Jogo da Morte

Apparently a *construction company* produced this film? Well, that makes just about as much sense as anything.

The movie starts with shots of a Rottweiler attacking a person who is prostrate on the ground. Then, we're at the funeral of a woman. Hester shows up, and her voice is instantly recognizable as that of the actress who played Lily Munster: yes, it is she.

She is the late woman's sister, and she is not well liked by her sister's children.

Hester is rich, and she is angry at her sister and her niece and nephew, because she had had a relationship with her sister's husband prior to their marriage., and she feels she would have been better for him. He died years ago, but she has a place of honor in her house for a photo of him, and she likes to imagine herself dancing with him in slow motion in front of a mirror.

Hester owns a Rottweiler that she brought back with her from Europe. She also dabbles in black magic of some kind. She left a necklace with a pentagram on it in her sister's casket. The dog also has one on its collar. The dog also does things in slow motion.

Hester gives the dog to her niece, and pretends that she cares about her niece and nephew now that her sister has passed on. However, she does rituals involving blood and chanting Latin in order to remotely cause the dog to bring about the deaths of her nephew, her niece's neighbor and boyfriend and others.

The movie doesn't really have any resolution at the end. A real non-ending, not setting up a sequel, but just petering out without letting us know what happened to some of the main characters.

I expected at best a kind of Poor man's CUJO or something in the line of WHITE DOG but I was misunderstaood. It is a horror thriller with a painful watch for me to find the great Yvonne De Carlo lost in such a mess. I loved so much De Carlo in Paramount features from the fifties, adventures little gems made in Technicolor, and it it hurts me to assist to her downfall in such grade Z films. She is still beautiful for her age. That's the only thing that I will remember from this film. Just the last minutes are interesting.

In PLAY DEAD, Hester (Yvonne De Carlo) lives with Greta, her friendly Rottweiler. Hester just wants her family to be close, though most of them can't stand her, only wanting her vast fortune.

One day, Hester decides to use her occult powers to make things right. Soon enough, her relatives begin having terrible "accidents", seemingly caused by a big dog.

Hmmm.

The police are stumped, unable to prove anything about these "coincidences".

As Hester continues her ritualistic mumbo jumbo, her family shrinks through severe attrition.

Released through Troma, this is one of their better acquisitions. Contains semi-gory violence, nudity, and 1980's cheeeze aplenty! Though it's somewhat slow in spots, Ms. De Carlo is at her best! It's her appearance that raises this above the usual bilge...

My review was written in October 1986 after watching the movie on Academy video cassette.

"Play Dead" is an old-fashioned horror film about a killer dog. Though filmed in Texas in 1981, picture was not released until early this year.

Yvonne De Carlo toplines as Aunt Hester, a rich woman who decides to kill off her relatives. Her sister just died after years in a mental home and Hester was always jealous of her, and in love with sis' husband who also died. Bringing a rottweiler dog named Greta home from Europe, Hester gives the animal as a gift to he niece Audrey (Stephanie Dunnam) and via supernatural incantations orders the dog to kill Audrey and other family members or innocent bystanders.

Silly film unfolds leisurely as a police investigation with folksy Det. Otis (Glenn Kezer) padding out the running time with his slow-witted tracking down of clues until the dog slips a dose of lye into Otis' Alka-Seltzer. Pic's finale of Hester ironically getting her just desserts is not very exciting but is played twice, once as a flash-forward during the opening credits and later in its proper sequence.

Director Peter Wittman (who later made the comedy "Ellie") uses stop-motion slow motion footage of the dog during each attack, bu Greta remains unscary, as does the film itself. Acting is okay, with De Carlo a campy highlight. Oddly, Earl Owensby produced his much-publicized but little-seen 3-D horror opus "Rottweiler" (a/k/a "Dogs of Hell") in 1981 also, but neither production was able to extract horror from the noble breed.

I've been after this movie for a while, though mainly because of the cool VHS cover and the fact that Yvonne De Carlo is in it. Well, I finally found a copy at a market. The film didn't live up to my expectations, but I'm used to that, being a fan of low budget horror.

The film is kind of watchable and semi-interesting, but isn't much of a horror film because there are no violent deaths. The deaths are caused by the dog but in very tame ways. The plot also seems muddled and the motivation for the killings is unclear. I found the ending rather bizarre but slightly surprising.

The main reason to seek this film out as far as I'm concerned is the VHS cover (the UK one). It looks good amongst my collection of big box horror films and I love the artwork. Other than that, there's little reason to seek out this film, even for fellow fans of low-budget horror.