AVALIAÇÃO DA IMDb
7,2/10
3,4 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaSILSILA is a love story, thwarted by society's demands, which reappears as adultery but can it survive in the face of society?SILSILA is a love story, thwarted by society's demands, which reappears as adultery but can it survive in the face of society?SILSILA is a love story, thwarted by society's demands, which reappears as adultery but can it survive in the face of society?
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- 3 indicações no total
Avaliações em destaque
After the death of his elder brother, Amit finds out that his late brother's fiancée, Shobha, is pregnant. Taking pity on the devastated young woman, he decides to marry her, leaving behind the love of his life, Chandni. Chandni later marries a famous doctor. An accident during which Shobha loses her child and is taken care of by Chandni's husband, causes Amit and Chandni to meet again. There begins a new extramarital relationship between the two, through which the story deepens and grows.
This is Silsila, Yash Chopra's take on relationships and adultery in a modern 80s India. A romantic drama, it is quiet, serious and focused, and is shot beautifully like every other movie made by Chopra. What I particularly appreciated about this film was the matter-of-factness with which it was made and executed. There was not any overdone melodrama, no unnecessary subplots, and the writing did not go overboard. The story is simple to follow, the script and the characters are very well written, and the film is generally subtly made.
Chopra's portrayal of relationships is very well done. The dialogues are excellent. At times some proceedings were difficult to relate to or identify with, but who knows, maybe one should really be in a particular situation to understand its meaning and its effect on people at times of pressure. This is the reason I believed the story. Leaving the seriousness aside, as a film, Silsila is simply entertaining. It flows well, it is interesting, and is aided by several melodious and memorable songs composed by Shiv-Hari.
Rumour had it that Silsila was based on the true triangular story of Amitabh-Jaya-Rekha. Jaya Bhaduri is Bachchan's real-life wife and Rekha was rumoured to have been involved with him back then in an extramarital affair. This adds to the film's authenticity, but more than anything, the acting is natural to make it work the way it did. Bachchan is as great as always. Jaya Bhaduri is brilliant as his intelligent, sensible and smart wife Shobha, and displays her character's fear, strength and determination with great depth and conviction and as naturally as ever. Rekha gets less scope, yet she is wonderful in her restrained portrayal of Chandni. She is extremely beautiful and acts with grace.
Silsila has some other limited appearances by Shashi Kapoor and Sanjeev Kumar, the former being fine and the latter being exceptional. The main complaint with the film was its ending, but I quite liked it. The viewers must have been torn between two probable versions. The reason behind Amit's decision was a bit unjustifiable, but anyway, this is one of the better and more interesting works of Yash Chopra. It is well written, directed and acted. I recommend.
This is Silsila, Yash Chopra's take on relationships and adultery in a modern 80s India. A romantic drama, it is quiet, serious and focused, and is shot beautifully like every other movie made by Chopra. What I particularly appreciated about this film was the matter-of-factness with which it was made and executed. There was not any overdone melodrama, no unnecessary subplots, and the writing did not go overboard. The story is simple to follow, the script and the characters are very well written, and the film is generally subtly made.
Chopra's portrayal of relationships is very well done. The dialogues are excellent. At times some proceedings were difficult to relate to or identify with, but who knows, maybe one should really be in a particular situation to understand its meaning and its effect on people at times of pressure. This is the reason I believed the story. Leaving the seriousness aside, as a film, Silsila is simply entertaining. It flows well, it is interesting, and is aided by several melodious and memorable songs composed by Shiv-Hari.
Rumour had it that Silsila was based on the true triangular story of Amitabh-Jaya-Rekha. Jaya Bhaduri is Bachchan's real-life wife and Rekha was rumoured to have been involved with him back then in an extramarital affair. This adds to the film's authenticity, but more than anything, the acting is natural to make it work the way it did. Bachchan is as great as always. Jaya Bhaduri is brilliant as his intelligent, sensible and smart wife Shobha, and displays her character's fear, strength and determination with great depth and conviction and as naturally as ever. Rekha gets less scope, yet she is wonderful in her restrained portrayal of Chandni. She is extremely beautiful and acts with grace.
Silsila has some other limited appearances by Shashi Kapoor and Sanjeev Kumar, the former being fine and the latter being exceptional. The main complaint with the film was its ending, but I quite liked it. The viewers must have been torn between two probable versions. The reason behind Amit's decision was a bit unjustifiable, but anyway, this is one of the better and more interesting works of Yash Chopra. It is well written, directed and acted. I recommend.
Silsila is based on the true story of Amitabh, Jaya, and Rekha. As with many great movies that don't follow the typical Bollywood format this was a big flop when it was released, and yet there is no one today who hasn't seen it. Like most Yash Chopra films this one looks great and so are the songs, especially the first two: "sar se sareke" and "ladki hai yaa sholaa" (I probably didn't spell that right). Unlike most of Amitabh's films this is more of an ensemble piece and the whole cast delivers. Amitabh gives a powerhouse performance as the poet whose life is suddenly shattered and he's forced to give up his happiness for Jaya. Jaya is also perfect and matches him all the way. Sanjeev Kumar steals every scene he's in especially the one at the airport with Rekha and the one when he's talking to Jaya at the hospital. Rekha is good although her performance is the weakest of the four. Shashi Kapoor does what he can in his small role. The subject matter was handled nicely by the writers (they never get too preachy) and there are many scenes, especially the ones between Amit and Jaya, and Rekha and Jaya where you wonder how that scene took place in real life. They also succeed with making you sympathize with all 4 individuals - (that might be why they were all willing to make the movie). I give this movie a 9 out of 10. The only thing that stops me from giving it a 10 is the ending. We aren't given a reason as to why Amitabh makes the decision that he makes. Also the big revelation from Jaya at the end of the movie doesn't really make sense. Apart from that the movie is flawless and a must see.
I always wanted to watch this movie as i am a huge fan on Amit ji and Rekha ji. Finally watched the movie and here is what I felt.
Amazing movie, great dialogs and amazing poetry, every actor is fantastic. Hate for the character of 'SHOBHA from bottom of my heart!!!
The ENDING makes no sense in present time but yah respect for the boldness of director and writer for creating such an unique story back then.
Honestly I don't like the ending. Its so sad to see such stories where at the end social stereotypes win over human emotions and feelings..
I hate Shobha!!!!!!! She truly is the problem.
Amazing movie, great dialogs and amazing poetry, every actor is fantastic. Hate for the character of 'SHOBHA from bottom of my heart!!!
The ENDING makes no sense in present time but yah respect for the boldness of director and writer for creating such an unique story back then.
Honestly I don't like the ending. Its so sad to see such stories where at the end social stereotypes win over human emotions and feelings..
I hate Shobha!!!!!!! She truly is the problem.
I've been dreaming of watching Silsila since 1981 and recently it has come true. I read an annotation in CineBlitz and Yash Chopra's interview in one of the Russian newspapers and thus expected to see something outstanding. Unfortunately I was disappointed at the plot. Shobha turned out to be a 100% selfish person. Amit was striving for his happiness and love but did not have enough strength and courage to win. Chandni was tearing apart yet she made her choice however Amit betrayed her again... Yash Chopra challenged moral principles speaking about adultery but even here those principles (or maybe stereotypes??) were not broken. How happy Amit and Chandni were when dancing at the festival! Do they not deserve to be together? I think they do. And remember the last words of Amit that he has burned his love and that Shobha is his wife and he is her husband. Looks like there is no parallel between love and marriage. And that is sad. However I got a pleasure from watching the movie. Nice actors and tears-provoking acting but not good to watch second time due to the above said.
This movie was billed as a true story when it came out. Even though it is still a masala Bollywood movie, it has some striking resemblences to the life story of the leading ladies and the hero, Amitabh Bachan. In real life Amitabh had an affair with Rekha while married to Jaya Bhaduri. The movie version follows the same script, except adds many secondary characters, such as Sanjeev Kumar as Rekha's husband. Jaya Bhaduri gives a passable performance, while rekha and Amitabh both overact. There are a lot of unnecessary fantasy sequences shot in the Tulip farms in Holland which have no relevance to the rest of the movie. Camera work leaves a lot to be desired. In spite of all this, this movie remains interesting because it dared to treat the theme of extramarital romance when such topics were taboo in Bollywood.
Você sabia?
- CuriosidadesThe song "Neela Aasman" is actually based on a tune that Shammi Kapoor and Amitabh Bachchan composed together while shooting for A Voz da Consciência (1975). During the making of A Sinceridade dos Sentimentos (1981), Amitabh Bachchan called Shammi Kapoor to ask permission to use the tune. Shammi Kapoor had totally forgotten about it, and when reminded, he happily said: "Go ahead! Do whatever you want to with it!".
- Citações
Amit Malhotra: I and my solitude often discuss / How it would have been if you were here / You would be amazed at this, you would laugh at that / If you were here this would happen, if you were here that would happen / I and my solitude often discuss...
- Trilhas sonorasDekha Ek Khwab
Sung by Kishore Kumar and Lata Mangeshkar
Composed by Shiv Kumar Sharma and Hariprasad Chaurasia
Lyrics by Javed Akhtar
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- How long is Silsila?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Silsila
- Locações de filme
- Keukenhof Tulip Gardens, Lisse, Th Netherlands(Garden Scene in song)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 3 h 2 min(182 min)
- Mixagem de som
- Proporção
- 1.33 : 1
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