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6,2/10
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Adicionar um enredo no seu idiomaIn the early 20th century, devout Reverend Charles Fortescue returns to England from his missionary work in Africa and, despite plans to marry his childhood sweetheart, receives a most unusu... Ler tudoIn the early 20th century, devout Reverend Charles Fortescue returns to England from his missionary work in Africa and, despite plans to marry his childhood sweetheart, receives a most unusual assignment: minister to the local prostitutes.In the early 20th century, devout Reverend Charles Fortescue returns to England from his missionary work in Africa and, despite plans to marry his childhood sweetheart, receives a most unusual assignment: minister to the local prostitutes.
Debby Bishop
- Mission Girl
- (as Debbie Bishop)
Avaliações em destaque
This is a delightful film. Watch it with two or three of you in the room, because laughter is infectious. As ever with films that Harrison invests in, it's not afraid to mix styles, but also, there is no point that it labours. Too often films are afraid of changing their tone, as if they had to nail their colours to the 'tonal' mast early on and then obey that: a screwball comedy has to be screwball, a period piece has to be charming, engaging, but not dramatic, etc etc etc.
The script, written by Palin himself, is an absolute gem, and for once his silliness is kept well within bounds. As someone else said, this isn't the 'expansio ad absurdum' technique of fine, fine Python, nor the pull-faces-and-use-silly-words-can't-think-of-an-idea of Palin on his off days. Enough, but not enough, has been written about the cast, all of whom provide top-notch performances. Whom to praise most? I note as well, that the "Memorable Quotes" section still misses what may be the funniest exchange in the whole film, the sequence which begins, "You know perfectly well why we got rid of Margetson." The only people who are going to be disappointed by this film are those people who have dogmatic views about what a Palin film should be, or who think a comedy should spare them the trouble of thinking and leave them in a heap of rubble on the floor. Take the film on its own merits and, though you might think of ideas which the film didn't touch, places where it didn't go, you will still find enough in there to remember those ninety minutes fondly. Would I see it again? When's it on next?
The script, written by Palin himself, is an absolute gem, and for once his silliness is kept well within bounds. As someone else said, this isn't the 'expansio ad absurdum' technique of fine, fine Python, nor the pull-faces-and-use-silly-words-can't-think-of-an-idea of Palin on his off days. Enough, but not enough, has been written about the cast, all of whom provide top-notch performances. Whom to praise most? I note as well, that the "Memorable Quotes" section still misses what may be the funniest exchange in the whole film, the sequence which begins, "You know perfectly well why we got rid of Margetson." The only people who are going to be disappointed by this film are those people who have dogmatic views about what a Palin film should be, or who think a comedy should spare them the trouble of thinking and leave them in a heap of rubble on the floor. Take the film on its own merits and, though you might think of ideas which the film didn't touch, places where it didn't go, you will still find enough in there to remember those ninety minutes fondly. Would I see it again? When's it on next?
In England in 1906, a young reverend, with a sense of vocation and just before marriage, is entrusted to open a house of refuge for fallen ladies of East End. He is then seduced by the grateful girls and a witty, love-seeking lady nob, who is ready to support the institute.
A fitfully amusing, crisply acted, often sophisticated period comedy whose central conception - prostitutes do what they do for pleasure - is slightly absurd to say the least. Most of its fun is provided by the garnish.
A fitfully amusing, crisply acted, often sophisticated period comedy whose central conception - prostitutes do what they do for pleasure - is slightly absurd to say the least. Most of its fun is provided by the garnish.
I won't detail the plot as that's been covered rather extensively in the other comments. If you refrain from expecting a Monty Python movie, you'll find it much easier to enjoy The Missionary. It's not a Python movie. It's not outrageously funny though it does have some very funny moments, some hilarious. Most of the humor however is much more subtle, possibly too much so for many viewers. A great cast.
It's 1906. Reverend Charles Fortescue (Michael Palin) returns to England after 10 years as a missionary in Africa. He is to be married to the naive Deborah Fitzbanks. The Bishop (Denholm Elliott) assigns him to proselytize to the prostitutes of London's Dockland and stop them. Deborah eagerly helps him organize even thought she's ignorant of the ladies of the night. Charles needs to raise the funds and the flirtatious Lady Isabel Ames (Maggie Smith) offers to help. She's married to the callous Lord Henry Ames (Trevor Howard).
This is a terrific English comedy. The sly humor is effective. It's funny that Palin is the boy toy and Maggie Smith is the cougar. The jokes take a bit longer to tell like the butler who keeps getting lost. It's a little slow at times but there is good hilarity.
This is a terrific English comedy. The sly humor is effective. It's funny that Palin is the boy toy and Maggie Smith is the cougar. The jokes take a bit longer to tell like the butler who keeps getting lost. It's a little slow at times but there is good hilarity.
A bit like "Ripping Yarns" I think you need an appreciation or at least familiarity with the mores of late Victorian/Edwardian society. This film appears to be a gentle comedy of manners but there is a hint of satire beneath.
I have liked this film since I first saw it years ago. I have had this on tape for some time but recently bought the DVD which has some nice extras.
The cinematography is good. Maggie Smith, Denholm Elliott and Michael Hordern can do no wrong. Trevor Howard blusters in a suitable 'Lord Cardigan' manner and you get an early Timothy Spall role.
I gave it 8/10. Unrepentant. It's a slow burner but still has a charm of its own.
I have liked this film since I first saw it years ago. I have had this on tape for some time but recently bought the DVD which has some nice extras.
The cinematography is good. Maggie Smith, Denholm Elliott and Michael Hordern can do no wrong. Trevor Howard blusters in a suitable 'Lord Cardigan' manner and you get an early Timothy Spall role.
I gave it 8/10. Unrepentant. It's a slow burner but still has a charm of its own.
Você sabia?
- CuriosidadesActor, Writer, and Producer Sir Michael Palin and Director Richard Loncraine said that they didn't succeed in achieving everything they wanted to with this movie, but though not perfect, it turned out very well nonetheless.
- Erros de gravaçãoDeborah describes the Ames family home as being on the Great Western line out of London. Fortescue is later misidentified as the dog clipper from Faversham, which is on the other side of London, on the north coast of Kent. (This town being on the South Eastern and Chatham Railway, not the Great Western). It seems highly unlikely that the family would employ a dog clipper from so far afield.
- Cenas durante ou pós-créditosPay close attention to the photo album during the end credits, the photos reveal details about the characters after the events of the film.
- ConexõesFeatured in Live from the Lighthouse (1998)
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Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 7.241.180
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.864.852
- 7 de nov. de 1982
- Faturamento bruto mundial
- US$ 7.241.180
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