Movie Madness

A spoof on the movies, that looks at a growing movie, a revenge type movie and a buddy cop movie. Usually I open a review with a plot summary – with this film it would be pointless to try and summarise the plot in a meaningful way….the writers certainly couldn't do it!

Instead of a plot or a story we have three sketches that are only notable for how unfunny they manage to be. None of them manage to get beyond their original lazy setup, often they aren't even jokes – instead we are just given the situation and expected to find it funny. I never laughed once – not even a smile…..and I was in the mood for a silly spoof! The titles reveal what to expect – a childish, crude, rude and stupid focus.

The cast contains some `names' – Robert Culp, Christopher Lloyd, Rhea Perlman, Richard Widmark and a few others, but none do well. All of hamstrung by rubbish dialogue. It's almost sad to think that they made this film, thinking audiences would be roaring with laughter!

Overall this is absolute trash, it didn't get a cinema release and to me is the definition of pointless. Even by the low, low standards of the National Lampoon stable – this is rubbish.

National Lampoon was once a funny magazine. Whether you liked the stoner hippie days of the late sixties or the smug and sassy coke-head days of the seventies (when the comedy was fortified with plenty of naked babes) depends very much on your date of birth, but everyone agrees that by the early eighties, middle age had killed off whichever remaining sparks of anarchic humour that the drugs hadn't, and offerings like this film and the increasingly terrible spin-off records shot further holes in the hull. Outside of a nicely illustrated title sequence, there's absolutely nothing to recommend this singularly depressing stinkbug. If you make it through the baffling opening segment, 'Growing Myself', hoping things will get better, tough luck - they don't. Whoever thought the idea of a woman being brutally raped with a stick of butter was comedy gold deserved to have his head handed back to him on a platter of dog mess. If there's ever a global shortage of guitar picks, the negatives of this rambling, incoherent ragbag of crummy ideas and dire performances may well serve some purpose.

"National Lampoon Goes to the Movies" is the worst movie ever made, surpassing even the witless "Plan 9 from Outer Space." At least that movie was just inept; the Lampoon film, on the other hand, is both inept and mean. Once upon a time, movies used to respect their audiences' intelligence. This one, however, holds a fetid, rotting carcass up to our faces -- and then tries to rub our noses in it.

Another reviewer on this site wrote that the only good parts of the movie are the nude scenes; and I agree, Misses Ganzel and Dusenberry do flash a bit of flesh, and very nice flesh it is. But the directors seem not to realize that even T&A needs a good story to surround it. There's none of that here.

Perversely, the film makers save the worst for last. The third of the three segments is the ugliest of the trio. In this vignette, Robby Benson plays an eager-beaver young police officer reporting for duty on his first day on the job. He is paired with a weary, cynical oldtimer played by Richard Widmark. For just a moment, we are given hope that this film will end triumphantly. Surely, we think, the youngster's spunky attitude will rub off on the cynic and change him for the better.

Forlorn hope! Instead, the cynic wins the day -- and the youngster's spark is doused forever. "National Lampoon Goes to the Movies" and heads right for the toilet, asking us to follow it down the drain. Nominally, this is a comedy. But where's the humor?

This film was suppose to be the follow-up to ANIMAL HOUSE. But it sat on the shelf for a while and finally went straight to cable. As a longtime fan of National Lampoon magazine I was eager to see the film (the shelf period should have warned me). And when I finally did see it I was very disappointed. Aside for a few moments of gratuitous nudity, this film has nothing going for it at all. The 3 segments just lie there with no other purpose than to say "ha ,ha, ha isn't this funny". How they managed to get veteran actors Robert Culp and Richard Widmark to appear in this junk is beyond me. Lampoon has gone on to make other films. Some good ones (VACATION, CHRISTMAS VACATION) and some stinkers (CLASS REUNION, THE DON"S ANALYST, DAD'S WEEKEND OFF) but this film has to be the worst from a franchise that was once at the cutting edge of contemporary humor.

National Lampoon's Movie Madness (1982)

1/2 (out of 4)

Extremely bad and embarrassing comedy is perhaps one of the worst that the decade had to offer. This film has three different spoof's of popular movie genres but none of them are funny. The first has Peter Riegert (NATIONAL LAMPOON'S ANIMAL HOUSE) playing a lawyer who asks his wife to leave him so that he can go through some personal growth. The second story deals with a woman who was gang raped with a stick of butter so she sets out to bring them down by making margarine the item to use. The third film has a stupid rookie cop (Robby Benson) tries to track down a serial killer (Christopher Lloyd) who likes to leave a copy of his driver license on the body of his victims. All three stories are incredibly bad but if I had to pick the best one I'd go with the first. It at least has Riegert and his certain style of comedy getting a few laughs and we also have some rather strange nudity. The second film seems to be spoofing TV shows like "Dallas" but it doesn't get any laughs. The third film is just downright annoying because it keeps going and going and never appears to know what it's trying to do. The major fault of this disaster has to be pointed at the screenplay, which just isn't funny. Non of the spoofs are that far out there and one could argue that none of these items needed to be spoofed because their own films did a good job at that. Did we really need this cop comedy when there was something like POLICE ACADEMY out there? The performances are all fair to bad but acting isn't what people come to a film like this for. The second and third films are without any laughs and what's really scary is that there was a fourth film spoofing disaster movies that was cut before the movie was released. With these three shorts being so bad you can't help but wonder how bad the fourth one was for the studio to decide that was the one to leave on the cutting room floor.