Cheers

At it's best Cheers fully deserves it's place as one of the greatest sitcoms of all time. Well cast, sharply written and made all the more impressive when you consider that most of the episodes rarely stray from the bar setting.

Cheers fans though are a divided bunch. Some prefer the Coach years, others prefer the Woody years. The Diane or Rebecca dispute is far more controversial.

For me I enjoyed the Diane years more. The chemistry between Shelly Long and Ted Danson was great and their characters on/off relationship gave viewers something extra to invest in whilst watching the antics of the other patrons.

Upon watching the later seasons the standard is far lower though, with weaker plots and the characters far too exaggerated from their original form. It happens with a lot of long running sitcoms I know, but when a Cheers episode was poor, it really was poor.

I forgive and forget the latter years though and celebrate the first five because that for me was when Cheers was well worth drinking to

The difference between Cheers and about 90% of the other sitcoms that have come and gone, is that in Cheers, nothing seems forced. The characters interact with such chemistry, that all you have to do is tune and it's like sitting at a bar listening to you're best friends tell tall tales. The characters, especially Sam Malone and Coach, are so well-rounded that the joy comes simply from watching them interact. As far as I can remember almost every episode of Cheers ended with someone smiling or laughing, and it's that sense of warmth that is so rare in television, that it makes Cheers stand tall amongst any competitor, then OR now. I feel wholly justified in calling Cheers the best program ever made. It's just that good.

PS-I hope in Heaven I can sit at Cheers, and watch Sam hit on girls, listen to Carl tell useles trivia, and see Norm catch curving beer bottles around the corner of the bar.

MIke Renzella

A dominant block-buster of a television series that put NBC on top in the ratings race in the 1980s and the network has not looked back since. When "Cheers" first came into homes around the nation in 1982, it was greatly ignored by the viewing public. The Emmy Awards more than anything resurrected a series that had no life after a first season that found the series consistently in the gutter of the Nielsen Ratings. After several big-time awards (including one for Best Comedy Series) "Cheers" sky-rocketed and was almost always a top 5 show and most of the times the number 1 program in America. In modern-day Boston, a small tavern does prove that there are still places where everyone does indeed "know your name". A former baseball player (Ted Danson) owns a bar that caters to many (bar-flies George Wendt and John Ratzenberger, former professional coach Nicholas Colasanto, waitress Rhea Perlman and love interest Shelley Long). Quirky stories, heartwarming moments, heartrending situations and consistent comedy would always follow the key players. As the years passed, the cast changed (Long left the show and was replaced with Kirstie Alley who became the owner and Colasanto passed away in real life and the Woody Harrelson character was created), but the constant was always the show's outstanding group of creative writers and top-notch directors. Psychiatrist Kelsey Grammar (and wife Bebe Neuwirth) would also come along early in the series and just add more color, heart and intelligence to a show that had a surplus of all those elements throughout its 11-year-run. From the emotionally-charged theme song to its smallest of bit players, "Cheers" proved that there could be quality on television and that it could sustain and withstand unfortunate problems with its players in real-life. Monumentally important to the art of television study. A truly outstanding achievement for all involved. 5 stars out of 5.

How on Earth can this only be rated 7.9?! I still watch it to this day and it doesn't bore me. I love these characters and feel like I grew up with them. Interestingly I've noticed over the years that "Friends" borrowed such a lot of episode storylines that it's scary they weren't pulled up for it. Long live the King, long live Sam 'Mayday' Malone!

*Small edit. I see the rating has went down since I wrote the original. It's millennials and Sam's quest for sex. Has to be.

I am 23 years old so this show ran and ended before I was even born. I never watched the show at all even when re-runs were on tv. I saw the show was ranked as one of the best sitcoms of all time so I decided to give it a chance when i saw it on Netflix. I'm so glad I did and the show really is funny. You start to feel connections to the characters and you look forward to what new journey the crew will face on the next episode. Very easy to binge and I ended up going through a season in 2-3 days because I would constantly want to come back to see how the story progressed. The show is centered around a bar in Boston & after watching this show you really see how it paved the way for future sitcoms. I was a big fan of 'Friends' growing up and after watching cheers it's kinda eerie how many episode ideas in friends came from cheers. Even the opening scenes have very similar themes lol. After watching cheers I looked at other sitcoms differently and truly saw how much of an impact this sitcom had on others. The show is still funny in 2019 & I could easily see myself coming back to rewatch this show over and over again.