a shame that only 6 episodes were produced, since this was one of my favorite shows. Unlike "The Naked Gun" movies, although funny, the problem with those movies were, the show lampooned QM Productions shows, it was probably hard to transfer that to the big screen. It just didn't have the same feeling to it as the tv show.
The creative team that brought us Police Squad - and the Naked Gun derived from it - said in interview that they were told by their network contact that the show would be canceled, after their delivery of the first episode. Basically, the show was never given any chance. Typical Hollywood. The contact apparently told the team that the problem with the show was that, for the show to be funny, the viewer would actually need to watch it; most shows are presented on TV with the understanding that the viewer needed to get up and miss a few minutes while getting food, or going to the toilet, etc.
The humor of the show is extremely dry (it uses no laugh-track), and the universe the characters inhabit is one in which anything can happen, regardless of logic, as long as it was totally unbelievable; so, for instance in one episode a surgeon has to bribe an informant on the street in order to get a tip on heart surgery.
Those familiar with the Naked Gun films should be warned that there are a number of interesting disjunctions between the show and the films. In the films, Nielsen developed a particular "take" approach - that is, eyes widened when confronted with the unexpected. This doesn't happen in the show, where Nielsen's Drebin is the center around which the rest of the universe revolves - nothing is unexpected to him. Also, there are no romances in the show, and no parodies of MTV. Finally, the show takes certain risks that the films avoid; in the first episode, Drebin, to "re-enact the crime", has a squad of homicide detectives shoot each other from a number of different angles - ballistics the hard way. This is actually a risky bit of humor, since we need to accept that it's perfectly normal for policemen to kill each other while investigating a crime, for no other reason than experimentation. This sort of thing rarely happens in the films.
Taken individually, each of the episodes is actually funnier than any one of the Naked Gun films, since they are both more compact (more happens in a shorter time-frame), yet more leisurely paced (there's not the rush for a punch-line as sometimes happens in the films). There are some inconsistencies that happen in the films (primarily "2" and "3") that never occur in the show's shorter time-frame.
Of course, there's no doubt that Naked Gun (the first film) is one of the great comedies of theatrical cinema. And if you watch the TV show episode after episode in one sitting, the dry quality of the humor might wear away one's tolerance.
None the less, it would be useful to have a DVD of this, and watch an episode a day for a few weeks - If laughter has, as some claim, medicinal value, watching this show is good for one's health.
The humor of the show is extremely dry (it uses no laugh-track), and the universe the characters inhabit is one in which anything can happen, regardless of logic, as long as it was totally unbelievable; so, for instance in one episode a surgeon has to bribe an informant on the street in order to get a tip on heart surgery.
Those familiar with the Naked Gun films should be warned that there are a number of interesting disjunctions between the show and the films. In the films, Nielsen developed a particular "take" approach - that is, eyes widened when confronted with the unexpected. This doesn't happen in the show, where Nielsen's Drebin is the center around which the rest of the universe revolves - nothing is unexpected to him. Also, there are no romances in the show, and no parodies of MTV. Finally, the show takes certain risks that the films avoid; in the first episode, Drebin, to "re-enact the crime", has a squad of homicide detectives shoot each other from a number of different angles - ballistics the hard way. This is actually a risky bit of humor, since we need to accept that it's perfectly normal for policemen to kill each other while investigating a crime, for no other reason than experimentation. This sort of thing rarely happens in the films.
Taken individually, each of the episodes is actually funnier than any one of the Naked Gun films, since they are both more compact (more happens in a shorter time-frame), yet more leisurely paced (there's not the rush for a punch-line as sometimes happens in the films). There are some inconsistencies that happen in the films (primarily "2" and "3") that never occur in the show's shorter time-frame.
Of course, there's no doubt that Naked Gun (the first film) is one of the great comedies of theatrical cinema. And if you watch the TV show episode after episode in one sitting, the dry quality of the humor might wear away one's tolerance.
None the less, it would be useful to have a DVD of this, and watch an episode a day for a few weeks - If laughter has, as some claim, medicinal value, watching this show is good for one's health.
This is the brief series that lead to the NAKED GUN trilogy. Leslie Nielsen gets to play madman with all the delicious relish he can bring to the part of the straight-faced detective.
The stories are parodies of all the very, very, very serious and very, very, very important police and crime shows on TV over the years. Nothing escapes the satiric bashing that goes on here. The guest stars each week are murdered in the opening scene and then are never heard of again. The titles of the episodes don't fit the narration. Nielsen's own narration is a wonderful satire of all the crime story voice-overs going back to film noir and DRAGNET. And -- wonder of wonders -- the show is "In Color!"
No pun goes un-punned. No sight-gag is left un-gagged. Nothing is spared. Imagine the Marx Brothers and Three Stooges in a crime movie setting, and that gives you a hint of what POLICE SQUAD is all about. This is one of the funniest shows ever made for TV, but since it is satire, it of course had only a short run. Nevertheless, I loved it.
The stories are parodies of all the very, very, very serious and very, very, very important police and crime shows on TV over the years. Nothing escapes the satiric bashing that goes on here. The guest stars each week are murdered in the opening scene and then are never heard of again. The titles of the episodes don't fit the narration. Nielsen's own narration is a wonderful satire of all the crime story voice-overs going back to film noir and DRAGNET. And -- wonder of wonders -- the show is "In Color!"
No pun goes un-punned. No sight-gag is left un-gagged. Nothing is spared. Imagine the Marx Brothers and Three Stooges in a crime movie setting, and that gives you a hint of what POLICE SQUAD is all about. This is one of the funniest shows ever made for TV, but since it is satire, it of course had only a short run. Nevertheless, I loved it.
Você sabia?
- CuriosidadesAfter the success of Corra que a Polícia Vem Aí! (1988) and Corra que a Polícia vem Aí 2½ (1991), Comedy Central and CBS re-aired all six episodes of this series in the summer of 1991. Producers wanted to include John Belushi's "guest star" appearance in Testimony of Evil (Dead Men Don't Laugh) (1982), which had been cut due to Belushi's death. The footage could not be located, and is now presumed lost or destroyed.
- Citações
Det. Frank Drebin: [running gag] Cigarette?
Various: Yes, I know.
- Cenas durante ou pós-créditosRex Hamilton appeared in the opening credits portraying Abraham Lincoln but he never appeared in any of the episodes.
- Versões alternativasThe home video versions of some episodes have changed music in some scenes. For instance, when they sing "Happy Birthday" at a birthday and when Leslie Nielsen sings Judy Garland tunes in the nightclub. Presumably this is due to a music licensing issue.
- ConexõesFeatured in The 34th Annual Primetime Emmy Awards (1982)
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