Isto é Elvis

Although some reviewers criticize the actor renditions of Elvis's early life, how else could the creators, Malcolm Leo and Andrew Solt, present the full story of Elvis Presley? The scene of Elvis performing to his high school music class in Memphis was a high moment for me, especially when he believed that he was so poorly regarded by his classmates and teachers. How was he able to overcome a sea of negativity and doubt in order to accomplish that task so successfully? His ability to stand before his class and then capture them with his musical talent and personal charisma was a significant turning point, not only in the film but in his life. The rest was history. Can anyone speculate what would have happened if he chose the bicycle over the guitar as his parents' birthday gift? We can all be inspired by the story of Elvis Presley.

In my humble view, this film accurately portrayed the heavy toll that enormous fame can take on a gentle human being. While other famous people have been able to overcome the constant pressures and hardships of a constant, unforgiving public eye, they may not have possessed the humanity and decency of an Elvis Presley. As exemplified by his extraordinary generosity with the Cadillac gifts, he wanted more than anything else to please others, including his adoring audiences, and when the world demanded so much from him, how could he constantly live up to their expectations?

Ed Sullivan was not condescending when he showered Elvis with praise at the end of the earth-shattering 1956 appearance on his enormously popular television show. Sullivan had been extremely reluctant to sign Elvis because he allowed others to develop his opinion of Elvis before he realized who Elvis was on his own. It was to Sullivan's credit that he finally gave the green light to Elvis, but he was also bowing to public pressure as he sought the most sensational musical performers at the time. First and foremost, Ed Sullivan was a very shrewd businessman.

As in the case of the Beatles, I never understood what all of the screaming and shrieking was about, but I always loved the music of Elvis Presley. For me, Elvis will always be the king of rock n roll. In spite of all of his flaws as a human being, he will live as one of the greatest musical performers of my time. Not only did this film provide a very deep insight into the life and challenges of one of the greatest stars in modern music, but it also highlighted some of my favorite Elvis tunes, including "Always on My Mind", "Suspicious Minds", and "Don't Be Cruel". Even when Elvis messed up the lines of "Are You Lonesome Tonight", he could sing a song like no other. As "An American Trilogy" plays in the background, the white Cadillac funeral procession through the streets of a bereaved Memphis, the city he loved so dearly, will always leave an indelible impression on my mind. Rest in peace, Elvis. We will never forget you.

I remember when this film first appeared on HBO in the early eighties. I was never a huge Elvis fan, but found myself watching this film every time it came on. It is a fascinating portrait of a man thrust into overwhelming fame and fabulous wealth and how it eventually destroys him. The "recreations" are very well done and the film as a whole is very balanced in it's view of Elvis' life. It neither canonizes nor trashes him, but shows him as an ordinary guy dealing with extraordinary fame. The longer version now available on video is nice, but I miss the late concert performance where Elvis, sick, overweight, and bathed in sweat, forgets the lyrics of "Are You Lonesome Tonight?" and nervously "wings it". Maybe that was too much truth, even for this documentary.

This Is Elvis (1981)

*** 1/2 (out of 4)

Malcolm Leo and Andrew Solt co-directed this very interesting and entertaining mix of a documentary and played out drama. What we basically have is a look at the life of Elvis Presley with the film starting and ending on his death. Throughout the documentary we get countless clips from television shows, movies and concerts while at the same time seeing various stages of his life where he's being played by actors.

THIS IS ELVIS was released a few years after the death of Elvis and I'm sure at the time it was a refreshing reminder of the talent that was cut short. When viewing the film today one must really be impressed with the footage that the directors threw in here as well as how they ended up showing the life and death of this icon. The documentary works wonderfully well because you really do get to see the rise of Elvis through his clips, the controversy he faced and how he eventually became the King of Rock and Roll.

For me the greatest thing about this was the collection of musical performances. We see his earliest performances on television as well as some clips from his comeback special and of course footage from one of the last concerts he did. All of this footage is evidence that no matter what era Elvis was in, his look might be different but that brilliant voice is still right there and as powerful as ever.

The "acting" scenes are also quite good and especially one at the start of the picture when the Colonel is made aware that Elvis has died. I was actually pretty shocked at how well these scenes played out as they're both entertaining and work well as drama. THIS IS ELVIS is a film that fans often call one of the best documentaries on the man.

"This is Elvis" is an interesting and fantastic documentary to watch even if you are not an Elvis fan.

As an Elvis fan, I am very critical when it comes to inaccuracies about his life. I found this documentary to be very accurate and honest with the way it told the story of Elvis' life. The blend of actual Elvis footage along with very believable reenactments makes the documentary flow with continuity and excitement.

In addition, the song selections that accompanied the various video sequences were always right on the money. It was like watching Elvis' life story being told through entertaining and poignant music videos.

One thing I respected about the documentary, although difficult to watch, was the way the creators did not try to candy-coat the details of the sad way Elvis' life began to spiral down a self-destructive path during the 70's until his untimely death at the age of 42.

All in all, "This is Elvis" is a very entertaining, empathetic, and honest look at the life of Elvis Presley; the American Icon who rightfully earned the title as the King of Rock 'n Roll.

Very good documentary from Malcolm Leo and Andrew Solt on Elvis Presley's life, as "narrated" by Presley from beyond, in the voice of sound-alike impersonator Ral Donner (who doesn't sound exactly like Elvis if you're someone who's really become familiarized with Presley's speaking voice). Anyway, this is essential viewing for fans, naturally, but even for those who aren't big followers of Elvis. It shows the rise and fall of a music legend, and along the way are a plethora of choice musical performance clips, interviews, home movies, and montages.

The one thing that has always bugged me slightly about this film are the occasional "faked" interviews supposedly done with fans at various times over the years, like the segment after Elvis and Priscilla got married in 1967. This was completely unnecessary, and some of the re-enactments with a phony Presley supposedly walking around his hospital with his current girlfriend Ginger are equally silly and not needed. The movie hit theaters in 1981 at around 100 minutes, but for home video in 1983 there were an additional 40 or so minutes of performance clips added, which is the version I watched, and is the one this review is based on. In the theatrical version, an original line is left intact during a backstage Elvis exchange where he says that the girl he had the other night "gave great head"; on the extended version, this is overdubbed into "could raise the dead". Another change regards a song switch during Elvis' final 1977 concert... originally, the film had him singing "Are You Lonesome Tonight" where he's nervously laughing and screwing up the lyrics; in this edition it is changed to the less embarrassing "Love Me". Perhaps the shorter theatrical edition might work even better, since the 144 minute cut does feel occasionally padded in the earlier years. Whatever the cut chosen, it's still an important and vital piece of music history. ***1/2 out of ****