AVALIAÇÃO DA IMDb
7,6/10
1,7 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThe life and career of Elvis Presley are chronicled in home movies, concert footage, and dramatizations.The life and career of Elvis Presley are chronicled in home movies, concert footage, and dramatizations.The life and career of Elvis Presley are chronicled in home movies, concert footage, and dramatizations.
- Direção
- Roteiristas
- Artistas
Elvis Presley
- Self
- (cenas de arquivo)
- (não creditado)
Ral Donner
- Elvis Presley - Narration
- (narração)
Joe Esposito
- Self - Narration
- (narração)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Very good documentary from Malcolm Leo and Andrew Solt on Elvis Presley's life, as "narrated" by Presley from beyond, in the voice of sound-alike impersonator Ral Donner (who doesn't sound exactly like Elvis if you're someone who's really become familiarized with Presley's speaking voice). Anyway, this is essential viewing for fans, naturally, but even for those who aren't big followers of Elvis. It shows the rise and fall of a music legend, and along the way are a plethora of choice musical performance clips, interviews, home movies, and montages.
The one thing that has always bugged me slightly about this film are the occasional "faked" interviews supposedly done with fans at various times over the years, like the segment after Elvis and Priscilla got married in 1967. This was completely unnecessary, and some of the re-enactments with a phony Presley supposedly walking around his hospital with his current girlfriend Ginger are equally silly and not needed. The movie hit theaters in 1981 at around 100 minutes, but for home video in 1983 there were an additional 40 or so minutes of performance clips added, which is the version I watched, and is the one this review is based on. In the theatrical version, an original line is left intact during a backstage Elvis exchange where he says that the girl he had the other night "gave great head"; on the extended version, this is overdubbed into "could raise the dead". Another change regards a song switch during Elvis' final 1977 concert... originally, the film had him singing "Are You Lonesome Tonight" where he's nervously laughing and screwing up the lyrics; in this edition it is changed to the less embarrassing "Love Me". Perhaps the shorter theatrical edition might work even better, since the 144 minute cut does feel occasionally padded in the earlier years. Whatever the cut chosen, it's still an important and vital piece of music history. ***1/2 out of ****
The one thing that has always bugged me slightly about this film are the occasional "faked" interviews supposedly done with fans at various times over the years, like the segment after Elvis and Priscilla got married in 1967. This was completely unnecessary, and some of the re-enactments with a phony Presley supposedly walking around his hospital with his current girlfriend Ginger are equally silly and not needed. The movie hit theaters in 1981 at around 100 minutes, but for home video in 1983 there were an additional 40 or so minutes of performance clips added, which is the version I watched, and is the one this review is based on. In the theatrical version, an original line is left intact during a backstage Elvis exchange where he says that the girl he had the other night "gave great head"; on the extended version, this is overdubbed into "could raise the dead". Another change regards a song switch during Elvis' final 1977 concert... originally, the film had him singing "Are You Lonesome Tonight" where he's nervously laughing and screwing up the lyrics; in this edition it is changed to the less embarrassing "Love Me". Perhaps the shorter theatrical edition might work even better, since the 144 minute cut does feel occasionally padded in the earlier years. Whatever the cut chosen, it's still an important and vital piece of music history. ***1/2 out of ****
Although some reviewers criticize the actor renditions of Elvis's early life, how else could the creators, Malcolm Leo and Andrew Solt, present the full story of Elvis Presley? The scene of Elvis performing to his high school music class in Memphis was a high moment for me, especially when he believed that he was so poorly regarded by his classmates and teachers. How was he able to overcome a sea of negativity and doubt in order to accomplish that task so successfully? His ability to stand before his class and then capture them with his musical talent and personal charisma was a significant turning point, not only in the film but in his life. The rest was history. Can anyone speculate what would have happened if he chose the bicycle over the guitar as his parents' birthday gift? We can all be inspired by the story of Elvis Presley.
In my humble view, this film accurately portrayed the heavy toll that enormous fame can take on a gentle human being. While other famous people have been able to overcome the constant pressures and hardships of a constant, unforgiving public eye, they may not have possessed the humanity and decency of an Elvis Presley. As exemplified by his extraordinary generosity with the Cadillac gifts, he wanted more than anything else to please others, including his adoring audiences, and when the world demanded so much from him, how could he constantly live up to their expectations?
Ed Sullivan was not condescending when he showered Elvis with praise at the end of the earth-shattering 1956 appearance on his enormously popular television show. Sullivan had been extremely reluctant to sign Elvis because he allowed others to develop his opinion of Elvis before he realized who Elvis was on his own. It was to Sullivan's credit that he finally gave the green light to Elvis, but he was also bowing to public pressure as he sought the most sensational musical performers at the time. First and foremost, Ed Sullivan was a very shrewd businessman.
As in the case of the Beatles, I never understood what all of the screaming and shrieking was about, but I always loved the music of Elvis Presley. For me, Elvis will always be the king of rock n roll. In spite of all of his flaws as a human being, he will live as one of the greatest musical performers of my time. Not only did this film provide a very deep insight into the life and challenges of one of the greatest stars in modern music, but it also highlighted some of my favorite Elvis tunes, including "Always on My Mind", "Suspicious Minds", and "Don't Be Cruel". Even when Elvis messed up the lines of "Are You Lonesome Tonight", he could sing a song like no other. As "An American Trilogy" plays in the background, the white Cadillac funeral procession through the streets of a bereaved Memphis, the city he loved so dearly, will always leave an indelible impression on my mind. Rest in peace, Elvis. We will never forget you.
In my humble view, this film accurately portrayed the heavy toll that enormous fame can take on a gentle human being. While other famous people have been able to overcome the constant pressures and hardships of a constant, unforgiving public eye, they may not have possessed the humanity and decency of an Elvis Presley. As exemplified by his extraordinary generosity with the Cadillac gifts, he wanted more than anything else to please others, including his adoring audiences, and when the world demanded so much from him, how could he constantly live up to their expectations?
Ed Sullivan was not condescending when he showered Elvis with praise at the end of the earth-shattering 1956 appearance on his enormously popular television show. Sullivan had been extremely reluctant to sign Elvis because he allowed others to develop his opinion of Elvis before he realized who Elvis was on his own. It was to Sullivan's credit that he finally gave the green light to Elvis, but he was also bowing to public pressure as he sought the most sensational musical performers at the time. First and foremost, Ed Sullivan was a very shrewd businessman.
As in the case of the Beatles, I never understood what all of the screaming and shrieking was about, but I always loved the music of Elvis Presley. For me, Elvis will always be the king of rock n roll. In spite of all of his flaws as a human being, he will live as one of the greatest musical performers of my time. Not only did this film provide a very deep insight into the life and challenges of one of the greatest stars in modern music, but it also highlighted some of my favorite Elvis tunes, including "Always on My Mind", "Suspicious Minds", and "Don't Be Cruel". Even when Elvis messed up the lines of "Are You Lonesome Tonight", he could sing a song like no other. As "An American Trilogy" plays in the background, the white Cadillac funeral procession through the streets of a bereaved Memphis, the city he loved so dearly, will always leave an indelible impression on my mind. Rest in peace, Elvis. We will never forget you.
"This is Elvis" is one of the oddest "documentaries" I've ever seen. Using extensive archival footage, mixed with recreations shot to look like archival footage, the film looks at the rise of fall of Elvis.
The problem is that the recreation footage comes off as bad TV movie of the week, standing in stark contrast to the original, compelling material presented in the piece.
The success of "This is Elvis" was the impetus behind the current style of historical documentaries that attempt to recreate drama where no original footage exists to illustrate it. In that sense, "This is Elvis" looks a bit embarrassing at times, since it doesn't have the slickness of more contemporary "docu-drama-documentaries" in the genre.
What I'm waiting for is an Elvis documentary done with the taste and skillfullness of the "Beatles: Anthology" mini-series aired on ABC.
The problem is that the recreation footage comes off as bad TV movie of the week, standing in stark contrast to the original, compelling material presented in the piece.
The success of "This is Elvis" was the impetus behind the current style of historical documentaries that attempt to recreate drama where no original footage exists to illustrate it. In that sense, "This is Elvis" looks a bit embarrassing at times, since it doesn't have the slickness of more contemporary "docu-drama-documentaries" in the genre.
What I'm waiting for is an Elvis documentary done with the taste and skillfullness of the "Beatles: Anthology" mini-series aired on ABC.
I remember when this film first appeared on HBO in the early eighties. I was never a huge Elvis fan, but found myself watching this film every time it came on. It is a fascinating portrait of a man thrust into overwhelming fame and fabulous wealth and how it eventually destroys him. The "recreations" are very well done and the film as a whole is very balanced in it's view of Elvis' life. It neither canonizes nor trashes him, but shows him as an ordinary guy dealing with extraordinary fame. The longer version now available on video is nice, but I miss the late concert performance where Elvis, sick, overweight, and bathed in sweat, forgets the lyrics of "Are You Lonesome Tonight?" and nervously "wings it". Maybe that was too much truth, even for this documentary.
Released in 1981, "This is Elvis" is a documentary covering the rise and fall of Presley made only 3 years after his death and released in 1981. Extensive archival footage is mixed with recreations using actors standing in for Elvis, as well as some recreations shot to look like archival footage.
While some people complain about the recreations and say they "don't work," I didn't have a problem with them, at least not the ones where actors play Elvis as a youth. After all, without these sequences we wouldn't get to picture Elvis playing in front of a high school class or playing with black friends on the industrial side of Memphis, etc.
The original theatrical version runs 101 minutes while the later TV version added 43 minutes. The former is less "family friendly," depicting the way it really was without censure. For instance, Elvis is shown saying a couple off-color things about his sexual escapades with women on the road. A short time later the narration depicts him lamenting his divorce from Priscilla in 1973, four years before his death in 1977. The made-up monologue makes it sound like Elvis wasn't sure what caused them to grow apart and eventually split. Gee, he might want to quit having adulterous liaisons on the road. That might help. Anyway, the 144-minute TV version cuts these types of things and homogenizes the film for family viewing. It even omits the blubbering "Lonesome Tonight" song from his final concert, which is a must-see. The shorter version is just more gritty and authentic, the way a rock n' roll documentary should be.
One great scene is the interview with Elvis' former body guards who wrote a book dissin' him. They were like family for years and understandably felt betrayed. One testifies in the interview that he confronted Presley about his ongoing drug dependency and Elvis finally admitted that he "needed them." A minute later you see the ex-body guard wiping the tears from his eyes.
As he aged Elvis was on a spiritual quest and was quoted saying to his hairdresser: "I mean there has to be a purpose ... there's got to be a reason ... why I was chosen to be Elvis Presley. ... I swear to God, no one knows how lonely I get. And how empty I really feel." He thus was preoccupied by such matters for much of the rest of his life, taking trunk-loads of books with him on the road.
In his last performance in the documentary it shows Elvis playing for the first time after gaining weight and, for some reason, I was expecting a really fat Elvis, but that wasn't the case at all. Yes his face is bloated and sweaty, but he's clearly only about 25 pounds overweight. Maybe he was heavier before the show and got in shape a bit before the event, I don't know, but he was by no means grotesquely overweight, not at all. Last night I went to a concert and saw some middle-aged men; now they were grossly overweight.
Despite Elvis' bad movies, drug addiction and adulteries, he was an amiable, fascinating and talented individual and "This is Elvis" fully demonstrates why he was and is "The King of Rock & Roll."
GRADE: A-
While some people complain about the recreations and say they "don't work," I didn't have a problem with them, at least not the ones where actors play Elvis as a youth. After all, without these sequences we wouldn't get to picture Elvis playing in front of a high school class or playing with black friends on the industrial side of Memphis, etc.
The original theatrical version runs 101 minutes while the later TV version added 43 minutes. The former is less "family friendly," depicting the way it really was without censure. For instance, Elvis is shown saying a couple off-color things about his sexual escapades with women on the road. A short time later the narration depicts him lamenting his divorce from Priscilla in 1973, four years before his death in 1977. The made-up monologue makes it sound like Elvis wasn't sure what caused them to grow apart and eventually split. Gee, he might want to quit having adulterous liaisons on the road. That might help. Anyway, the 144-minute TV version cuts these types of things and homogenizes the film for family viewing. It even omits the blubbering "Lonesome Tonight" song from his final concert, which is a must-see. The shorter version is just more gritty and authentic, the way a rock n' roll documentary should be.
One great scene is the interview with Elvis' former body guards who wrote a book dissin' him. They were like family for years and understandably felt betrayed. One testifies in the interview that he confronted Presley about his ongoing drug dependency and Elvis finally admitted that he "needed them." A minute later you see the ex-body guard wiping the tears from his eyes.
As he aged Elvis was on a spiritual quest and was quoted saying to his hairdresser: "I mean there has to be a purpose ... there's got to be a reason ... why I was chosen to be Elvis Presley. ... I swear to God, no one knows how lonely I get. And how empty I really feel." He thus was preoccupied by such matters for much of the rest of his life, taking trunk-loads of books with him on the road.
In his last performance in the documentary it shows Elvis playing for the first time after gaining weight and, for some reason, I was expecting a really fat Elvis, but that wasn't the case at all. Yes his face is bloated and sweaty, but he's clearly only about 25 pounds overweight. Maybe he was heavier before the show and got in shape a bit before the event, I don't know, but he was by no means grotesquely overweight, not at all. Last night I went to a concert and saw some middle-aged men; now they were grossly overweight.
Despite Elvis' bad movies, drug addiction and adulteries, he was an amiable, fascinating and talented individual and "This is Elvis" fully demonstrates why he was and is "The King of Rock & Roll."
GRADE: A-
Você sabia?
- CuriosidadesAt the time of its release, the film included lots of very rare and never-before-seen footage of Elvis Presley.
- Erros de gravaçãoWhen Elvis pulls up to the house in the beginning, his girlfriend gets out of the car wearing a maroon pantsuit. When he opens the door and they enter the house, she is wearing blue shorts and a blue workout suit jacket. This was due to scenes that were not used in the film, as this scene also shows Elvis going in the front door; then the next scene shows him coming through Graceland from the back entrance, passing the front door from the inside before heading upstairs. This can be explained by noting Elvis's last hours. He came home, played racquetball in the racquetball building before entering Graceland from the rear entrance and then retreating to his room. This also explains the different clothes that the Ginger Alden character wears.
- Citações
Pauline Nicholson: [Elvis and Ginger prepare to go upstairs to his bedroom, passing the kitchen doorway, where Pauline is seated at the table] Mr. P, can I get you some sandwiches?
Elvis at 42: [waves] That'd be fine, Pauline.
- Cenas durante ou pós-créditosCertain sequences in this film were recreated.
- Versões alternativasHome video and some cable TV versions run 143 minutes and contain additional material not in theatrical release, such as censored footage from Elvis' 1968 comeback special, and an additional number from his final concert. It does, however, delete "Are You Lonesome Tonight".
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- How long is This Is Elvis?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- This Is Elvis
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 5.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 2.028.612
- Fim de semana de estreia nos EUA e Canadá
- US$ 429.146
- 12 de abr. de 1981
- Faturamento bruto mundial
- US$ 2.028.612
- Tempo de duração
- 1 h 41 min(101 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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