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I must admit I was quite impressed with Bob Rafelson's adaptation of the depression era novel, "The Postman Always Rings Twice". Jack Nicholson plays Frank, a vagabond who eventually falls in love with a sexy waitress named Cora,played by Jessica Lange, who reciprocates this love. However, there is one problem standing in the way: Cora is married, unhappily married, but married nonetheless.

Aside from an intriguing story, "The Postman Always Rings Twice" is a wonderfully put together film, as Rafelson does a splendid job delving into the characters and their relationships, as well as examining the problems associated with forbidden love. As a viewer, you truly feel the passion between Lange and Nicholson,(who both won academy award nominations), and you almost feel for their pain. In the 1930's women in America were at quite a different position than they are today. They were expected to stay with the husband no matter what the circumstances, as divorce was quite uncommon. Lange was very convincing as this trapped 30's woman who eventually broke free the only way she knew possible..

I definitely recommend "The Postman Always Rings Twice" for any fan of entertaining and thought-provoking movies. Although the character development is not quite as extensive as some of Rafelson's early work, particularly the 1971 classic "Five Easy Pieces", the movie combines an intriguing screenplay with superb acting to make its own statement.

Twice is nice. Hollywood had to try twice to get this story right. Lana Turner was beautiful in the 1946 version, but Jessica Lange was something to kill for opposite Jack Nicholson.

Such raw sensuality would easily persuade a man to lose his very soul. Nicholson's part is certainly unscrupulous to begin with, but in Jessica Lange he finds a confederate with even less scruples. The legal loose ends that dangled in the earlier version are avoided this time with a more plausible chain of events... and the story ends when the story ought to end, instead of being dragged on.

Wonderful character and situation development, intriguing and engaging, even when you know the story. Nice twists of the story from the Lana Turner and Italian ("Ossessione" 1943) versions.

Immensely watchable, this remake of the 1940s classic is sexed up by writer David Mamet and director Bob Rafelson. Jack Nicholson is a drifter who ingratiates himself into the lives of roadside diner/gas station owner John Colicos and his impossibly sexy wife Jessica Lange. Soon Lange and Nicholson are having sex EVERYWHERE...and plotting to bump off Colicos. Aided by great cinematography by Sven Nykvist and very evocative production design by George Jenkins, Rafelson manages to capture James M. Cain's ironic novel and all it's sordidness. Nicholson is terrific but Lange gives a career making performance...this is the movie that put her on the map after the KING KONG debacle. There are times when she acts Nicholson off the screen. Colicos is fine, if a bit old for his role and Michael Lerner is in it too. Anjelica Huston has a really odd cameo as a lion tamer!

The Postman Always Rings Twice (1981)

** (out of 4)

Considering the talent in front of and behind the camera, there's really no way to look at this adaptation of the James M. Cain novel as anything but a disappointment. In the film, Jack Nicholson plays drifter Frank Chambers who enters the lives of Cora (Jessica Lange) and her much older husband Nick (John Colicos). Soon the drifter and Cora start up a sexual relationship, which leads to them planning the murder of the husband. This here would be the fourth version of the classic story and the second one filmed in America. Unlike the previous versions, director Bob Rafelson didn't have to worry about censors but even so this version isn't nearly as hot as the earlier one with Lana Turner. Outside a rather intense sex scene towards the start of the picture, this thing really never takes off, which is too bad because they've got a terrific cast and some beautiful settings but in the end the film is just flat. I think the first forty- five minutes are the best thing in the film as we see the love triangle set up and there's no question that the director has the look of the era down perfectly. I thought the setting really added a lot of atmosphere but sadly very little else happens. Nicholson was the perfect choice to play a drifter but the screenplay really doesn't give him too much to work with. Lange is clearly the best thing in the movie as she delivers a sexual charge to the thing. Colicos is also extremely good as the husband in a strong supporting performance. What really hurts the film is the second half because the director never really makes us believe or feel anything for the two leads. Are we supposed to hate them for what they've done? Are we supposed to be rooting for them to get away with the murder and live happily ever after? The entire second half of the film features way too many dialogue scenes that lead no where and in the end the "romance" that starts to bloom towards the end just never fully works. The film isn't nearly as bad as its reputation but at the same time there's no question that it's a major disappointment and a bitter feeling takes over when you think about what could have been.

The story of a drifter working on a by the road dinner, and the owner's wife, disenchanted with her marriage sets upon herself to seduce the drifter in the hopes of a more satisfying relationship.

This is the base of the script, in which Jessica Lange and Jack Nicholson shine in their performances bringing different dimensions to their characters and, in true, bringing them to life.

Frank Chambers (Jack Nicholson) is a bored drifter, with some jail time under his belt not looking for anything in particular. He gets enchanted by Cora (Jessica Lange) and ends up doing everything for them to be together.

I think Jack Nicholson is an outstanding performer and it shows here some glimpses of what he will put in The Shining later on.

I also particularly liked John P. Ryan in the small supporting role of Kennedy where we can see in him the double-stabbing typical that he will show in later roles.

All in all it is a good movie, but I don't consider it as being erotic. Maybe for 1980's standards, but even so I doubt it.