Dia dos Namorados Macabro

My Bloody Valentine - Special Edition

A slasher classic with an energetic cast. They did a pretty good job concealing the identity of the killer.

Paramount Pictures wasted a huge franchise potential by not follow-up more sequels for this film.

Twenty years ago, Harry Warden went nuts and slaughtered a bunch of people on Valentine's Day. The mining town he hailed from canceled subsequent V-Day dances, but when they try setting one up again, Warden seemingly returns with his pickax, ready to hack the local kids up and leave his mark. Things can only go bad from here.

Director George Mihalka brings us another holiday-themed slasher, riding the success of "Black Christmas", "Halloween" and "Friday the 13th"... and paving the way for "April Fools Day". But George is a nice guy and I don't want to say he's just one among the crowd. There were hundreds of 80s slashers, but only a few stand out today. "Bloody Valentine" is, of course, one of them.

Even in its original, neutered glory (anywhere from three to nine minutes were cut) the film stands as a good film. Without any really notable actors or actresses (okay, so Neil Affleck had a brief role in "Scanners"), and being Mihalka's one big mark, the film carries itself on story, acting and blood. The blood, while lacking a times, comes gushing through in others. And like any good slasher, the killer's identity is not revealed until the end... leaving us guessing until the last twist of the knife (or ax).

Slasher fans need to pick up the Lions Gate special edition. While the double-disc with "April Fools Day" is cheap and still worth watching, you don't really know this film until you've seen it uncut. The gore, oh my, the gore! It's actually a shame that it took so long for a company to come along and save this film because it was even better than we once assumed... Mihalka could have been one of the 80s greats (and, in my mind, he still is).

If you've been a horror fan and avoided this one, please see it. Sure, it's mostly mindless fun -- kids drinking and making out, getting hacked up -- but I can watch variations of this formula dozens, scores or hundreds of times. There's something fun about a simple stalking film that you can't always get from other films that try too hard to be clever. And I like thinking films, but a night with buddies and booze... you need a slasher. And this is the one you should pick.

More than just a guilty pleasure -- this one's actually good!

By the time 1981 had rolled around, the horror genre had gained much momentum with holiday-themed slasher flicks such as "Halloween" and "Friday The 13th." Never ones to shy away from a good cash-cow, Paramount (the same company to bring you "Friday The 13th") hired George Mihalka to direct the Valentine's Day themed "My Bloody Valentine." Pre-dating much of the camp and excess of the 80's, "My Bloody Valentine" is a pretty innocent film in it's own right, a glimpse into a time before the genre was completely saturated with masked killers and dumbed-down teenagers. It's simply a well-paced, well-oiled little horror movie. It's got a surprising amount of suspense, matched only by the outrageous and often over-the-top visual effects which -- thanks to a newly restored print of the film on DVD -- have finally seen the light of day.

With his film, Mihalka injects a good dosage of suspense, as well as some subtle stylishness. The grimy and grungy setting -- a dumpy mining town in Canada -- gives the film an unmistakably realistic look and feel, which only helps to drive home the authenticity. Sure, the film has it's fair share of clichés; in fact, some of the dialogue and plot-points appear to be ripped straight out of the original "Friday The 13th." The story of a deranged killer returning home years later to exact his revenge on a town is hardly re-inventing the wheel. But when stacked up against it's competition, "My Bloody Valentine" holds it's own. It's one of the few films from the much maligned (and yet, enjoyable) era to actually hold up to today's standards (for the most part). Truth be told, even if you are viewing the heavily edited theatrical cut, the film works just as well without the heavy special effects, which is a testament to the overall quality of a film that was conceived, created and released in under half a year's time.

Sure, it's got it's flaws, but nothing fatal. If you can stomach bad characters, even worse actors and a few clichés here and there, it's a pretty satisfying experience. At the very least, it pre-dates a lot of more successful films and has had a subtle influence on the genre as a whole. Fans of the genre should be aware of it not just as a fun way to kill time -- which it is -- but also as a perfect example of a slasher done right. With a remake currently in theaters and a DVD that treats the film right, "My Bloody Valentine" is finally having it's day in the sun. Even if you've "seen it all," you'll still have a good time with it.

Quentin Tarantino has called this his all-time favorite slasher film, and it's one I'd never seen, so I went into this with fairly high expectation. Unfortunately, this film still pales when compared to John Carpenters "Halloween" or William Lustig's "Maniac." Still, it's well made and does stand shoulder to shoulder with some of the better slasher films of the 70s and 80s; "The Town that Dreaded Sundown," "The Burning," "Sleepaway Camp," "Black Christmas," and such. The story involves a coal mining town where a maniac wearing mining gear kills hapless victim with a pickax, boiling water, shower head nozzles, and other implements that all prove deadly. The film does have a decent who-done-it mystery element to it and when the mystery is revealed at the end it's not a copout and is satisfyingly done, which is a rarity for most slasher films. Overall, I wouldn't say "My Bloody Valentine" is a classic, but it is a must see for slasher film fans.

Notorious for being the slasher film most tortured by the censors upon release, MY BLOODY VALENTINE has become something of a cult classic with legions of adoring fans. The only available version of this movie is missing over 9 minutes of gore, but thankfully producer John Dunning has located all of the absent footage and a battle rages on with copyright owners Paramount for a fully restored release. The movie itself nestles nicely with ROSEMARY'S KILLER as the two best non-franchise splatter flicks of 1981.

From the outset, we're introduced to the small mining town of Valentine Bluffs, which hides beneath its fun loving exterior a best-forgotten secret. Twenty years ago the supervisors at the mine were so eager to get to the annual Valentine dance that they didn't bother to check the levels of the methane gas. There was a massive explosion and five workers were trapped underneath the rubble and debris. The only survivor was one Harry Warden, who never mentally recovered from the accident. Exactly a year later he returned and brutally killed the two who were responsible for the tragic mishap. He cut out their hearts, stuck them in candy boxes and sent them to the authorities. Fortunately he was caught before he carried out any more killings and was put into Eastfield Asylum for the insane. Now in 1981 the happy go lucky residents of the usually tranquil town are preparing themselves for the first Valentine dance to be held since that fateful night two decades ago. Memories of Warden's murders have passed and a group of fun loving kids are thinking about nothing else but the anticipated party. However the night before the event the town mayor receives a blooded heart in a candy box with a poetic warning. It seems Harry has returned…

MY BLOODY VALENTINE is certainly a fine example of eighties splatter at it's best. Although the acting isn't remarkable, I found that the three leads were competent enough and the script gave us enough time to get to know them. There's an interesting sub-plot that builds between T.J. (Kelman), Axel (Affleck) and Sarah (Hallier). Apparently T.J. was with Sarah before he went away for a while without telling anyone where he was going. Now he's returned and his buddy Axel is with his old flame. Cue the flying sparks! The rest of the wacky cast members are so cheery and carefree that you just know something dreadful is going to happen to them! There's a practical joker (who surprisingly isn't the fat guy), a couple of overly randy teens and even a hammy old guy who tells the kids that they're doomed just like Ralph over at Camp Crystal Lake!

Credit has to be given for the effort from all involved. The movie began filming in September 1980, but the set designer took the time to make sure that everything was decked out in hearts and banners and they made things look like it actually was Valentine's Day. Mihalka makes good use of the spooky mine as a setting and most of the murders are imaginative and well thought out. In one scene a victim is trapped in a room where miner's uniforms are dropping from rails and surrounding her. In panic she tries to find a way out of the claustrophobic and threatening setting (all courtesy of the killer), before bumping into a costume that actually has the murderer in it! If that isn't bad enough, he kills her in a most gruesome fashion! His disguise is arguably one of the best of the eighties and the gas mask sure helps make the traditional ‘heavy breathing' - sound much scarier. There are also one or two jumps that'll probably get you if you haven't seen this before and it's all accompanied with a satisfactory score from Paul Zaza.

The plot is actually pretty smart for a slasher film. I wont go into too much detail because I can't say anything without spoiling it all for you, but watch how they manage to keep you guessing toward the end. It's also worth noting that James Mangold borrowed that classic body (or in his case, head) in a tumble dryer scene for his part-slasher, IDENTITY in 2003. In 2001 George Mihalka went to Paramount with a script for MY BLOODY VALENTINE 2 but they turned him down because the original didn't do brilliantly at the box office. Just proves how annoying they really are doesn't it! They've already said that they'd have no interest in seeing the director's cut of this movie released, even though fans around the world are begging for it. Recently the company asked people to give them ten films that we want to see unleashed and apparently one of those ten was MY BLOODY VALENTINE UNCUT; so we'll just have to wait and see if they come round to our way of thinking. Just imagine if they gave us the full works: The first four FRIDAY THE 13THs and this movie all uncut on special edition discs with commentaries where available and all the trimmings. If Raimi can do it for EVIL DEAD then someone can do it for us! Come on Paramount, lighten up and get on the case!

All in all this is a great little horror movie. It's smartly directed with a likeable cast and a really tense finale. The only problem lies with the shameful editing in the kill scenes where 9 minutes was savagely removed. I'm beginning to think that old Harry Warden should take a trip to the Paramount office, pickaxe in hand, to get revenge on these brutal spoilsports. Still, a few niggles aside, this is a decent little movie from Canada that deserves to be remembered, as one of the best of it's kind. And that's a sure fire compliment!