Lua Sangrenta

"Bloody Moon" aka. "Die Säge Des Todes" (literal translation: "The Saw Of Death") of 1981 is a gory slasher from exploitation's most prolific filmmaker - Jess Franco. I personally am a big Jess Franco fan, and it must be said that his repertoire of 180+ films ranges from brilliant ("Venus In Furs", "Count Dracula",...) to poor ("Sadomania"). "Bloody Moon" is not one of his truly great movies, but it is definitely a highly entertaining and gruesome flick that should not be missed by fans of gory European Horror exploitation. For Franco standards, this film does not feature a lot of sleaze, but even more gruesome brutality and graphic gore in exchange.

The movie takes place in a language school in Spain, where a bunch of hot German girls are enjoy the sun, alcohol and sex more than practicing the Spanish language. A maniac is loose in the little Iberian paradise, however. A maniac who enjoys murdering pretty young girls in most atrocious ways...

The movie begins a bit slow, but it gets really nasty and brutal later, and actually becomes quite suspenseful. The performances are, of course, not top-notch, but they're not terrible either, and actually quite good regarding what can be expected from young actresses most of whom never appeared in another movie. Furthermore, I found some of the performances amazingly convincing. Sexy Olivia Pascal fits very well in the leading role, for example. Director Franco also once again has a cameo appearance in the beginning of the movie. The eerie score composed by Gerhard Heinz, who has also composed the scores for a bunch of mainstream productions, is probably the greatest aspect of the film, and makes the whole thing a lot more atmospheric.

All said, "Bloody Moon" is a brutal little slasher that I recommend to my fellow Eurohorror buffs, especially Jess Franco fans should not miss it!

Bloody Moon is a rare combination of American style slasher and giallo a la Jess Franco.The director most famous for his exploitation films.As far as I can recall the only other film I have seen from him is Venus in Furs.It could very well be that I have seen more titles from him without realizing.He seems to have made quite a few.But one thing I know for sure he is without doubt one of the worst directors I have come across that surprisingly is still very active in the industry.And that can be explained because he has made some films that are in a league of their own .Mostly because he mixes up the genres in a way that is rarely done.What does that mean for Bloody Moon?A slow pace and severe lack of tension and thrills that make it a real task to stay interested.The excessive gory deaths and some clever twists and turns oddly aren't enough to make you overlook that.It doesn't help also that the characters aren't really interesting apart from two key players looking very similar to James Caan and Brad Dourif in their younger years.Now there is one scene that was unexpectedly thrilling involving a little boy.You will find yourself rooting for this boy.It's a mystery in itself that this boy suddenly was so curious that he decided to investigate in the first place.But it shows that Jess Franco is able to create tense scenes.Too bad it is the only one in the whole film that is filled with real tension.With some tighter plotting and direction Bloody Moon could have become a real classic.Now it is an unremarkable hybrid of slasher and giallo that will bore you to death.

A derivative but strangely appealing slasher flick from that auteur of Spanish sleaze and zoom lens-inspired madness, Jess Franco, which opens with a masked killer murdering a young girl and being sent to an asylum for the crime - just to prove that Franco's copying HALLOWEEN a little bit too much, we even see POV shots from the killer looking through the eyeholes in his mask! From then on, BLOODY MOON a cheap and nasty swathe through a series of badly-acting young women, as a mysterious villain murders them off one by one. Despite being set in a language school, there are never more than four or five girls around at time, which somewhat betrays Franco's low budget roots. The plot is pretty ludicrous, with a really dumb script - the English dubbing reaches new levels of absurdity with some of the trite dialogue that the girls constantly spew.

The acting isn't much better, and it's obvious that Franco picks his actresses for their looks rather than their acting ability. The identity of the killer is pretty easy to guess, especially seeing that the red herring is so obvious in this case - could it be the mysteriously scarred man who was previously convicted of murder, who constantly lurks around the school watching the girls? I don't think so. Technically, the film is rather poorly made, with sloppy editing and a tendency to shoot scenes in the dark with little lighting, making the viewing experience sometimes a test of endurance rather than genuine entertainment.

So why did I enjoy this movie? Well, it's just plain trash for sure, but Franco never expects you to think it should be anything else. BLOODY MOON is just about a series of young, sometimes naked girls being offed gorily by a perverted murderer, and that's exactly what Franco delivers. His deaths are all mean-spirited and graphically gory, which earned the film some notoriety when released in the UK - in retrospect the effects are all so cheesily staged that the fuss over such "nasties" is simply ludicrous. This is a fun, barmy and genuinely amusing slasher that doesn't pull any punches.

Bloody Moon - 1981 (This Film Rates a D- ) This film opens with Miguel, a facially disfigured man, attempt to deceive and rape a young female only to brutally kill her with a pair of scissors in her boarding room. Five years later he is released from a mental institution in the care of his sister (Manuela) and two others (the bitchy aunt in a wheelchair and Maria, the countess). Manuela runs a boarding school for young women but also has an incestuous relationship with her brother. It also features Angela who is the student now occupying that same room of the murdered student. She starts having auditory and visual hallucinations and witnesses murders. She decides to pack her bags and leave but winds up barricading herself in the room. Angela is tormented and her friends are killed. Come to find out the brother Miguel isn't really the current killer after all. The ending sequence is just crap. Ufff, the dubbing is truly horrid, over dramatic and just full of so much nonsense dialog. The acting is bad and some scenes are just laughable even though not intended to be so. Cheap and poorly done scares that only prolong the agony between kills. Another horrible cat scare tactic at the 1 hour 3 minute mark. The gore effects are decent but not often enough. What was the fake looking boulder thing at the 46:40 minute mark? There are numerous boobie scenes. Great 80's disco style soundtrack that is one of the only highlights to this film.

This movie is basically the infamous Jess Franco having a go at the American-style slasher films that were big in the early 80's, and what's most remarkable about it is how unremarkable it is. It's pretty violent, but except for one nasty knife exit wound there's nothing here that hasn't been done in hundreds of American slasher movies. Why this movie got singled out for a banning in Britain is beyond me. The most lurid thing about it is the original (very misleading)Spanish title "Colegialas Violadas". If they had tried to market it in Britain or the US under a title like that (which literally translates to "Raped Schoolgirls") I could see them banning it, but as far as I know it's always gone under the pretty innocuous English-language title "Bloody Moon". Besides there are no schoolgirls here. It's set at an adult Spanish-language school which seems to cater exclusively to incredibly dumb and slutty German and Scandinavian women. And no one would need to violate these girls--they're more sex-obsessed than the horny male teenagers in "Porky's". Why they're learning Spanish god only knows (other than to pick-up Latin disco kings at the cheesy club next door), but these girls are so stupid it's a miracle they ever learned ANY language beyond primitive clicks and grunts. One of these geniuses actually lets a masked guy she has just met tie her to a log in a saw mill ("This is kind of perverted, isn't it?"). You can pretty much guess what happens (she isn't rescued at the last minute by Shaggy and Scooby).

The girls are being stalked by two of the reddest herrings imaginable. One is a burnt youth in a Mickey Mouse mask (Walt Disney must have rolled over in his cryogenic chamber)who killed a girl years back but has been released into the care of his sexy sister for whom he harbors strong incestual feelings (Franco himself plays the psychiatrist who releases him). The other is a gardener who is always laughing maniacally and coincidentally wielding the exact same implement that has just been used to kill the latest victim. The best thing I can say about this movie it is it is so over-the-top with its dumb victims, obvious red herrings, and ridiculously gory murders that it might have actually meant to be a parody of the slasher film. It also has some competent cinematography and is relatively zoom free. It's certainly not the WORST film Franco ever made.